How to Write Better Lyrics: 13 Tips to Improve Your Songs
how to write better lyrics

How to Write Better Lyrics: 13 Tips to Improve Your Songs

When it comes to writing hip-hop music, good instrumentals can take you a long way, but a song is nothing without strong lyrics to support it. Especially in a genre like rap, which has such a rich lyrical tradition, it’s not possible to rely just on beats. Your instrumentals should provide the background for the message you want to get across through your lyrics.

Easier said than done, though. Writing good lyrics can be a real challenge, even for the pros. A well-composed rap is truly a feat of artistic genius, and the words are the most important part. With the task being as difficult as it is, it’s no wonder why so many aspiring rap and hip-hop artists need a little guidance and inspiration to write a great track.

To help give you a push in the right direction, we’ve compiled a bunch of useful information that you can use to improve your music-writing skills. Read on below for 13 tips to write better rap lyrics.

1. Take Advantage of a Rhyme Dictionary

One of the most important parts of writing song lyrics, especially for a rap song, is that words in strategic places rhyme. Often the better a rhyme is in a rap song, the more impressive the lyricism is considered to be by listeners. A song that doesn’t rhyme is a much harder sell and isn’t likely to be very successful.

However, rhyming is sometimes difficult to do. It’s not always easy to think of the appropriate words to use when you’ve written yourself into a corner.

Luckily, you can always use a rhyming dictionary to help you out of a tough spot. With this tool, you can simply look up a word you’d like to use and find a whole bunch of other words that rhyme with it. Many songwriters rely on tools like this to help them produce the best lyrics they possibly can.

2. Never Forget an Idea with a Lyrics Journal

If your typical approach to writing a song involves sitting down at a particular moment and trying to crank all the lyrics out at once, and you’re having trouble making this strategy work, you might need to get out of this mindset entirely. Rather than forcing creative genius to strike at the moment you decide, accept the fact that inspiration can come to you at any moment, and it’s your job to seize it when it appears.

It can be helpful to keep a lyrics journal on you at all times when inspiration strikes suddenly. This can be a pocket-sized physical book or just the notes application on your smartphone. But the most important thing is that you have some way to document all the ideas that you have for lyrics as soon as they strike you, no matter where you are.

Once you get into this habit, you’ll never find yourself sitting at your desk and staring at a blank page again. You’ll always have a catalog of previously unused ideas to fall back on.

3. Don’t Stress – Let the Lyrics Write Themselves

It’s often much easier to write creatively when you’re not stressed about creating a perfect work of art every time. Sometimes by just letting loose and not worrying about what happens, you can end up with some of your best work.

If you’re experiencing writer’s block, try freewriting for a bit. This is an exercise many writers do where they just write down anything that pops into their head for a period of time. You won’t end up with a fully polished song, but when you’re done you can highlight and extract anything particularly notable that came out of the exercise and use it in an in-progress work.

4. Focus on a Central Theme

For many songwriters, the message behind the lyrics is far more important than the words themselves. This is especially true in the rap genre, which has been used for decades as a vehicle for dispersing powerful ideas and creating meaningful change through art.

When you find yourself struggling to put words on the page, try to take a step back and remember the big picture. Focus on the central theme you want to express to your listeners, and the right words will come to you.

5. Be Mindful of Your Syllable Count

Another critical aspect that songwriters have to pay attention to when coming up with lyrics is syllabification. For the words you write to fit well over the beats in your songs, you need to make sure each line has the appropriate number of syllables. If this is done poorly, it can really throw off the whole rhythm of the song and make it difficult to listen to.

Making sure to use a deliberate and systematic approach to determining how many syllables belong in each line will go a long way towards improving the quality of your lyrics. Remember that the goal isn’t to give each line the same number of syllables, but rather to make sure that the number of syllables in each line allows the lyrics to fit well with the beat.

6. Write Down Whatever You Think of – Even if it’s Imperfect

It’s important that you don’t feel insecure about your ideas in their raw forms. When a thought comes into your head, it will most likely require some polishing before it’s ready to be displayed to an audience. However, if you don’t seize on the moment and write it down just because it isn’t perfect yet, it’s easy to forget these seeds of creative ideas and squander their potential.

With this in mind, you should always make a note of any ideas that come to you for your songs. Remember that you can always sift through your hasty notes later and improve upon your initial thoughts to make a polished and cohesive set of lyrics.

7. Create an Outline of the Song’s Structure

Creating a map of the structure of your song can be a big help when it comes to filling it out entirely with lyrics. Many writers find that dividing their projects into smaller sections makes them more manageable and easier to process conceptually. Plus, it allows you to write your song out of order, which is incredibly helpful, especially if you only have ideas for a chorus or one particular verse.

8. Start with a Strong Chorus, and the Rest Will Follow

Writing enough lyrics to fill out a three to five-minute song sounds like a lot of work. But there are some built-in conveniences that make the songwriting process go a lot smoother.

Besides the fact that a certain amount of your song’s runtime will be occupied by instrumentals, remember that lyrics tend to include sections that repeat. That’s why it’s so important to put work into your chorus, refrain, or any frequently repeated part of your song.

If the chorus is solid, then most of your work is already done, and you’ll be surprised how easy it is to fill in the verses later.

9. Personalization is Key

It’s important to keep in mind that the songs you write should be a reflection of you. You can draw so much inspiration from your own life story and who you are as a person, and the unique qualities you bring to your lyrics will make your songs better. If you just remember to focus on adding that personal touch, it will really make your music stand out and do a lot for your career.

10. Don’t Get Stuck in a Rut

If you’ve gotten bogged down by rehashing the same old routine every time you try to write a song, don’t be afraid to break the mold a bit and try a new approach. It will never hurt you to shake up your method and broaden your perspective a little bit.

11. Try to Use Vibrant Imagery

Your listeners want to have a moving sensory experience when they listen to your music. You can use your words to make them see and feel whatever you want, as long as you know what you’re doing.

Make an effort to use literary devices like metaphor and imagery in your lyrics, as it can really improve the quality of your writing.

12. Tap into a Personal Struggle

If you feel strongly about a certain topic, writing powerful words about it should come somewhat naturally. Don’t be afraid to bring your history and your background into your artwork, as listeners often find themes of personal struggles and overcoming hardship to be quite moving.

13. Let the Music Be Your Guide

At the end of the day, the most vital aspect of a hit track is that the lyrics fit well with the music. When in doubt, really tap into the beat and the instrumentals and let the words flow naturally to fill in the empty space.

Conclusion

Now that you’ve read our 13 tips for writing better rap lyrics, you’re ready to get started on your next big hit. Whether you choose the handful of strategies that appeal to you most or incorporate all thirteen into your creative method, you’re more likely to come up with the perfect words to put over your instrumentals.


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The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

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The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

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The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

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The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

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The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

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Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

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All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

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This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

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The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

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The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

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The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

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The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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THIS LICENSE AGREEMENT is made on 7th June 2024 ("Effective Date") by and between Licensee(hereinafter referred to as the "Licensee") also, if applicable, professionally known as Licensee, residing at [N/A] and Thomas Hodek. (hereinafter referred to as the "Licensor"). Licensor warrants that it controls the mechanical rights in and to the copyrighted musical work entitled "BEAT NAME("Composition") as of and prior to the date first written above. The Composition, including the music thereof, was composed by Thomas Hodek ("Songwriter") managed under the Licensor.

All licenses are non-refundable and non-transferable.

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The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).

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The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use. 

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The Licensor hereby grants to Licensee an exclusive license to broadcast or air the Master Recording in unlimited amounts of radio stations. 

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Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise. 

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Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency. 

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In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended. 

Indemnification. 

Accordingly, Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, expenses, including, without limitation, reasonable attorney's fees, arising of or resulting from a claimed breach of any of Licensee's representations, warranties or agreements hereunder.

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3rd party sample clearance is the responsibility of the licensee.

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This license is non-transferable and is limited to the Composition specified above.

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This License is governed by and shall be construed under the law of the Bayern DE, without regard to the conflicts of laws principles thereof. 

Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights 

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