Why Great Artists Focus on Feeling — Not Perfection
Artistry in Music

Why Great Artists Focus on Feeling — Not Perfection

The Truth About What Makes Music Powerful

If there’s one truth every great artist eventually discovers, it’s this:
the songs people remember aren’t perfect — they’re honest.

You can spend endless hours polishing vocals, tweaking the mix, and comparing yourself to your favorite artists. But the moment you stop chasing technical perfection and start creating from emotion, something shifts. Your music begins to feel alive.

Listeners can sense it — that raw energy, that human imperfection that makes a track real. Perfection might impress for a second. Feeling connects forever.


Why Perfectionism Is the Artist’s Trap

Every rapper, singer, or producer knows that moment:
you’ve written something powerful, you lay it down, and then… you start overthinking it.
The vocals could be tighter. The snare could hit harder. Maybe that verse needs another rewrite.

Before you know it, you’ve lost the original spark that made the song special.
That’s what perfectionism does — it replaces emotion with doubt.

The irony?
Many of the songs that changed lives or defined generations were technically flawed by today’s standards.

  • Tupac sometimes rapped slightly ahead of the beat.

  • Amy Winehouse left imperfections in her takes that gave them soul.

  • Mac Miller’s delivery wasn’t always polished — but it was always real.

Listeners don’t connect to “perfect.” They connect to human.


Perfection Can Kill Progress

Perfectionism doesn’t just affect your sound — it slows your growth.
When you obsess over getting everything 100% right, you end up releasing nothing at all. Your drive turns into hesitation, and your creativity gets replaced by fear.

Music is meant to evolve. The first version of a song should capture your raw idea; the next few versions just refine it. But chasing perfection? That’s when you start moving backward.

Think about it:
No fan ever says, “I love how perfectly EQ’d that hi-hat was.”
They say, “This song hit me.”
That’s the difference between being impressive and being impactful.

If your song makes someone stop what they’re doing, if it gives them goosebumps or helps them through something — it’s already perfect in the way that matters most.


Feeling Is the Core of Great Music

Every genre, every era, every timeless artist — all have one thing in common: emotion.
It’s the soul behind every lyric, every note, every beat that makes your head nod or your chest tighten.

As a rapper or vocalist, your emotion is your fingerprint. It’s what makes a listener remember you.
Even if your mix isn’t flawless or your flow isn’t textbook perfect, emotion builds connection — and connection is what creates fans.

That’s why artists like J. Cole, Kendrick Lamar, and NF resonate so deeply. Their delivery feels lived-in. You can hear the honesty in every bar. That’s the difference between someone who’s performing and someone who’s expressing.


The Beauty of Imperfection

There’s a Japanese concept called Wabi-sabi — finding beauty in imperfection.
Music works the same way.
That little crack in your voice? It shows emotion.
That slightly off-beat phrase? It creates tension and character.
Those moments make your music feel human — not manufactured.

Modern production tools can fix every note, tune every pitch, and align every sound perfectly to the grid.
But if everything is perfect, nothing feels alive.
Your goal isn’t to remove the imperfections — it’s to make sure the imperfections serve the emotion.


How to Shift from Perfection to Feeling

Let’s make this practical. Here’s how you can train yourself to focus more on feeling:

1. Capture emotion first, refine later.
When inspiration strikes, record immediately. Don’t worry about mic settings, EQ, or takes. Capture the moment. You can always fix technical details later — but you can’t recreate the original spark.

2. Stop comparing your work mid-process.
Don’t mix while referencing mainstream hits. That’s like comparing a sketch to a finished painting. Focus on getting your emotion right before measuring it against someone else’s polish.

3. Listen with your gut, not your gear.
When you play your track back, ask yourself: Does this move me?
If you can feel something from your own song — even in a rough state — your audience will too.

4. Finish more, doubt less.
Perfectionists finish fewer songs. Releasing builds momentum; hesitation kills it. Growth happens through repetition — not endless tweaking.


Perfection Is an Illusion

Every great artist knows: a song is never truly finished.
You could always tweak the mix, rewrite the hook, or rearrange the drums. But at some point, you have to let the music go and let it live its life.

Art isn’t meant to be flawless — it’s meant to express what can’t be said otherwise.
And often, the version you almost delete is the one that ends up connecting the most.

So stop trying to sound “perfect.”
Sound honest.
That’s what people remember.


Finding Emotion in the Right Beat

Emotion doesn’t just come from lyrics — it starts with the beat.
The right instrumental creates a feeling before you even say a word. That’s why artists spend time finding beats that speak to them emotionally, not just sonically.

A soulful, cinematic beat can pull out deeper lyrics. A darker, moody instrumental can bring out vulnerability.
That’s exactly why I create beats that feel like stories — crafted to inspire authenticity and real expression.

If you want to reconnect with that feeling:
Browse Beats & Instrumentals — find the one that matches your emotion.

Or, if you’re ready to stock up while the deal lasts:
Get The Beat Pack (10 Beats for the Price of 1)

Each beat is mixed for release and built for connection — not perfection.


The Artists Who Last Are the Ones Who Feel

Trends fade. Sounds change. But emotion never goes out of style.
The artists who build real careers aren’t the ones who release flawless songs — they’re the ones who make people feel something genuine.

Every verse you write, every song you release, is a snapshot of where you are right now.
It doesn’t have to be perfect. It just has to be you.

So the next time you find yourself doubting your take or overanalyzing your mix, remember this:
Great artists don’t aim for perfect — they aim for truth.


Final Thought

Feeling is timeless. Perfection is temporary.
If you want your music to truly connect, focus on honesty, not flawlessness.
Listeners will forgive a flat note — but they’ll never forget a line that made them feel something real.

Keep creating. Keep feeling.
Your best work is the one that moves you first.


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This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

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All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

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This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

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The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

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The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

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The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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