How to Write Lyrics When You’re Missing Inspiration
Inspiration Writing Lyrics

How to Write Lyrics When You’re Missing Inspiration

Writing raps and rhymes can be hard when you’re uninspired. Here’s how to write lyrics for your next hit and overcome that writer’s block.

You can have the best beats, the best rhymes, and the nicest flow. But eventually, that dreaded writer’s block is going to hit you.

It’s something that every rapper fears and yet it’s pretty much unavoidable.

You may think it makes you a bit lyricist, or that you’re not cut out for the industry. But before you beat yourself up, you should know that just about every single one of your favorite rappers experienced writer’s block at someone point or another.

The lyrics don’t always flow, after all, but that doesn’t mean you’re not a great rapper. It just means that you need to re-focus.

As Eminem once said, “Anything is possible as long as you keep working at it and don’t back down.”

Ready to learn how to write lyrics when you’re struggling? Then keep reading, here are some tips to get you past the block.

Figure Out How To Write Lyrics In Your Downtime

Most of us don’t learn how to write lyrics out of habit. We often tend to focus on the beats first, then let the lyrics flow as they may. This isn’t always the best course of action. In fact, it’s a pretty big mistake.

Even if you feel like the beats should dictate the bars, every song needs a strong lyrical foundation.

If you really want to learn how to write lyrics with a pro, you’ll need practice and lots of it. To succeed, you need to dedicate yourself to your writing.

Don’t just write to figure out how to write lyrics because it’s part of the game, write because it’s going to make you better. Every bad rhyme, every ineffective song, every overwrought cliche — each of these bring you closer to your apex.

Writing should become second nature to you before you hit the studio. If you want to make an impact, you’ll need to hone your skills.

Take those five minutes you just spent checking Facebook and use them to write next time. You’ll notice an improvement in no time.

Accept That Writer’s Block Is Part Of The Process

A lot of young rappers get a little too cocky when they learn how to write lyrics. They write page after page of lyrics with no end in sight.

Sounds nice, doesn’t it?

But it isn’t always like that. Writer’s block is a fact of life, like death and taxes. The sooner you make peace with it, the sooner you can get on your way to becoming a great lyricist.

Fighting writer’s block is a lot like swimming against a strong current. Struggle as much as you’d like, but the tide is still going to take you under if you put up a fight.

So what’s the solution? The same as fighting the current: accept writer’s block. That doesn’t mean you have to like it, just that acceptance tends to make the process go by a lot quicker.

It isn’t a matter of ‘if’ but ‘when’. By accepting your writer’s block, you’ll help feel more at peace when the inevitable hits.

Don’t Put Pressure On Yourself

Writer’s block doesn’t mean that a writer is lazy or untalented. Just that the natural creative juices aren’t flowing.

You may feel tempted to pressure yourself into working through your block, but this isn’t always a great idea. You may end up writing and recording something that isn’t reflective of the rest of your work.

Most albums have a few songs that are dull and don’t seem like they fit. Chances are these are the songs that rappers felt they had to make.

They tried to push through their writer’s block and the result was…less than stellar, to say the least.

Try not to put too much pressure on yourself as an artist. If you don’t have any inspiration, don’t try and force it.

If you’re trying to make a name for yourself, one bad song is all it takes to tank a reputation. It’s much better to wait out the storm.

Find Your Passion

When a rapper really struggles to identify with his or herself as a songwriter, it’s usually a sign that they haven’t delved deep enough to really understand themselves.

What are the things you really care about? There’s no right or wrong answer here, but it’s something you’ll need to face.

Everyone has something they care about. It could be a social issue like poverty, police brutality, or politics. It could also be something a bit closer to home, like familial issues or mental illness.

Whatever you care about isn’t necessarily going to be unique to you — but your view on it will be.

Think about Childish Gambino’s career for a second. Gambino started out releases free mixtapes he recorded in his dorm room on his website.

Not only are they better than most of the other stuff on the market today, but they’re shockingly honest. Glover writes about issues like identity, how fame isn’t everything it’s chocked up to be, and about depression.

It’s deep stuff, but that’s why it stands out. In a time where other rappers were writing songs for commercials, Glover was creating something real.

Listen To Your Old, Unreleased Work

Not every piece is going to be release-ready. But instead of dragging those tired old tracks to your computer’s trash bin, take another listen. There’s almost always something in those old songs that can provide some inspiration.

All it takes to get most writers out of a rut is one source of inspiration. Who’s to say it can’t come from you?

You may be able to rehash some of the lyrics or use some of the themes or rhymes to create something brand new.

Take A Break

Of course, sometimes using your old tracks for inspiration still isn’t enough. You may just need to give yourself a break, shut off the computer, and focus on something else for a bit.

Everyone needs a break every now and again or else they’ll suffer from the dreaded creative burnout.

When you can’t seem to come up with any more lyrics, sometimes the best answer is to stop trying for a bit. You deserve a break.

Unplug and head outside for a bit. Sometimes reconnecting with the world around you is a great way to find inspiration. Hang out with friends or explore the world around you.

A lot of us are too wrapped up in our own lives to get a sense of what’s going on in the world. Taking a break and learning more about your community can reignite those creative flames that have dwindled.

Read

Talk to those who know how to write lyrics and you’ll discover a common link that you may not expect: reading.

As it turns out, the best writers are often avid readers. The master of horror Stephen King once wrote, “If you don’t have the time to read, you don’t have the time (or tools) to write.”

What do you think? He seems to have a point. Reading opens our minds to new perspectives and ideas that can greatly influence our own writing.

Next time you’re trying to fill that notebook of lyrics, put down the pencil and pick up some reading material. It doesn’t matter what you read — a magazine, book, or even blog like this one.

Find some writing that you identify with and devour it. Set aside a few minutes each day to reading and watch your writing abilities soar.

Switch Genres

As lyricists, we have a tendency to get stuck in our heads too often. A new perspective never hurts, so consider learning how to write lyrics for a new genre.

Now, before you discount this tip entirely, consider what Kid Cudi did when he was hard pressed for inspiration. He could’ve written Man on the Moon III, but instead, he wrote Speedin’ Bullet 2 Heaven.

Bullet was a pretty big departure for Cudi, as it was a rock album. While a lot of fans were left confused, Cudi reiterated that it was the music he wanted to make.

And ultimately, that’s one of the best things an artist can do: create for themselves. So if you’re looking for an excuse to write in a different style, here’s your chance.

If nothing else you’ll come away with a newfound appreciation for the musicianship of other genres.

Ignore Your Internal Editor

As lyricists, we all have that nagging voice in the back of our heads. You know the one. The voice that tells us that whatever we’re writing isn’t good enough.

But then you release a song to tons of acclaim and praise. So what gives? More often than not, your internal editor isn’t always the voice of reason.

Knowing how to write lyrics is a lot like writing poetry. It doesn’t have to be in a specific style, you set the parameters. No one looks at a haiku and says it isn’t as good as limerick because of its style. Why should your lyrics be any different?

Want To Know How To Write Lyrics Like A Pro?

Now that you’ve read this article, you have the secrets needed to write lyrics through even the toughest bout of writer’s block. So next time writer’s block hits, hit back harder.

And if you’re looking for some great beats or instrumentals for your great new lyrics, get in touch. I’d love to discuss collaborating with you!


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6 Comments

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January 1, 2018 9:07 am

[…] to jazz. Big has one of the most imitated styles and is a legend due to the fact that he never wrote his raps […]

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January 5, 2018 2:16 pm

[…]   There’s a reason why N.W.A. was responsible for hip-hop hitting the mainstream. They pulled from funk and early hip-hop to make beats like this one, which was the perfect backdrop for the socially conscious lyrics. […]

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January 12, 2018 6:24 pm

[…] Naming a song is just as important as writing the piece. […]

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[…] we just said that simple is best but that doesn’t mean your word choice has to be basic and dull. After all, a strong hit song is one that brings people into it […]

Creating the Next Hit: 9 Songwriting Tips to Boost Your Music Career | Tellingbeatzz
January 21, 2020 12:54 pm

[…] Writing great lyrics will put your audience into the story of the song and make your words come alive. By doing so, you’ll make the listener feel the same emotions you’ve felt. […]

belema jonathan
September 17, 2020 8:17 am

i do rap but sometimes i reapeat one word

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All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

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The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

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The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

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The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

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The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

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The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

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The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

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The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

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Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

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The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

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This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

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All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

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This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

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The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

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The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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THIS LICENSE AGREEMENT is made on 7th June 2024 ("Effective Date") by and between Licensee(hereinafter referred to as the "Licensee") also, if applicable, professionally known as Licensee, residing at [N/A] and Thomas Hodek. (hereinafter referred to as the "Licensor"). Licensor warrants that it controls the mechanical rights in and to the copyrighted musical work entitled "BEAT NAME("Composition") as of and prior to the date first written above. The Composition, including the music thereof, was composed by Thomas Hodek ("Songwriter") managed under the Licensor.

All licenses are non-refundable and non-transferable.

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The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).

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The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use. 

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Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise. 

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Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency. 

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In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended. 

Indemnification. 

Accordingly, Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, expenses, including, without limitation, reasonable attorney's fees, arising of or resulting from a claimed breach of any of Licensee's representations, warranties or agreements hereunder.

Audio Samples. 

3rd party sample clearance is the responsibility of the licensee.

Miscellaneous. 

This license is non-transferable and is limited to the Composition specified above.

Governing Law.

This License is governed by and shall be construed under the law of the Bayern DE, without regard to the conflicts of laws principles thereof. 

Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights 

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