How to Write Lyrics When You’re Missing Inspiration
Inspiration Writing Lyrics

How to Write Lyrics When You’re Missing Inspiration

Writing raps and rhymes can be hard when you’re uninspired. Here’s how to write lyrics for your next hit and overcome that writer’s block.

You can have the best beats, the best rhymes, and the nicest flow. But eventually, that dreaded writer’s block is going to hit you.

It’s something that every rapper fears and yet it’s pretty much unavoidable.

You may think it makes you a bit lyricist, or that you’re not cut out for the industry. But before you beat yourself up, you should know that just about every single one of your favorite rappers experienced writer’s block at someone point or another.

The lyrics don’t always flow, after all, but that doesn’t mean you’re not a great rapper. It just means that you need to re-focus.

As Eminem once said, “Anything is possible as long as you keep working at it and don’t back down.”

Ready to learn how to write lyrics when you’re struggling? Then keep reading, here are some tips to get you past the block.

Figure Out How To Write Lyrics In Your Downtime

Most of us don’t learn how to write lyrics out of habit. We often tend to focus on the beats first, then let the lyrics flow as they may. This isn’t always the best course of action. In fact, it’s a pretty big mistake.

Even if you feel like the beats should dictate the bars, every song needs a strong lyrical foundation.

If you really want to learn how to write lyrics with a pro, you’ll need practice and lots of it. To succeed, you need to dedicate yourself to your writing.

Don’t just write to figure out how to write lyrics because it’s part of the game, write because it’s going to make you better. Every bad rhyme, every ineffective song, every overwrought cliche — each of these bring you closer to your apex.

Writing should become second nature to you before you hit the studio. If you want to make an impact, you’ll need to hone your skills.

Take those five minutes you just spent checking Facebook and use them to write next time. You’ll notice an improvement in no time.

Accept That Writer’s Block Is Part Of The Process

A lot of young rappers get a little too cocky when they learn how to write lyrics. They write page after page of lyrics with no end in sight.

Sounds nice, doesn’t it?

But it isn’t always like that. Writer’s block is a fact of life, like death and taxes. The sooner you make peace with it, the sooner you can get on your way to becoming a great lyricist.

Fighting writer’s block is a lot like swimming against a strong current. Struggle as much as you’d like, but the tide is still going to take you under if you put up a fight.

So what’s the solution? The same as fighting the current: accept writer’s block. That doesn’t mean you have to like it, just that acceptance tends to make the process go by a lot quicker.

It isn’t a matter of ‘if’ but ‘when’. By accepting your writer’s block, you’ll help feel more at peace when the inevitable hits.

Don’t Put Pressure On Yourself

Writer’s block doesn’t mean that a writer is lazy or untalented. Just that the natural creative juices aren’t flowing.

You may feel tempted to pressure yourself into working through your block, but this isn’t always a great idea. You may end up writing and recording something that isn’t reflective of the rest of your work.

Most albums have a few songs that are dull and don’t seem like they fit. Chances are these are the songs that rappers felt they had to make.

They tried to push through their writer’s block and the result was…less than stellar, to say the least.

Try not to put too much pressure on yourself as an artist. If you don’t have any inspiration, don’t try and force it.

If you’re trying to make a name for yourself, one bad song is all it takes to tank a reputation. It’s much better to wait out the storm.

Find Your Passion

When a rapper really struggles to identify with his or herself as a songwriter, it’s usually a sign that they haven’t delved deep enough to really understand themselves.

What are the things you really care about? There’s no right or wrong answer here, but it’s something you’ll need to face.

Everyone has something they care about. It could be a social issue like poverty, police brutality, or politics. It could also be something a bit closer to home, like familial issues or mental illness.

Whatever you care about isn’t necessarily going to be unique to you — but your view on it will be.

Think about Childish Gambino’s career for a second. Gambino started out releases free mixtapes he recorded in his dorm room on his website.

Not only are they better than most of the other stuff on the market today, but they’re shockingly honest. Glover writes about issues like identity, how fame isn’t everything it’s chocked up to be, and about depression.

It’s deep stuff, but that’s why it stands out. In a time where other rappers were writing songs for commercials, Glover was creating something real.

Listen To Your Old, Unreleased Work

Not every piece is going to be release-ready. But instead of dragging those tired old tracks to your computer’s trash bin, take another listen. There’s almost always something in those old songs that can provide some inspiration.

All it takes to get most writers out of a rut is one source of inspiration. Who’s to say it can’t come from you?

You may be able to rehash some of the lyrics or use some of the themes or rhymes to create something brand new.

Take A Break

Of course, sometimes using your old tracks for inspiration still isn’t enough. You may just need to give yourself a break, shut off the computer, and focus on something else for a bit.

Everyone needs a break every now and again or else they’ll suffer from the dreaded creative burnout.

When you can’t seem to come up with any more lyrics, sometimes the best answer is to stop trying for a bit. You deserve a break.

Unplug and head outside for a bit. Sometimes reconnecting with the world around you is a great way to find inspiration. Hang out with friends or explore the world around you.

A lot of us are too wrapped up in our own lives to get a sense of what’s going on in the world. Taking a break and learning more about your community can reignite those creative flames that have dwindled.

Read

Talk to those who know how to write lyrics and you’ll discover a common link that you may not expect: reading.

As it turns out, the best writers are often avid readers. The master of horror Stephen King once wrote, “If you don’t have the time to read, you don’t have the time (or tools) to write.”

What do you think? He seems to have a point. Reading opens our minds to new perspectives and ideas that can greatly influence our own writing.

Next time you’re trying to fill that notebook of lyrics, put down the pencil and pick up some reading material. It doesn’t matter what you read — a magazine, book, or even blog like this one.

Find some writing that you identify with and devour it. Set aside a few minutes each day to reading and watch your writing abilities soar.

Switch Genres

As lyricists, we have a tendency to get stuck in our heads too often. A new perspective never hurts, so consider learning how to write lyrics for a new genre.

Now, before you discount this tip entirely, consider what Kid Cudi did when he was hard pressed for inspiration. He could’ve written Man on the Moon III, but instead, he wrote Speedin’ Bullet 2 Heaven.

Bullet was a pretty big departure for Cudi, as it was a rock album. While a lot of fans were left confused, Cudi reiterated that it was the music he wanted to make.

And ultimately, that’s one of the best things an artist can do: create for themselves. So if you’re looking for an excuse to write in a different style, here’s your chance.

If nothing else you’ll come away with a newfound appreciation for the musicianship of other genres.

Ignore Your Internal Editor

As lyricists, we all have that nagging voice in the back of our heads. You know the one. The voice that tells us that whatever we’re writing isn’t good enough.

But then you release a song to tons of acclaim and praise. So what gives? More often than not, your internal editor isn’t always the voice of reason.

Knowing how to write lyrics is a lot like writing poetry. It doesn’t have to be in a specific style, you set the parameters. No one looks at a haiku and says it isn’t as good as limerick because of its style. Why should your lyrics be any different?

Want To Know How To Write Lyrics Like A Pro?

Now that you’ve read this article, you have the secrets needed to write lyrics through even the toughest bout of writer’s block. So next time writer’s block hits, hit back harder.

And if you’re looking for some great beats or instrumentals for your great new lyrics, get in touch. I’d love to discuss collaborating with you!


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Tags:
Lyrics

6 Comments

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January 21, 2020 12:54 pm

[…] Writing great lyrics will put your audience into the story of the song and make your words come alive. By doing so, you’ll make the listener feel the same emotions you’ve felt. […]

belema jonathan
September 17, 2020 8:17 am

i do rap but sometimes i reapeat one word

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The Licensee may continue using, distributing and monetizing the New Song according to the terms of this Agreement.

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This Unlimited License Agreement (the “Agreement”) is entered into on [Purchase Date] between Thomas Hodek, professionally known as Tellingbeatzz (“Licensor”) and [Customer Full Name] (“Licensee”).
The Licensee has purchased an WAV Unlimited License for the instrumental titled “[Beat Title]” (“Beat”) for a license fee of [Purchase Price] under Order #[Order Number].
Upon successful payment, this Agreement becomes effective immediately and is delivered electronically together with the licensed Beat files.

1. Grant of License

The Licensor grants the Licensee a non-exclusive, worldwide, non-transferable and perpetual license to use the Beat to create and commercially exploit one or more new songs incorporating the Beat (“New Song”).
The Licensee may add vocals, lyrics, melodies, instrumentation, arrangements and other original contributions to the Beat.
The Beat itself remains the intellectual property of the Licensor and is not sold or transferred to the Licensee.

2. Unlimited Commercial Use

The Licensee may commercially release and use the New Song without limits on:
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  • sales
  • audio streams
  • monetized video streams
  • music videos
  • live or paid performances
  • radio and online broadcasts
  • social media content
  • albums, EPs, mixtapes and singles
There are no limits on streams, sales, downloads, views or performances generated by the New Song.

3. Master Recording and Revenue

The Licensee may create and commercially exploit a new master recording incorporating the Beat (“Master Recording”).
The Licensee retains the revenue generated directly from exploitation of the Master Recording, including streaming, digital distribution and physical sales, subject to any publishing, mechanical, performance or other composition-based royalties attributable to the Licensor’s share of the underlying composition.
The Licensor does not acquire ownership of the Licensee’s original lyrics, vocals or other independently created contributions.

4. Ownership

The Licensor retains all rights, title and interest in the original Beat, including the applicable copyright interests in the musical composition and sound recording.
This Agreement does not transfer ownership or copyright in the Beat to the Licensee.
The Licensee may protect or register their own original contributions to the New Song but may not claim sole ownership or authorship of the underlying Beat.

5. Publishing and Songwriting

For each New Song created under this Agreement, the underlying composition shall be divided as follows:
Licensee: 50%
Licensor: 50%
The Licensee agrees to properly identify the Licensor’s share when registering the New Song with a Performing Rights Organization, publisher, publishing administrator or other rights-management organization.
Licensor PRO Information:
Writer / Composer: Thomas Hodek
Producer Name: Tellingbeatzz
PRO: GEMA (Germany)
IPI / CAE: 716014087
Publishing Administrator: BeatStars Publishing Worldwide

6. Credit

Where credits are customarily provided, the Licensee agrees to credit the Producer as:
Produced by Tellingbeatzz
or
Beat by Tellingbeatzz
If additional featured-vocalist or hook credits are supplied with the Beat, those credits must also be included where reasonably applicable.

7. Content ID

Because the Beat may be licensed non-exclusively to multiple artists, the Licensee may not register the Beat or any New Song containing the Beat with YouTube Content ID or any similar automated copyright-claiming or fingerprinting system without prior written permission from the Licensor.
The Licensor reserves the right to register and administer the Beat through Content ID or similar systems.
If the Licensee receives a claim relating to a valid licensed use, proof of purchase may be submitted for review and release where appropriate.

8. Synchronization

The Licensee may synchronize the New Song with:
  • music videos
  • YouTube videos
  • social media content
  • podcasts
  • online promotional content
  • independent films and video projects
Major third-party commercial synchronization uses, including national advertising campaigns, television productions, feature films, major video games or comparable commercial projects, require prior written approval from the Licensor.

9. Prohibited Uses

The Licensee may not:
  1. resell, redistribute or sublicense the Beat in its original or substantially similar instrumental form;
  2. upload or distribute the Beat as a standalone instrumental under the Licensee’s name;
  3. include the Beat in beat packs, sample packs, loop libraries, sound libraries or production libraries;
  4. claim authorship or ownership of the original Beat;
  5. register the Beat or New Song with Content ID without permission;
  6. transfer this License to another person or entity without written consent;
  7. share the Beat files with third parties except persons directly involved in producing, recording, mixing, mastering or distributing the New Song.

10. Files Included

The files delivered depend on the license purchased:
MP3 Unlimited: MP3
WAV Unlimited: MP3 + WAV
Trackout Unlimited: MP3 + WAV + available tracked-out stems
The file format supplied does not change the commercial usage rights granted under this Agreement.

11. Non-Exclusive License

This is a non-exclusive license.
The Licensor may continue licensing or selling the same Beat to other customers.
The Licensee acknowledges that other artists may legally release different songs using the same Beat.

12. Future Exclusive Sale

If exclusive rights to the Beat are sold after this Agreement has taken effect, this License remains valid.
The Licensee may continue using, distributing and monetizing the New Song according to the terms of this Agreement.

13. Samples and Third-Party Material

Where the Beat contains third-party material requiring clearance, the Licensee is responsible for obtaining any additional clearance required for the Licensee’s intended use unless otherwise agreed in writing.
The Licensor will disclose known third-party clearance requirements where reasonably possible.

14. Term

This License is valid in perpetuity, provided the Licensee complies with this Agreement.
No renewal payment is required.

15. Breach

If the Licensee materially breaches this Agreement, the Licensor may provide written notice and, where the breach can reasonably be corrected, allow 30 days to cure the violation.
If the breach is not corrected within that period, the Licensor may terminate the License and pursue available remedies.

16. Governing Law

This Agreement is governed by the laws of the Federal Republic of Germany, without prejudice to mandatory consumer protection laws applicable to the Licensee.

17. Entire Agreement

This Agreement, together with the applicable WooCommerce order confirmation, constitutes the complete agreement between the Licensor and Licensee regarding the licensed Beat.
If any provision is found invalid or unenforceable, the remaining provisions remain effective.

Trackout Unlimited (+9 FREE)

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License Terms

Unlimited License Agreement

This Unlimited License Agreement (the “Agreement”) is entered into on [Purchase Date] between Thomas Hodek, professionally known as Tellingbeatzz (“Licensor”) and [Customer Full Name] (“Licensee”).
The Licensee has purchased an Trackout Unlimited License for the instrumental titled “[Beat Title]” (“Beat”) for a license fee of [Purchase Price] under Order #[Order Number].
Upon successful payment, this Agreement becomes effective immediately and is delivered electronically together with the licensed Beat files.

1. Grant of License

The Licensor grants the Licensee a non-exclusive, worldwide, non-transferable and perpetual license to use the Beat to create and commercially exploit one or more new songs incorporating the Beat (“New Song”).
The Licensee may add vocals, lyrics, melodies, instrumentation, arrangements and other original contributions to the Beat.
The Beat itself remains the intellectual property of the Licensor and is not sold or transferred to the Licensee.

2. Unlimited Commercial Use

The Licensee may commercially release and use the New Song without limits on:
  • digital or physical distribution
  • sales
  • audio streams
  • monetized video streams
  • music videos
  • live or paid performances
  • radio and online broadcasts
  • social media content
  • albums, EPs, mixtapes and singles
There are no limits on streams, sales, downloads, views or performances generated by the New Song.

3. Master Recording and Revenue

The Licensee may create and commercially exploit a new master recording incorporating the Beat (“Master Recording”).
The Licensee retains the revenue generated directly from exploitation of the Master Recording, including streaming, digital distribution and physical sales, subject to any publishing, mechanical, performance or other composition-based royalties attributable to the Licensor’s share of the underlying composition.
The Licensor does not acquire ownership of the Licensee’s original lyrics, vocals or other independently created contributions.

4. Ownership

The Licensor retains all rights, title and interest in the original Beat, including the applicable copyright interests in the musical composition and sound recording.
This Agreement does not transfer ownership or copyright in the Beat to the Licensee.
The Licensee may protect or register their own original contributions to the New Song but may not claim sole ownership or authorship of the underlying Beat.

5. Publishing and Songwriting

For each New Song created under this Agreement, the underlying composition shall be divided as follows:
Licensee: 50%
Licensor: 50%
The Licensee agrees to properly identify the Licensor’s share when registering the New Song with a Performing Rights Organization, publisher, publishing administrator or other rights-management organization.
Licensor PRO Information:
Writer / Composer: Thomas Hodek
Producer Name: Tellingbeatzz
PRO: GEMA (Germany)
IPI / CAE: 716014087
Publishing Administrator: BeatStars Publishing Worldwide

6. Credit

Where credits are customarily provided, the Licensee agrees to credit the Producer as:
Produced by Tellingbeatzz
or
Beat by Tellingbeatzz
If additional featured-vocalist or hook credits are supplied with the Beat, those credits must also be included where reasonably applicable.

7. Content ID

Because the Beat may be licensed non-exclusively to multiple artists, the Licensee may not register the Beat or any New Song containing the Beat with YouTube Content ID or any similar automated copyright-claiming or fingerprinting system without prior written permission from the Licensor.
The Licensor reserves the right to register and administer the Beat through Content ID or similar systems.
If the Licensee receives a claim relating to a valid licensed use, proof of purchase may be submitted for review and release where appropriate.

8. Synchronization

The Licensee may synchronize the New Song with:
  • music videos
  • YouTube videos
  • social media content
  • podcasts
  • online promotional content
  • independent films and video projects
Major third-party commercial synchronization uses, including national advertising campaigns, television productions, feature films, major video games or comparable commercial projects, require prior written approval from the Licensor.

9. Prohibited Uses

The Licensee may not:
  1. resell, redistribute or sublicense the Beat in its original or substantially similar instrumental form;
  2. upload or distribute the Beat as a standalone instrumental under the Licensee’s name;
  3. include the Beat in beat packs, sample packs, loop libraries, sound libraries or production libraries;
  4. claim authorship or ownership of the original Beat;
  5. register the Beat or New Song with Content ID without permission;
  6. transfer this License to another person or entity without written consent;
  7. share the Beat files with third parties except persons directly involved in producing, recording, mixing, mastering or distributing the New Song.

10. Files Included

The files delivered depend on the license purchased:
MP3 Unlimited: MP3
WAV Unlimited: MP3 + WAV
Trackout Unlimited: MP3 + WAV + available tracked-out stems
The file format supplied does not change the commercial usage rights granted under this Agreement.

11. Non-Exclusive License

This is a non-exclusive license.
The Licensor may continue licensing or selling the same Beat to other customers.
The Licensee acknowledges that other artists may legally release different songs using the same Beat.

12. Future Exclusive Sale

If exclusive rights to the Beat are sold after this Agreement has taken effect, this License remains valid.
The Licensee may continue using, distributing and monetizing the New Song according to the terms of this Agreement.

13. Samples and Third-Party Material

Where the Beat contains third-party material requiring clearance, the Licensee is responsible for obtaining any additional clearance required for the Licensee’s intended use unless otherwise agreed in writing.
The Licensor will disclose known third-party clearance requirements where reasonably possible.

14. Term

This License is valid in perpetuity, provided the Licensee complies with this Agreement.
No renewal payment is required.

15. Breach

If the Licensee materially breaches this Agreement, the Licensor may provide written notice and, where the breach can reasonably be corrected, allow 30 days to cure the violation.
If the breach is not corrected within that period, the Licensor may terminate the License and pursue available remedies.

16. Governing Law

This Agreement is governed by the laws of the Federal Republic of Germany, without prejudice to mandatory consumer protection laws applicable to the Licensee.

17. Entire Agreement

This Agreement, together with the applicable WooCommerce order confirmation, constitutes the complete agreement between the Licensor and Licensee regarding the licensed Beat.
If any provision is found invalid or unenforceable, the remaining provisions remain effective.

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