In today’s rapidly evolving music industry, digital distribution platforms have become crucial tools for independent musicians looking to get their music on streaming platforms and stores worldwide. Two of the most popular platforms, DistroKid and CD Baby, stand out in the independent music distribution space. Both offer powerful tools for artists to distribute their music, but they differ in pricing, features, and artist support. So, which distributor is better for you in 2024? Let’s break down the details in this in-depth comparison of DistroKid and CD Baby.
Before diving into the specifics, it’s important to understand what DistroKid and CD Baby do.
DistroKid was founded in 2013 and quickly became known for its straightforward and affordable subscription model. It allows artists to upload and distribute unlimited music to all major streaming services (like Spotify, Apple Music, Amazon, and more) for a yearly fee. DistroKid has become popular due to its fast distribution process, ease of use, and ability to release unlimited tracks under one subscription.
CD Baby has been in the music distribution business since 1998, making it one of the oldest players in the market. Unlike DistroKid’s subscription model, CD Baby operates on a pay-per-release system. This means artists pay a one-time fee for each single or album distributed. CD Baby is known for offering a more comprehensive suite of services, including sync licensing, physical distribution, and more in-depth artist support.
Both platforms offer global music distribution, but their pricing, features, and artist services are where they start to diverge. Let’s take a closer look.
DistroKid Pricing
DistroKid’s pricing model is based on a yearly subscription. For a flat annual fee, you can upload and distribute unlimited music across streaming platforms and stores. The subscription tiers are as follows:
DistroKid’s low-cost subscription model is ideal for artists who plan to release multiple singles or albums throughout the year. There are no additional charges for each release, making it cost-effective for prolific musicians.
CD Baby Pricing
CD Baby uses a pay-per-release model, with a one-time fee per album or single. This structure suits artists who release music less frequently but want lifetime distribution. The pricing tiers are:
CD Baby’s one-time payment means that once your music is uploaded, you won’t need to pay an annual fee to keep it online. The Pro versions include publishing administration, which helps collect royalties beyond just streaming and download revenue, such as performance royalties and mechanical royalties from various sources.
When it comes to revenue, one of the biggest factors for independent artists is how much of their royalties they get to keep.
DistroKid offers a straightforward deal: artists keep 100% of their earnings. The platform doesn’t take any cuts from your streaming or download revenue. This makes DistroKid attractive to artists who want to maximize their income and prefer handling everything independently.
CD Baby, however, takes a 9% commission on digital distribution royalties. This means if you make $100 in streaming revenue, CD Baby will take $9. While this may seem like a disadvantage, CD Baby offers more comprehensive services such as collecting royalties from various sources, including mechanical and performance royalties, through their CD Baby Pro plan.
Which Is Better?
If your primary concern is keeping as much revenue as possible from your streaming earnings, DistroKid is the clear winner. However, if you’re looking for more than just distribution—such as global royalty collection and publishing administration—CD Baby Pro can be a worthwhile investment despite the commission.
In the fast-paced digital music world, getting your music live quickly can make a big difference.
DistroKid is renowned for its fast distribution process. Once you upload your music, it typically goes live on major platforms like Spotify and Apple Music within 24-72 hours. This makes DistroKid one of the fastest distributors in the business, appealing to artists who need to release music on short notice or align with specific release dates.
CD Baby, on the other hand, is known for taking a bit longer to distribute music. On average, it can take one to two weeks for music to go live on streaming platforms. While this may not be an issue for artists who plan their releases well in advance, it may be less ideal for musicians who prioritize speed and flexibility.
Which Is Better?
If you need your music live as quickly as possible, DistroKid is the better choice in terms of distribution speed. For artists who have a more flexible timeline, CD Baby’s slower process might not be a significant drawback.
While both platforms offer digital music distribution, they differ significantly in their additional services.
DistroKid keeps things relatively simple, focusing mainly on fast, unlimited music distribution. However, DistroKid has added some interesting features in recent years:
CD Baby, on the other hand, offers a much more extensive suite of services, including:
Which Is Better?
For artists looking for simplified, fast distribution, DistroKid’s approach works well. However, if you’re looking for comprehensive artist support, including sync licensing and physical distribution, CD Baby offers more value with its additional services, especially for artists looking to monetize their music beyond streaming.
User experience and artist support can make or break your experience with a music distributor.
DistroKid is known for its easy-to-use interface. The platform focuses on simplicity, making it easy for artists to upload and manage their music. DistroKid also provides automated customer support, relying heavily on FAQs and help articles, which works well for many users but might feel impersonal for those who need more direct assistance.
CD Baby, with its longer history in the industry, offers more personalized customer support. While their platform may not be as streamlined or fast as DistroKid’s, CD Baby provides more thorough artist support, with human representatives available to assist with issues or questions. CD Baby’s knowledge base and artist guides are also highly detailed, catering to musicians who may need more assistance navigating the world of distribution and royalties.
Which Is Better?
For artists who prioritize a streamlined experience and don’t need much hand-holding, DistroKid’s easy-to-use platform is likely a better fit. However, if you value more personalized customer support, CD Baby is the stronger option.
Understanding how your music is performing is crucial for growing your career as an independent artist.
DistroKid provides basic analytics through platforms like Spotify for Artists and Apple Music for Artists. These tools allow artists to track streams, listener demographics, and other key metrics. DistroKid also offers tools like Mini Videos and HyperFollow pages to help with promotions.
CD Baby offers more in-depth analytics, especially for artists who opt for CD Baby Pro. In addition to tracking streams and listener data, CD Baby provides more comprehensive royalty reports and insights into where your revenue is coming from. CD Baby’s focus on global royalty collection means it tracks a wider variety of revenue streams, giving you a broader understanding of how your music is generating income.
Which Is Better?
For artists looking for basic analytics, DistroKid offers sufficient insights. But for those who want a deeper understanding of their revenue and royalties, CD Baby provides more comprehensive data, particularly through CD Baby Pro.
How quickly can artists expect to receive their earnings?
One of the key considerations for independent artists is the speed at which they can access their earnings after distributing their music. Having faster access to funds can help artists reinvest in their music, promote upcoming releases, or simply maintain a steady income stream.
DistroKid is known for its quick payout system. Once your earnings start accumulating, you can withdraw them weekly via platforms like PayPal or bank transfers. Artists can check their revenue regularly and withdraw at any point, giving them flexibility and quicker access to their funds.
CD Baby, on the other hand, operates on a monthly payout schedule. While CD Baby ensures that you get paid, you’ll need to meet a minimum threshold of $10 in digital earnings before you can withdraw. This means that if you don’t hit that threshold, you may need to wait longer to receive your money.
Example addition:
“DistroKid offers faster payout options since artists can withdraw their earnings weekly. CD Baby, by contrast, operates on a monthly payout cycle, and artists need to accumulate a certain threshold before receiving their earnings. For artists looking for quicker cash flow, DistroKid provides more flexibility.”
Which platform is easier for beginners to start with?
Both DistroKid and CD Baby are designed with ease of use in mind, but their onboarding processes differ slightly, which can impact how new artists interact with the platform.
DistroKid is widely praised for its simplicity. The platform’s user interface is highly intuitive, making it easy for beginners to upload their music and get it distributed quickly. The whole process—signing up, entering your song details, and submitting it to platforms—can be completed in a matter of minutes. This makes DistroKid ideal for artists who want a no-fuss, fast-track approach to distribution.
CD Baby, while also easy to use, offers a more detailed and comprehensive onboarding process. Artists are guided through a series of steps that ensure they understand how their music will be distributed and monetized. The platform provides in-depth resources, tutorials, and artist guides to help musicians navigate everything from royalty collection to licensing. Though this process takes longer, it’s particularly valuable for those new to the music industry who want more control over their releases.
Example addition:
“For new artists, DistroKid provides a quick and easy onboarding experience, allowing users to upload tracks and get them distributed within minutes. On the other hand, CD Baby takes a more thorough approach, offering guides and resources for musicians who may be less familiar with the music industry. While it’s not as fast as DistroKid, CD Baby offers valuable support for those who want to understand every step of the process.”
How do the platforms help artists promote their music?
In 2024, promoting your music effectively is just as important as distributing it. Both DistroKid and CD Baby offer a variety of tools to help artists boost their visibility and drive engagement.
DistroKid has introduced several marketing tools tailored to the needs of indie artists. The HyperFollow page is one of DistroKid’s standout features, allowing artists to create landing pages for their upcoming releases. Fans can pre-save songs to Spotify or other platforms before the release, ensuring higher visibility on release day. Additionally, DistroKid offers Mini Videos, small promotional clips that artists can easily share on social media platforms to create buzz.
CD Baby, on the other hand, takes a more comprehensive approach to marketing. Through its partnership with Show.co, CD Baby gives artists access to powerful marketing tools that can help them create and manage marketing campaigns, run ads on platforms like Spotify and YouTube, and build fan email lists. Show.co is particularly useful for artists looking to target specific audiences and gain traction on multiple platforms simultaneously.
Example addition:
“Both platforms offer promotional tools, but DistroKid focuses on pre-save campaigns and social media-friendly mini videos, making it easy for artists to generate buzz before a release. CD Baby’s partnership with Show.co gives artists access to more sophisticated marketing tools, like fan engagement ads and email list building, allowing for more targeted promotion campaigns.”
How well do these platforms help protect your music rights?
For independent artists, protecting their music and ensuring they’re properly compensated for its use is paramount. Both DistroKid and CD Baby offer tools to help with this, but their services differ in depth.
DistroKid includes access to YouTube Content ID, a system that allows artists to monetize videos on YouTube that use their music. When someone uploads a video containing your song, DistroKid’s Content ID system identifies it and places ads on the video, generating revenue for you. This system is especially useful for musicians whose work is commonly used in user-generated content on YouTube.
CD Baby also offers YouTube Content ID services, but its legal protections go further with CD Baby Pro. In addition to collecting revenue from YouTube, CD Baby Pro provides publishing administration services, which means they help you collect publishing royalties from all over the world. This includes not just streaming royalties but also performance royalties, mechanical royalties, and more. CD Baby’s deeper focus on publishing rights means that artists can feel more secure about their global revenue streams.
Example addition:
“Both platforms offer basic copyright protections through their YouTube Content ID features, helping artists monetize their music used in YouTube videos. However, CD Baby Pro‘s publishing administration ensures more comprehensive global copyright and royalty management, making it the better option for artists who want thorough rights protection across various territories.”
How well do these platforms handle multiple artists or collaborations?
Many independent musicians collaborate with others or manage groups and labels, making it essential for distribution platforms to handle collaboration payments seamlessly.
DistroKid excels in this area by offering an automatic royalty-splitting feature. Artists can easily assign percentages to their collaborators, such as co-writers or producers, directly through DistroKid’s system. This feature ensures that each person involved in the release is automatically paid their agreed-upon share of the earnings, simplifying the process for artists who work with many collaborators.
CD Baby, by comparison, does not offer an in-platform royalty-splitting feature. Artists who release through CD Baby need to handle splits manually or through external services. While this is manageable, it can be more time-consuming and requires more administrative oversight, especially for artists working with multiple collaborators.
Example addition:
“For artists who work in groups or have frequent collaborations, DistroKid stands out with its automatic royalty-splitting feature, making it easy to ensure everyone gets paid their share. CD Baby lacks this built-in functionality, so artists may need to manage splits manually or via third-party services.”
Which platform offers better physical distribution options?
Despite the rise of streaming, many fans and artists continue to value physical formats like CDs and vinyl. For artists who want to sell physical copies of their music, the availability of distribution options is a key consideration.
CD Baby has a long history of offering physical distribution services. Artists can sell CDs and vinyl records through CD Baby’s online store, and CD Baby also facilitates distribution to physical retailers like Amazon. This option is ideal for musicians who want to offer their fans collectible physical formats or plan to sell music at live shows.
DistroKid, on the other hand, is focused almost entirely on digital distribution. The platform does not offer physical distribution services, meaning artists who want to sell physical copies will need to use a different service or manage this aspect independently.
Example addition:
“If selling physical copies of your music is important to you, CD Baby offers more robust options. They facilitate CD and vinyl sales and even offer physical distribution to retail stores. DistroKid, by contrast, focuses almost entirely on digital distribution and does not offer support for physical formats.”
How do these platforms handle taxes and international payments?
For artists who generate revenue across different countries, tax handling and global payouts can be a complex and important factor to consider.
DistroKid simplifies the payment process by allowing artists to receive global payouts through platforms like PayPal. However, when it comes to taxes, DistroKid leaves the management of tax reporting and compliance up to the artist. This can be tricky for those with revenue streams coming from various countries, as artists must ensure they’re handling taxes correctly on their own.
CD Baby, particularly with its CD Baby Pro plan, takes a more hands-on approach. In addition to handling international royalty collection, CD Baby helps artists with tax withholding and compliance, ensuring that they’re adhering to tax laws in different countries. This service is particularly useful for artists who are generating significant revenue globally and want to avoid the hassle of managing international taxes on their own.
Example addition:
“For artists with global revenue streams, CD Baby takes a more thorough approach, particularly with its Pro plan, handling international tax compliance and ensuring you collect royalties from various countries. DistroKid offers global payouts, but artists are responsible for managing their own taxes.”
Which platform is better poised for the future?
As the music industry continues to evolve, artists need a distributor that can grow with them and offer new features to meet changing needs. Both DistroKid and CD Baby are poised for growth in 2024, but they may take different paths.
DistroKid has been expanding rapidly, adding new features designed to simplify distribution and promotion for independent artists. Its focus on speed and efficiency, combined with additional tools like HyperFollow pages and mini promotional videos, suggests that DistroKid will continue to attract new users and potentially introduce more marketing features in the coming years. Its streamlined, no-frills approach makes it appealing for artists looking for simple but effective solutions.
CD Baby, meanwhile, continues to build on its strong foundation of comprehensive artist support. With established services like sync licensing, physical distribution, and global royalty collection, CD Baby is well-positioned to help artists diversify their income streams beyond just streaming revenue. In 2024 and beyond, CD Baby is likely to focus on enhancing these services and adding new tools to help artists monetize their music in more creative ways, making it an attractive option for those seeking long-term growth.
Example addition:
“Looking ahead, DistroKid is expected to continue its rapid growth by expanding its feature set and focusing on artist promotion tools and enhanced user experience. CD Baby, on the other hand, may further strengthen its foothold in artist support services like sync licensing and royalty collection, making it the go-to platform for musicians seeking long-term growth and sustainability beyond digital streaming.”
The answer to whether DistroKid or CD Baby is better in 2024 depends largely on your specific needs as an artist.
In 2024, both DistroKid and CD Baby remain excellent choices for independent musicians. Your decision will depend on how frequently you release music, your need for additional services, and how you prefer to manage your music career.
Check out my extensive catalog of more than 500 custom-made beats and instrumentals, available for free download or licensing.
THIS LICENSE AGREEMENT is made on 7th June 2024 ("Effective Date") by and between Licensee(hereinafter referred to as the "Licensee") also, if applicable, professionally known as Licensee, residing at [N/A] and Thomas Hodek. (hereinafter referred to as the "Licensor"). Licensor warrants that it controls the mechanical rights in and to the copyrighted musical work entitled "BEAT NAME("Composition") as of and prior to the date first written above. The Composition, including the music thereof, was composed by Thomas Hodek ("Songwriter") managed under the Licensor.
All licenses are non-refundable and non-transferable.
Master Use.
The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).
Mechanical Rights.
The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use.
Performance Rights.
The Licensor here by grants to Licensee an exclusive license to use the Master Recording in unlimited for- profit performances, shows, or concerts.
Broadcast Rights.
The Licensor hereby grants to Licensee an exclusive license to broadcast or air the Master Recording in unlimited amounts of radio stations.
Credit.
Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise.
Synchronization.
Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency.
Consideration.
In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended.
Indemnification.
Accordingly, Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, expenses, including, without limitation, reasonable attorney's fees, arising of or resulting from a claimed breach of any of Licensee's representations, warranties or agreements hereunder.
Audio Samples.
3rd party sample clearance is the responsibility of the licensee.
Miscellaneous.
This license is non-transferable and is limited to the Composition specified above.
Governing Law.
This License is governed by and shall be construed under the law of the Bayern DE, without regard to the conflicts of laws principles thereof.
- Licensee, owns 50% of publishing rights. - Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights. - Tellingbeatzz (GEMA), owns 50% of publishing rights
To download your free version of please enter your name and email address and the download link will be emailed to you
No Comments