How to Get Your Music on Film & Television as a Musician
How to get your music on film & tv

How to Get Your Music on Film & Television as a Musician

Breaking into the world of film and television as a musician can be a game-changer for your career. Placing your music in movies, TV shows, or commercials not only provides exposure to a wider audience but also offers significant financial opportunities. However, navigating the complex world of music licensing and sync placements can be challenging. This article will guide you through the essential steps to getting your music featured in film and television, from understanding the industry’s key players to preparing your tracks for submission and making the right connections. Whether you’re an independent artist or part of a band, these strategies will help you position your music for success in the world of visual media.


It’s Called Sync, Here’s How It Works

Sync, short for synchronization, refers to the process of aligning music with visual media, such as films, TV shows, commercials, and video games. When your music is synced to a scene in a movie or a background of a television show, it becomes part of the overall experience, enhancing the emotional impact and storytelling. Sync placements are a lucrative opportunity for musicians, as they can lead to significant exposure, royalties, and one-time licensing fees. Here’s how the sync process works: First, music supervisors, who are responsible for selecting and licensing music for visual media, search for tracks that fit the mood, tone, and narrative of a project. They often work closely with directors, producers, and other creatives to find the perfect musical match. Once a track is chosen, the supervisor negotiates a licensing agreement with the rights holders, which may include the artist, label, and publisher. This agreement grants the film or TV show the right to use the music in exchange for a fee. For musicians, getting a sync deal involves having your music readily available, properly registered, and strategically marketed to music supervisors and production companies. Understanding the intricacies of sync licensing, including the types of licenses required (such as master use and synchronization licenses), is crucial for navigating this aspect of the music industry. By learning how sync works and positioning your music correctly, you can tap into this exciting and potentially lucrative market.


What Are the Benefits of Getting Synced?

Securing a sync placement offers several key benefits for musicians, making it one of the most sought-after opportunities in the industry. Here’s why getting your music synced can be a game-changer:

    1. Increased Exposure: A sync placement can introduce your music to a broad and diverse audience. Whether it’s a popular TV show, a blockbuster film, or a viral commercial, your music has the potential to reach millions of listeners who may have never encountered your work otherwise. This exposure can lead to a significant increase in streaming numbers, social media followers, and overall fan base.
    2. Financial Rewards: Sync deals often come with substantial financial compensation. Artists can earn a one-time licensing fee for the use of their music, and depending on the deal, they may also receive ongoing royalties. This income can be particularly valuable for independent musicians looking to sustain their careers without relying solely on record sales or live performances.
    3. Enhanced Credibility: Having your music featured in well-known films, TV shows, or advertisements can significantly boost your credibility as an artist. It’s a strong addition to your portfolio and can open doors to further opportunities in the music and entertainment industries. This credibility can also make it easier to secure future sync placements, as well as other types of collaborations and partnerships.
    4. Long-Term Revenue: Sync placements can generate long-term revenue through performance royalties. Each time the media featuring your music is aired, you may receive additional payments. This can create a steady stream of income, especially if the media is syndicated, replayed, or streamed on popular platforms over time.
    5. Creative Collaboration: Syncing your music with visual media allows you to collaborate creatively with filmmakers, producers, and other visual artists. This can be a rewarding experience that broadens your artistic horizons and helps you see your music in a new light. It also provides opportunities to create custom tracks or soundtracks, further diversifying your work as a musician.
    6. Brand Building: Sync placements can help establish and reinforce your brand as an artist. By aligning your music with specific films, shows, or products, you can shape how your audience perceives you and your music. This strategic branding can lead to new opportunities in areas like endorsements, partnerships, and further sync deals that align with your artistic identity.

In summary, getting your music synced is not just about the immediate benefits—it’s a powerful tool for long-term career growth and sustainability. The exposure, financial rewards, and creative opportunities that come with sync placements can significantly elevate your profile and help you reach new heights as a musician.


Why Decide to Take the Indie Approach?

Choosing the independent (indie) route for getting your music synced offers a unique set of advantages that can be highly appealing to musicians looking to maintain control over their careers. Here’s why many artists opt to take the indie approach to sync placements:

    1. Creative Freedom: One of the most significant benefits of going indie is the ability to maintain complete creative control over your music. Without the constraints of a label or publisher dictating the terms, you’re free to create and pitch the music that truly represents your artistic vision. This freedom allows you to work on projects that align with your style and values, ensuring that every sync placement feels authentic to your brand.
    2. Direct Relationships with Industry Professionals: As an indie artist, you have the opportunity to build direct relationships with music supervisors, directors, and other key players in the sync world. By cutting out the middlemen, you can communicate your ideas and negotiate terms directly, fostering more personal and potentially long-lasting connections. These relationships can lead to more tailored opportunities and a deeper understanding of how to position your music for future placements.
    3. Greater Financial Control: When you take the indie approach, you retain a larger share of the financial rewards from sync deals. Without the need to split earnings with a label or publisher, you keep more of the licensing fees and royalties. This financial independence can be particularly advantageous for artists looking to reinvest in their careers, fund new projects, or simply sustain themselves through their music.
    4. Flexibility and Speed: Being independent often means you can move faster and more flexibly when opportunities arise. You don’t have to wait for label approvals or navigate complex corporate structures to make decisions. This agility allows you to respond quickly to sync requests, submit your music on short notice, or adjust terms as needed. This can be a critical advantage in the fast-paced world of film and television production.
    5. Building a Personal Brand: The indie approach allows you to shape your own brand identity without external influences. You decide how your music is used and in what context, which can help build a consistent and recognizable brand. This consistency can strengthen your connection with your audience and establish you as an artist with a distinct voice and vision.
    6. Learning and Growth: Managing your own sync placements provides a valuable learning experience. You’ll gain insights into the business side of the music industry, including licensing, contracts, and negotiations. This knowledge can empower you to make more informed decisions in the future and give you the confidence to navigate the industry on your terms.
    7. Potential for Unique Opportunities: Indie artists often find that they can secure sync placements in more niche or unconventional projects that align closely with their music. These opportunities might not be as accessible through traditional label channels, but they can be incredibly rewarding both artistically and financially. By taking the indie route, you can explore a wider range of possibilities that may resonate more deeply with your music and audience.

In summary, the indie approach to getting your music synced is all about maintaining control, fostering direct relationships, and maximizing your creative and financial potential. While it requires more effort and a proactive attitude, the rewards can be substantial, making it an appealing choice for musicians who value independence and authenticity in their careers.


It Starts with the Music and the Musician

At the core of every successful sync placement is the music itself, and the creative force behind it—the musician. Before you can even think about pitching your tracks for film and television, it’s crucial to focus on crafting music that is not only high-quality but also resonates emotionally and aligns with the demands of the visual media industry. Here’s why the foundation of your music and your identity as a musician are vital to your success in the sync world:

    1. Creating Music That Tells a Story: Sync placements often require music that can evoke specific emotions or complement the narrative of a scene. Whether it’s a poignant melody that underscores a dramatic moment or an upbeat track that energizes a montage, your music needs to tell a story on its own. This storytelling ability is what makes your tracks appealing to music supervisors looking for the perfect musical accompaniment to visual content.
    2. High-Quality Production: In the world of sync, production quality is paramount. Your tracks should be polished, professionally mixed, and mastered to industry standards. This level of quality ensures that your music can seamlessly integrate into a film or TV show without any additional production work needed. Investing in high-quality production not only makes your music more attractive for sync opportunities but also demonstrates your professionalism as an artist.
    3. Versatility and Adaptability: While it’s important to have a signature sound, being versatile as a musician can open up more opportunities for sync placements. This doesn’t mean you need to compromise your artistic identity, but having a diverse catalog that can fit different moods, genres, and scenarios increases your chances of landing a sync deal. Whether it’s crafting instrumental versions of your songs or creating variations in tempo and style, versatility is key.
    4. Authenticity and Originality: In a market saturated with music, originality stands out. Music supervisors are always on the lookout for fresh, authentic sounds that can bring something unique to their projects. Your authenticity as a musician—whether it’s through your lyrics, composition style, or overall vibe—can make your music more appealing for sync placements. Stay true to your artistic vision, as this is often what will resonate most with both the audience and industry professionals.
    5. Consistency and Output: Consistency in releasing high-quality music is crucial for maintaining and building momentum in your career, especially when targeting sync opportunities. The more music you have available, the better your chances of finding the right fit for a particular project. Additionally, regularly releasing new material keeps you on the radar of music supervisors and other industry professionals, increasing the likelihood of repeat placements.
    6. Understanding Your Audience: Knowing who your music appeals to and how it can be used in various visual media contexts is essential. This understanding helps you position your music effectively when pitching for sync opportunities. For example, if your music has a cinematic quality, you might target film trailers or dramatic TV series. If it’s more upbeat and catchy, commercials or lighter television shows could be the right fit. Aligning your music with the right opportunities maximizes your chances of success.
    7. Building Your Brand as a Musician: Your identity as a musician goes beyond just your music—it’s about how you present yourself, your values, and your unique voice. Building a strong, recognizable brand can make you more appealing to those seeking music for sync. A well-defined brand helps music supervisors quickly understand who you are and what your music represents, making it easier for them to see how your tracks might fit their projects.

In conclusion, the journey to getting your music synced starts with you—the musician—and the quality and authenticity of the music you create. By focusing on crafting emotionally resonant, high-quality, and versatile tracks, and by understanding your unique brand and audience, you set a strong foundation for success in the world of film and television sync placements.


Finding Music Supervisors and Filmmakers to Target

Once your music is ready for sync opportunities, the next step is to connect with the right people who can help get your tracks placed in films, television shows, and other visual media. Identifying and targeting music supervisors and filmmakers who align with your style and goals is crucial for increasing your chances of landing sync deals. Here’s how to find and approach these key industry players:

    1. Research and Identify Key Players: Start by researching music supervisors and filmmakers who are active in your genre or who have worked on projects that match your musical style. Look at the credits of your favorite TV shows, films, or commercials to find out who handled the music. Industry directories, such as IMDb Pro or The Guild of Music Supervisors, can also be valuable resources for identifying relevant contacts. Creating a targeted list of professionals who are likely to resonate with your music is the first step in effectively reaching out.
    2. Attend Industry Events and Conferences: Industry events, such as music conferences, film festivals, and networking mixers, provide valuable opportunities to meet music supervisors and filmmakers in person. Events like SXSW, MIDEM, or The Sync Summit are great places to make connections and showcase your music. Engaging in these settings allows you to build relationships, gain insights into what supervisors are looking for, and learn about upcoming projects that might need your music.
    3. Utilize Online Platforms and Networks: Several online platforms specialize in connecting musicians with music supervisors and filmmakers. Sites like Music Gateway, Songtradr, and TAXI offer opportunities to submit your music for sync placements and provide access to industry professionals looking for new tracks. Additionally, LinkedIn can be a powerful tool for networking. Building a professional profile and connecting with music supervisors and filmmakers can open doors to potential opportunities.
    4. Leverage Social Media: Social media platforms, particularly LinkedIn, Twitter, and Instagram, can be effective for engaging with music supervisors and filmmakers. Follow them, interact with their content, and share your own music strategically. Be mindful of not coming across as too pushy; instead, focus on building genuine connections by offering insights, commenting on their work, or sharing relevant industry news. Over time, this can help you get on their radar and make them more receptive to listening to your music.
    5. Work with a Music Licensing Agent or Sync Agency: If you’re finding it challenging to make connections on your own, working with a music licensing agent or a sync agency can be a valuable option. These professionals have established relationships with music supervisors and filmmakers and can pitch your music directly to them. While this often involves giving up a percentage of your sync income, the increased exposure and access to opportunities can be well worth it, especially if you’re new to the sync world.
    6. Build a Portfolio of Sync-Friendly Music: Having a portfolio of music that is well-suited for sync placements can make you more attractive to music supervisors and filmmakers. Consider creating a specific reel or playlist of tracks that showcase your range and suitability for different types of media. Make sure these tracks are easily accessible, either on your website or a dedicated platform like SoundCloud or Bandcamp. When you reach out to potential contacts, being able to direct them to this portfolio can demonstrate your readiness and professionalism.
    7. Collaborate with Independent Filmmakers and Content Creators: Don’t overlook independent filmmakers, YouTubers, and content creators as potential collaborators. These individuals often have smaller budgets and are looking for fresh, affordable music for their projects. Collaborating with them can not only provide you with sync experience but also help you build a portfolio that can be used to pitch to larger projects later on. These collaborations can also lead to long-term partnerships as these creators grow in their careers.
    8. Craft Personalized Pitches: When reaching out to music supervisors and filmmakers, avoid generic emails. Take the time to craft personalized pitches that demonstrate your knowledge of their work and explain why your music is a good fit for their projects. Include a brief, engaging introduction, a link to your sync-friendly portfolio, and a mention of any relevant experience or placements you’ve had. A well-tailored pitch shows professionalism and increases the likelihood of your music being considered.

Finding the right music supervisors and filmmakers to target is an essential part of getting your music synced. By conducting thorough research, attending industry events, leveraging online platforms, and crafting personalized pitches, you can connect with the key players who can help bring your music to the screen. Remember, building these relationships takes time, but with persistence and a strategic approach, you can position your music for success in the world of film and television.


Writing the Big Email Pitch

Once you’ve identified the music supervisors and filmmakers you want to target, the next crucial step is crafting an effective email pitch. This email is your opportunity to make a strong first impression, showcase your music, and explain why it’s the perfect fit for their project. Here’s how to write a compelling email pitch that stands out in a crowded inbox:

    1. Craft a Clear and Engaging Subject Line: The subject line is the first thing the recipient will see, so it needs to grab their attention without being overly gimmicky. Keep it concise, professional, and relevant to the recipient’s interests or needs. For example, you might use something like “Music Submission: Uplifting Hip-Hop Track for Your Next Project” or “Sync-Ready Music for [Project Name].” A clear subject line helps ensure your email gets opened and not lost in the shuffle.
    2. Personalize the Introduction: Start your email with a personalized greeting that mentions the recipient’s name and, if possible, references something specific about their work that you admire. This shows that you’ve done your homework and are genuinely interested in collaborating with them. For example, you could say, “Hi [Name], I’m a big fan of your work on [TV Show/Film]. The way you use music to enhance emotional moments really resonates with me.”
    3. Introduce Yourself and Your Music: Briefly introduce yourself, highlighting your background and relevant experience in a few sentences. Focus on aspects of your music career that are most likely to catch their attention, such as previous sync placements, notable collaborations, or any unique elements of your sound. Keep it concise—this isn’t the place for your entire bio, just the most relevant highlights. Example: “I’m [Your Name], an independent hip-hop artist with a focus on creating emotionally impactful tracks. My music has been featured in [Previous Sync Placement] and I’ve recently released a new EP that I believe could be a great fit for your upcoming projects.”
    4. Pitch Your Music for Their Project: Clearly state why you believe your music is a good match for their work. Be specific about the type of project you’re targeting and how your music aligns with the tone, mood, or narrative they typically create. This shows that you’ve considered how your music could contribute to their project’s success, rather than just sending out a generic pitch. Example: “I’ve noticed that your recent work often features soulful, uplifting tracks that drive emotional engagement. My new single ‘[Song Title]’ captures a similar vibe and could complement scenes that need a powerful, yet introspective, musical backdrop.”
    5. Include a Direct Link to Your Music: Provide a direct link to the specific tracks or portfolio you want them to hear. Make sure the link leads to a clean, easy-to-navigate page with your music clearly labeled and ready to play. You can use platforms like SoundCloud, Bandcamp, or a dedicated page on your website. Avoid attaching large files to the email; instead, opt for streaming links to keep things simple and accessible. Example: “You can listen to ‘[Song Title]’ and a selection of my sync-ready tracks here: [Link to Music].”
    6. Offer Additional Resources or Information: If you have other resources that might be helpful, such as instrumental versions of your tracks, press coverage, or a brief bio, mention that they’re available upon request. However, don’t overload the initial email with attachments or excessive information. The goal is to keep the pitch focused and easy to digest. Example: “If you’d like to hear instrumental versions or need more information, I’d be happy to provide it.”
    7. Express Enthusiasm and Availability: Close your email by expressing your enthusiasm for the possibility of working together and letting them know you’re available for any further discussion or questions. Keep the tone positive and professional. Example: “I’d love the opportunity to contribute to your next project. Please feel free to reach out if you have any questions or need further details. I’m looking forward to the possibility of collaborating with you!”
    8. Include Your Contact Information: Make sure your contact information is easy to find, either in your email signature or directly within the email body. This should include your full name, phone number, email address, and links to your website or social media profiles.
    9. Proofread and Edit: Before hitting send, carefully proofread your email to ensure there are no typos, grammatical errors, or awkward phrasing. A well-written, error-free email reflects professionalism and attention to detail, which are crucial in making a good impression.

Writing a compelling email pitch is a critical skill for musicians seeking sync placements. By crafting a personalized, clear, and engaging email, you increase your chances of catching the attention of music supervisors and filmmakers. Remember to keep it concise, focus on the specific value your music can bring to their project, and make it easy for them to listen to your tracks. With a thoughtful approach, your pitch could be the first step toward landing that coveted sync placement.


Willpower is Required

Securing sync placements in film and television is a challenging endeavor that requires more than just talent and a good pitch. It demands a significant amount of persistence, resilience, and willpower. The road to getting your music synced is often filled with rejection, long waiting periods, and countless pitches that may never get a response. However, those who succeed are the ones who continue to push forward despite the obstacles. Here’s why willpower is a crucial element in your sync journey:

    1. Persistence Through Rejection: Rejection is an inevitable part of the process, but it’s important not to take it personally. Music supervisors and filmmakers receive hundreds of submissions, and even great tracks can be passed over due to factors beyond your control, like budget constraints or creative direction. The key is to remain persistent, learn from each experience, and continue refining your approach.
    2. Continuous Improvement: Success in sync placements often comes from continuous learning and adaptation. With each pitch, you gain more insights into what works and what doesn’t. This process of constant improvement requires dedication and a strong will to keep pushing forward, even when progress seems slow.
    3. Networking and Relationship Building: Building meaningful relationships with industry professionals takes time and effort. It’s not just about sending out one pitch and hoping for the best; it’s about consistently showing up, engaging with the community, and nurturing connections. This long-term approach requires a sustained commitment and the willpower to keep going, even when immediate results aren’t apparent.
    4. Staying True to Your Vision: Throughout the process, it’s crucial to stay true to your artistic vision. There may be pressure to conform to certain trends or to create music that you think will be more commercially viable. However, maintaining your authenticity and staying committed to your unique sound is what will ultimately set you apart. This requires a strong sense of self and the willpower to resist the urge to compromise your creativity.
    5. Embracing the Grind: The journey to securing sync placements is often described as a grind. It involves late nights, constant networking, endless submissions, and a lot of behind-the-scenes work that isn’t glamorous. Embracing this grind with determination and a positive mindset is essential for long-term success.

Final Words

Getting your music synced in film and television is a challenging but rewarding pursuit. It requires a combination of talent, strategic thinking, and, most importantly, willpower. The path may be long, and the competition fierce, but with persistence, resilience, and a clear focus on your goals, you can navigate the sync world successfully. Remember, every rejection is a step closer to the right opportunity, and every pitch is a chance to learn and grow. Stay committed to your craft, keep refining your approach, and continue building relationships in the industry. With unwavering willpower and a passion for your music, you can achieve the sync placements that will elevate your career to new heights.


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Unlimited License Agreement

This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

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Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

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This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

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All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

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This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

Trackout Unlimited

WAV, MP3, Trackout
License Terms

Unlimited License Agreement

This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

Exclusive

WAV, MP3, Trackout
License Terms

THIS LICENSE AGREEMENT is made on 7th June 2024 ("Effective Date") by and between Licensee(hereinafter referred to as the "Licensee") also, if applicable, professionally known as Licensee, residing at [N/A] and Thomas Hodek. (hereinafter referred to as the "Licensor"). Licensor warrants that it controls the mechanical rights in and to the copyrighted musical work entitled "BEAT NAME("Composition") as of and prior to the date first written above. The Composition, including the music thereof, was composed by Thomas Hodek ("Songwriter") managed under the Licensor.

All licenses are non-refundable and non-transferable.

Master Use.

The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).

Mechanical Rights. 

The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use. 

Performance Rights. 

The Licensor here by grants to Licensee an exclusive license to use the Master Recording in unlimited for- profit performances, shows, or concerts.

Broadcast Rights. 

The Licensor hereby grants to Licensee an exclusive license to broadcast or air the Master Recording in unlimited amounts of radio stations. 

Credit. 

Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise. 

Synchronization. 

Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency. 

Consideration.

In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended. 

Indemnification. 

Accordingly, Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, expenses, including, without limitation, reasonable attorney's fees, arising of or resulting from a claimed breach of any of Licensee's representations, warranties or agreements hereunder.

Audio Samples. 

3rd party sample clearance is the responsibility of the licensee.

Miscellaneous. 

This license is non-transferable and is limited to the Composition specified above.

Governing Law.

This License is governed by and shall be construed under the law of the Bayern DE, without regard to the conflicts of laws principles thereof. 

Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights 

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