How to Write Catchy Hooks That Truly Stand Out
Songwriting: Catchy Hooks

How to Write Catchy Hooks That Truly Stand Out

A memorable hook can make or break a song, and in rap, a strong hook can elevate your track, making it more likely to be replayed and remembered. Whether it’s a catchy melody, a clever lyric, or an unforgettable rhythm, crafting the perfect hook is a skill every rapper should master. Here’s how to write hooks that will grab attention and keep listeners coming back for more.


1. Keep It Simple and Memorable

Simplicity doesn’t mean sacrificing creativity—it’s about making the hook accessible. Think about the hooks that get stuck in your head after hearing a song just once. They tend to have a straightforward structure, with catchy phrasing that’s easy to repeat. Simplicity works because it’s digestible, allowing your audience to instantly connect with it.

For example, in Travis Scott’s “Goosebumps,” the hook repeats the phrase “I get those goosebumps every time,” allowing the listener to latch onto the emotion without overthinking the lyrics. The repetition of a single idea amplifies its impact.

Pro Tip: Try humming your hook without lyrics. If the melody sticks, you’ve likely hit on something catchy. If not, simplify the melody until it’s easy to remember.


2. Focus on Emotion and Relatability

Emotions drive human connections, and a strong emotional hook can turn casual listeners into loyal fans. Think about what resonates with your audience on a personal level. Is your song about struggle, love, triumph, or ambition? Tapping into shared experiences or universal feelings makes your hook relatable, drawing listeners into your story.

Consider the emotional power of DMX’s hook in “Party Up (Up In Here).” The frustration and aggression in the lyrics (“Y’all gon’ make me lose my mind, up in here”) resonate with anyone who’s ever felt pushed to their limit, creating an instant connection with the listener.

Pro Tip: Before writing your hook, ask yourself, “What feeling do I want my audience to have when they hear this?” Let that guide your lyric choices and delivery.


3. Create a Catchy Rhythm or Melody

Your hook’s rhythm or melody should stand out from the verses without feeling disjointed. Think of the hook as a climactic moment in your track—a place where the beat and lyrics come together to create something memorable. If you’re more focused on rhythm than melody, play around with different flows and cadences until you find something that feels unique yet complementary to the beat.

Take a look at Migos’ “Bad and Boujee,” where the hook’s catchy, laid-back delivery over a minimalist beat creates a signature rhythm that sets it apart from the rest of the track. The combination of clever pauses and varied cadence makes it hard to forget.

Pro Tip: Try recording multiple versions of your hook with different rhythms and tempos, even if they seem unconventional. You may stumble on a winning combination that brings the hook to life.


4. Repeat Key Phrases

Repetition isn’t just a musical trick—it’s a psychological one. Repeating a key phrase in your hook reinforces its significance and makes it more likely to stick in the listener’s memory. However, the balance is important; too much repetition can become monotonous, while too little might not leave a lasting impression.

Take the iconic “Started from the bottom, now we’re here” from Drake’s “Started From The Bottom.” It’s a simple, repeated line, but it encapsulates the entire message of the song while staying memorable because of its perfect placement and delivery.

Pro Tip: Consider using slight variations in each repetition. This can keep the listener engaged while reinforcing the main phrase. For example, change the tone or emphasis on the repeated words to give the hook more dynamic range.


5. Make It Match the Mood of the Beat

Matching your hook to the mood of the beat is critical for creating cohesion in your track. If your beat has a dark, brooding energy, a light or overly energetic hook can feel jarring. Instead, lean into the vibe the instrumental gives off, whether it’s reflective, aggressive, or upbeat.

For instance, Kendrick Lamar’s “HUMBLE.” aligns its aggressive, hard-hitting hook with the intensity of the beat, creating a unified, head-bobbing experience for the listener. The beat drives the hook, and the hook reflects the beat’s gritty energy.

Pro Tip: When choosing your hook, ask yourself: “How does this beat make me feel?” If your lyrics and delivery reflect that feeling, the song will feel more cohesive.


6. Use Contrast for Impact

Contrast can be your secret weapon to make your hook stand out. For example, if your verses are fast-paced with complex wordplay, slowing down the hook can create a powerful shift in dynamics. This contrast gives the listener a break from the verse’s intensity and makes the hook feel like a central highlight of the song.

In Drake’s “Nonstop,” the verses are fast, sharp, and word-heavy, but the hook switches to a slower, more deliberate flow. This contrast grabs attention and gives the song a fresh energy at just the right moment.

Pro Tip: When using contrast, experiment with different changes in pace, volume, or melody. Find what disrupts the listener’s expectations in a way that enhances the overall track.


7. Don’t Be Afraid to Experiment

Some of the most memorable hooks break traditional rules. Whether it’s unconventional phrasing, odd rhythms, or unexpected vocal effects, stepping outside the box can help your song stand out. The trick is to experiment without losing the essence of what makes a hook catchy.

Artists like Young Thug and Tyler, The Creator often defy convention with hooks that challenge typical song structure, using strange melodies or vocal inflections that set them apart. Their willingness to take risks results in some of the most creative hooks in modern rap.

Pro Tip: Don’t shy away from using unconventional sounds or effects in your hook, like distortion, vocal layers, or auto-tune. If it makes your hook more distinctive, it could be the element that sticks with listeners.


8. Use Call and Response Techniques

Call and response in a hook is a great way to interact with your audience. It invites participation, making the listener feel like part of the experience. This technique is particularly effective for live performances, where you can actively engage the crowd, but it works just as well in recordings.

In Fatman Scoop’s “Be Faithful,” the hook’s call-and-response dynamic drives the energy of the song. Phrases like “Put your hands up!” demand immediate audience interaction, ensuring the track becomes an anthem in clubs and concerts alike.

Pro Tip: When using call and response, make sure the “response” part is something simple that listeners can easily repeat, such as a word, sound, or short phrase.


9. Tailor Your Hook to the Song’s Theme

The hook should feel like a concise summary of your song’s theme. If your verses dive deep into a particular narrative or emotion, your hook should encapsulate that message in a way that’s digestible and catchy. This ensures that the hook not only sticks but also reinforces the main idea of your track.

For example, in Nas’s “If I Ruled the World,” the hook reinforces the song’s concept of dreaming of a better life. It’s simple, singable, and drives home the song’s theme of hope and aspiration.

Pro Tip: Think of your hook as the thesis of your song. What’s the main idea or feeling you want the audience to take away? Distill that into a few powerful words or phrases.


10. Pay Attention to the Hook’s Length

A hook that’s too short may fail to leave an impact, while one that’s too long risks dragging the song down. Finding the right length is crucial for balancing repetition with variation. Generally, 4 to 8 bars is ideal because it gives you enough space to repeat key phrases without overdoing it.

Jay-Z’s “Empire State of Mind” is a perfect example of a hook with ideal length. Alicia Keys’ vocals span 8 bars, providing enough space to fully express the theme of the song while keeping it concise enough to maintain the listener’s attention.

Pro Tip: Record your hook at different lengths (4 bars, 6 bars, 8 bars) and listen to how they affect the song’s flow. Sometimes trimming or extending by a bar or two can make a huge difference in how it hits.


11. Test Your Hook with Different Audiences

Before finalizing your hook, get feedback from others. You might be too close to the track to judge it objectively, and fresh ears can provide invaluable insight. Play the hook for fellow artists, friends, or even post snippets on social media for feedback. Pay attention to which versions get the most positive reactions.

Even in the professional world, artists and producers often test multiple hooks before settling on the final one. For example, many chart-topping songs undergo multiple versions before the hook is perfected for maximum impact.

Pro Tip: If possible, perform your song live before a crowd to see how they respond. Audience energy during the hook is a great indicator of how well it’s connecting.


Conclusion

A catchy hook is key to making your track stand out. By keeping it simple, relatable, and rhythmic, while also matching it to the beat and experimenting with contrast, you can create hooks that stick with your listeners. Whether you aim for emotional depth or playful energy, mastering the art of writing hooks will elevate your music and make your tracks more memorable.


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Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

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Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

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This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

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All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

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This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

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The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

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The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

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The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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THIS LICENSE AGREEMENT is made on 7th June 2024 ("Effective Date") by and between Licensee(hereinafter referred to as the "Licensee") also, if applicable, professionally known as Licensee, residing at [N/A] and Thomas Hodek. (hereinafter referred to as the "Licensor"). Licensor warrants that it controls the mechanical rights in and to the copyrighted musical work entitled "BEAT NAME("Composition") as of and prior to the date first written above. The Composition, including the music thereof, was composed by Thomas Hodek ("Songwriter") managed under the Licensor.

All licenses are non-refundable and non-transferable.

Master Use.

The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).

Mechanical Rights. 

The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use. 

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The Licensor here by grants to Licensee an exclusive license to use the Master Recording in unlimited for- profit performances, shows, or concerts.

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The Licensor hereby grants to Licensee an exclusive license to broadcast or air the Master Recording in unlimited amounts of radio stations. 

Credit. 

Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise. 

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Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency. 

Consideration.

In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended. 

Indemnification. 

Accordingly, Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, expenses, including, without limitation, reasonable attorney's fees, arising of or resulting from a claimed breach of any of Licensee's representations, warranties or agreements hereunder.

Audio Samples. 

3rd party sample clearance is the responsibility of the licensee.

Miscellaneous. 

This license is non-transferable and is limited to the Composition specified above.

Governing Law.

This License is governed by and shall be construed under the law of the Bayern DE, without regard to the conflicts of laws principles thereof. 

Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights 

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