Audiomack: Is It Still a Relevant Platform in 2024?
Audiomack

Audiomack: Is It Still a Relevant Platform in 2024?

In the evolving digital music landscape, platforms come and go, leaving artists and listeners constantly seeking the next big thing. Audiomack, which has been around since 2012, was one of the platforms that emerged as a favorite among independent artists and fans alike. But in 2024, with stiff competition from platforms like Spotify, Apple Music, and YouTube, one may wonder: Is Audiomack still a relevant platform for music promotion? This article dives deep into Audiomack’s current standing, its features, and whether it holds value for artists looking to grow their audience in 2024.


Audiomack’s Origins and Evolution

Founded by David Ponte, Brian Zisook, and Dave Macli, Audiomack started with a mission to give artists a space to share their music for free, without the obstacles often imposed by mainstream platforms. It gained traction as a go-to place for hip-hop and rap artists to drop mixtapes and singles, and it quickly became a hub for discovering up-and-coming talent.

Over the years, Audiomack expanded its genres, introduced monetization features, and cemented itself as a significant player in the streaming world. However, a decade later, the streaming landscape has shifted. Major players have introduced more features, and competition has tightened. So where does Audiomack stand today?


Key Features in 2024

Audiomack in 2024 continues to offer a variety of features that benefit both artists and listeners. These include:

  1. Free Music Streaming: Audiomack’s ad-supported model allows users to stream music for free. While there’s a premium option to remove ads and offer offline downloads, the free tier remains a huge draw, particularly for emerging markets and younger audiences.
  2. Monetization for Artists: Audiomack’s “Audiomack Monetization Program” (AMP) allows artists to earn from their streams without needing a major label or distributor. This is a valuable income stream for indie artists.
  3. Offline Listening: Audiomack offers offline downloads as part of its premium plan, appealing to users in regions with limited connectivity.
  4. Trending and Discovery: Audiomack’s real-time “Trending” charts help artists gain exposure. The platform emphasizes music discovery, which is essential for independent artists.
  5. Direct Uploads: Audiomack allows direct uploads without third-party distribution, a major advantage for DIY musicians.
  6. Social Sharing and Embedding: Audiomack makes it easy for artists to share their music on social media and embed tracks on external websites.

Community Engagement and Interaction Features

One of the standout features of Audiomack in 2024 is how it fosters community engagement. The platform encourages artist-to-fan interactions through likes, comments, reposts, and “Follows.” This creates a dynamic, community-driven experience, allowing artists to build strong, loyal fanbases. For indie musicians, these organic interactions are invaluable and can lead to word-of-mouth growth, one of the most effective ways to build a following.


Audiomack World and Editorial Support

Audiomack has invested heavily in its editorial arm, “Audiomack World,” which provides artists with additional exposure through playlists, interviews, and articles. Being featured on Audiomack World is a coveted spot for independent artists, as it offers the potential for significant visibility across the platform. Audiomack’s editorial team plays a critical role in surfacing fresh talent, and this is something larger platforms often lack, especially for independent artists. Audiomack World also provides curated playlists that help listeners discover new artists and trending sounds.


Integration with Social Media and TikTok Trends

In 2024, TikTok continues to play a huge role in music promotion, with songs frequently going viral thanks to its short-form content. Audiomack has capitalized on this trend by making it easy to share tracks across social platforms like TikTok, Instagram, and Twitter. With TikTok’s massive influence on music discovery, Audiomack’s seamless integration with social platforms allows artists to leverage viral trends and amplify their reach. For up-and-coming musicians, this cross-platform promotion can be a game-changer, helping them tap into new audiences quickly.


Audiomack for Podcasts and Other Audio Content

While Audiomack is known primarily for music, the platform has expanded to include other audio content, such as podcasts. This opens the door to a wider variety of creators, including spoken-word artists, podcasters, and audio documentarians, who now have access to Audiomack’s global audience. This diversification makes Audiomack more versatile and broadens its appeal beyond just music, giving all types of audio creators an easy-to-use platform for their content.


Global Partnerships and Exclusive Content

Audiomack’s growth is particularly notable in regions such as Africa, Latin America, and the Caribbean, where its focus on mobile-first, data-light streaming makes it highly appealing. The platform has forged partnerships with major music events and brands in these regions, such as Afrochella (now AfroFuture), and frequently features exclusive content from local artists.

These efforts have positioned Audiomack as a major player in emerging markets, helping the platform not only grow its user base but also establish itself as an authority on regional music scenes. For artists in these regions, Audiomack’s prominence makes it a vital platform for reaching local and international audiences alike.


User Experience Improvements

Audiomack in 2024 has seen several improvements in its user experience (UX) and user interface (UI). Its mobile app is now faster and more intuitive, with an updated algorithm for music recommendations, which improves discovery for listeners and provides more exposure for artists. These technical enhancements keep the platform competitive in terms of usability, especially in an age where consumers expect fast, seamless interactions with apps.


Challenges Audiomack Faces

Despite its many strengths, Audiomack faces challenges in 2024. Its primary competition remains platforms like Spotify, Apple Music, and YouTube, which have more extensive catalogs, higher revenues from monetization, and greater mainstream appeal. While Audiomack excels in accessibility for indie artists, the monetization options offered are still not as robust as those on larger platforms, particularly for mid-tier and established artists.

Additionally, as other platforms introduce more features for indie creators, Audiomack will need to continue innovating to stay ahead. With the increasing importance of video content (particularly on TikTok and YouTube), Audiomack’s primarily audio-focused model may limit its appeal if it doesn’t adapt to changing trends.


Audiomack’s Role in Breaking New Artists

Audiomack has a proven track record of helping break new artists into the music scene. Many of today’s top names, particularly in hip-hop, were initially discovered on Audiomack. Artists like YoungBoy Never Broke Again, Roddy Ricch, and Megan Thee Stallion used the platform as a springboard to build their initial fanbases before moving to mainstream platforms. In 2024, Audiomack still plays a crucial role in the early stages of artist development, offering a direct-to-fan approach that major platforms, with their more complex algorithms and competitive environments, often overlook.


Audiomack’s Impact on Genre Exploration

While Audiomack initially built its reputation in the rap, hip-hop, and Afrobeat communities, it has expanded significantly across genres. In 2024, Audiomack offers exposure for artists across a variety of styles including EDM, reggae, R&B, Latin, and more. Its openness to niche and experimental genres makes it a hub for genre exploration, allowing musicians to find an audience even if they don’t fit into mainstream categories.


Partnerships and Investment in Education and Development

Audiomack’s “Creator Education Hub” continues to provide free resources for artists, covering topics like marketing, distribution, and monetization. This platform helps independent artists gain the business knowledge necessary for long-term success. Audiomack also collaborates with industry professionals to offer workshops, particularly in emerging markets, ensuring that artists have access to educational tools that can grow their careers beyond streaming.


Exclusive Content and Audiomack Originals

In 2024, Audiomack continues producing exclusive content through “Audiomack Originals,” featuring artist interviews, live performances, and behind-the-scenes content. This type of original programming provides artists with opportunities to engage their fans beyond just music streaming. Audiomack Originals offer a promotional boost, and for fans, these features provide deeper insights into their favorite artists’ creative processes.


Advertising and Revenue Opportunities for Artists

Audiomack’s advertising model has become a valuable tool for indie artists looking to promote their releases in 2024. Artists can now place ads within the platform, targeting specific audiences based on demographics and regions. This affordable ad system allows musicians to amplify their releases without needing to rely on external ad platforms, boosting their chances of gaining organic traction on Audiomack’s trending charts.


Audience Analytics and Insights

Audiomack offers detailed analytics that allows artists to understand their audience, including where they’re located, how they engage with tracks, and their listening habits. These insights give independent artists a strategic advantage, helping them tailor their marketing efforts, plan tours, or refine their content based on real-time data.


Audiomack’s Place in Emerging Markets and Mobile-First Strategy

Audiomack’s mobile-first strategy continues to drive growth in emerging markets like Africa and Latin America. Partnerships with mobile carriers and local brands have allowed Audiomack to reach audiences who may not have easy access to larger platforms like Spotify. These data-light, affordable options make Audiomack a go-to streaming service in countries where data costs are a significant barrier.


Is Audiomack Still Relevant in 2024?

For artists, Audiomack remains highly relevant, particularly for those just starting out or focusing on markets like Africa, the Caribbean, and Latin America. Its ease of use, direct uploads, and focus on discovery make it an ideal platform for independent artists looking to build their fanbase organically.

For listeners, Audiomack continues to offer an alternative to the polished, commercialized feel of Spotify and Apple Music. It’s a place where raw, underground talent thrives, and where music fans can discover new sounds before they hit the mainstream.

However, Audiomack faces stiff competition from larger platforms in terms of user experience, catalog size, and monetization options. While its niche markets and indie focus give it an edge, maintaining its relevance will depend on how well it can evolve to meet the changing needs of artists and listeners alike.


Conclusion

Audiomack in 2024 is more than just a streaming platform—it’s a vital tool for artist development, genre exploration, and market expansion. With its focus on emerging artists, global growth, and ease of use, Audiomack remains highly relevant in today’s digital music landscape. Whether you’re an indie artist looking for a way to break into the industry, or a music fan looking for new sounds, Audiomack offers a refreshing alternative to mainstream platforms.

While it faces challenges in competing with larger platforms, its emphasis on community, education, and accessibility gives it a unique edge. Audiomack continues to evolve and adapt, proving that it is more than capable of holding its own in a crowded streaming environment.


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Unlimited License Agreement

This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

Wav Unlimited

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License Terms

Unlimited License Agreement

This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

Trackout Unlimited

WAV, MP3, Trackout
License Terms

Unlimited License Agreement

This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

Exclusive

WAV, MP3, Trackout
License Terms

THIS LICENSE AGREEMENT is made on 7th June 2024 ("Effective Date") by and between Licensee(hereinafter referred to as the "Licensee") also, if applicable, professionally known as Licensee, residing at [N/A] and Thomas Hodek. (hereinafter referred to as the "Licensor"). Licensor warrants that it controls the mechanical rights in and to the copyrighted musical work entitled "BEAT NAME("Composition") as of and prior to the date first written above. The Composition, including the music thereof, was composed by Thomas Hodek ("Songwriter") managed under the Licensor.

All licenses are non-refundable and non-transferable.

Master Use.

The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).

Mechanical Rights. 

The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use. 

Performance Rights. 

The Licensor here by grants to Licensee an exclusive license to use the Master Recording in unlimited for- profit performances, shows, or concerts.

Broadcast Rights. 

The Licensor hereby grants to Licensee an exclusive license to broadcast or air the Master Recording in unlimited amounts of radio stations. 

Credit. 

Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise. 

Synchronization. 

Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency. 

Consideration.

In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended. 

Indemnification. 

Accordingly, Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, expenses, including, without limitation, reasonable attorney's fees, arising of or resulting from a claimed breach of any of Licensee's representations, warranties or agreements hereunder.

Audio Samples. 

3rd party sample clearance is the responsibility of the licensee.

Miscellaneous. 

This license is non-transferable and is limited to the Composition specified above.

Governing Law.

This License is governed by and shall be construed under the law of the Bayern DE, without regard to the conflicts of laws principles thereof. 

Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights 

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