DistroKid vs CD Baby in 2024: An Honest Comparison
DistroKid vs CD Baby

DistroKid vs CD Baby in 2024: An Honest Comparison

In today’s rapidly evolving music industry, digital distribution platforms have become crucial tools for independent musicians looking to get their music on streaming platforms and stores worldwide. Two of the most popular platforms, DistroKid and CD Baby, stand out in the independent music distribution space. Both offer powerful tools for artists to distribute their music, but they differ in pricing, features, and artist support. So, which distributor is better for you in 2024? Let’s break down the details in this in-depth comparison of DistroKid and CD Baby.


1. Overview: What Do DistroKid and CD Baby Offer?

Before diving into the specifics, it’s important to understand what DistroKid and CD Baby do.

DistroKid was founded in 2013 and quickly became known for its straightforward and affordable subscription model. It allows artists to upload and distribute unlimited music to all major streaming services (like Spotify, Apple Music, Amazon, and more) for a yearly fee. DistroKid has become popular due to its fast distribution process, ease of use, and ability to release unlimited tracks under one subscription.

CD Baby has been in the music distribution business since 1998, making it one of the oldest players in the market. Unlike DistroKid’s subscription model, CD Baby operates on a pay-per-release system. This means artists pay a one-time fee for each single or album distributed. CD Baby is known for offering a more comprehensive suite of services, including sync licensing, physical distribution, and more in-depth artist support.

Both platforms offer global music distribution, but their pricing, features, and artist services are where they start to diverge. Let’s take a closer look.


2. Pricing: Subscription vs. Pay-per-Release

DistroKid Pricing

DistroKid’s pricing model is based on a yearly subscription. For a flat annual fee, you can upload and distribute unlimited music across streaming platforms and stores. The subscription tiers are as follows:

  • Musician Plan: $22.99/year for one artist (unlimited releases)
  • Musician Plus: $35.99/year for two artists (custom label name, release date scheduling, and other features)
  • Label Plans: Starting at $79.99/year for up to five artists, scaling up for larger labels

DistroKid’s low-cost subscription model is ideal for artists who plan to release multiple singles or albums throughout the year. There are no additional charges for each release, making it cost-effective for prolific musicians.

CD Baby Pricing

CD Baby uses a pay-per-release model, with a one-time fee per album or single. This structure suits artists who release music less frequently but want lifetime distribution. The pricing tiers are:

  • CD Baby Standard Single: $9.95 per single
  • CD Baby Pro Single: $29.95 per single (includes publishing administration)
  • CD Baby Standard Album: $29 per album
  • CD Baby Pro Album: $69 per album (includes publishing administration)

CD Baby’s one-time payment means that once your music is uploaded, you won’t need to pay an annual fee to keep it online. The Pro versions include publishing administration, which helps collect royalties beyond just streaming and download revenue, such as performance royalties and mechanical royalties from various sources.


3. Revenue and Royalties: How Much Do You Keep?

When it comes to revenue, one of the biggest factors for independent artists is how much of their royalties they get to keep.

DistroKid offers a straightforward deal: artists keep 100% of their earnings. The platform doesn’t take any cuts from your streaming or download revenue. This makes DistroKid attractive to artists who want to maximize their income and prefer handling everything independently.

CD Baby, however, takes a 9% commission on digital distribution royalties. This means if you make $100 in streaming revenue, CD Baby will take $9. While this may seem like a disadvantage, CD Baby offers more comprehensive services such as collecting royalties from various sources, including mechanical and performance royalties, through their CD Baby Pro plan.

Which Is Better?

If your primary concern is keeping as much revenue as possible from your streaming earnings, DistroKid is the clear winner. However, if you’re looking for more than just distribution—such as global royalty collection and publishing administration—CD Baby Pro can be a worthwhile investment despite the commission.


4. Distribution Speed: How Fast Does Your Music Go Live?

In the fast-paced digital music world, getting your music live quickly can make a big difference.

DistroKid is renowned for its fast distribution process. Once you upload your music, it typically goes live on major platforms like Spotify and Apple Music within 24-72 hours. This makes DistroKid one of the fastest distributors in the business, appealing to artists who need to release music on short notice or align with specific release dates.

CD Baby, on the other hand, is known for taking a bit longer to distribute music. On average, it can take one to two weeks for music to go live on streaming platforms. While this may not be an issue for artists who plan their releases well in advance, it may be less ideal for musicians who prioritize speed and flexibility.

Which Is Better?

If you need your music live as quickly as possible, DistroKid is the better choice in terms of distribution speed. For artists who have a more flexible timeline, CD Baby’s slower process might not be a significant drawback.


5. Additional Services: Beyond Basic Distribution

While both platforms offer digital music distribution, they differ significantly in their additional services.

DistroKid keeps things relatively simple, focusing mainly on fast, unlimited music distribution. However, DistroKid has added some interesting features in recent years:

  • YouTube Content ID: Monetize your music on YouTube by claiming ad revenue from videos that use your songs.
  • Store Maximizer: Automatically distribute your music to new streaming platforms as they become available.
  • Spotify for Artists Verification: Get verified on Spotify immediately, making it easier to manage your artist profile and playlists.
  • HyperFollow Pages: A free promotional tool to generate pre-save campaigns for Spotify releases.

CD Baby, on the other hand, offers a much more extensive suite of services, including:

  • Sync Licensing: CD Baby helps artists get their music placed in films, TV shows, and commercials. Sync licensing can be a significant revenue source for independent artists.
  • Publishing Administration: CD Baby Pro offers publishing administration, helping artists collect performance royalties and mechanical royalties that they might otherwise miss out on.
  • Physical Distribution: If you want to sell CDs or vinyl records, CD Baby can help distribute physical copies in addition to digital formats.
  • Global Royalty Collection: CD Baby Pro tracks and collects royalties from multiple sources, including digital platforms, public performance, and mechanical royalties.

Which Is Better?

For artists looking for simplified, fast distribution, DistroKid’s approach works well. However, if you’re looking for comprehensive artist support, including sync licensing and physical distribution, CD Baby offers more value with its additional services, especially for artists looking to monetize their music beyond streaming.


6. Artist Support and User Experience

User experience and artist support can make or break your experience with a music distributor.

DistroKid is known for its easy-to-use interface. The platform focuses on simplicity, making it easy for artists to upload and manage their music. DistroKid also provides automated customer support, relying heavily on FAQs and help articles, which works well for many users but might feel impersonal for those who need more direct assistance.

CD Baby, with its longer history in the industry, offers more personalized customer support. While their platform may not be as streamlined or fast as DistroKid’s, CD Baby provides more thorough artist support, with human representatives available to assist with issues or questions. CD Baby’s knowledge base and artist guides are also highly detailed, catering to musicians who may need more assistance navigating the world of distribution and royalties.

Which Is Better?

For artists who prioritize a streamlined experience and don’t need much hand-holding, DistroKid’s easy-to-use platform is likely a better fit. However, if you value more personalized customer support, CD Baby is the stronger option.


7. Analytics and Data Insights

Understanding how your music is performing is crucial for growing your career as an independent artist.

DistroKid provides basic analytics through platforms like Spotify for Artists and Apple Music for Artists. These tools allow artists to track streams, listener demographics, and other key metrics. DistroKid also offers tools like Mini Videos and HyperFollow pages to help with promotions.

CD Baby offers more in-depth analytics, especially for artists who opt for CD Baby Pro. In addition to tracking streams and listener data, CD Baby provides more comprehensive royalty reports and insights into where your revenue is coming from. CD Baby’s focus on global royalty collection means it tracks a wider variety of revenue streams, giving you a broader understanding of how your music is generating income.

Which Is Better?

For artists looking for basic analytics, DistroKid offers sufficient insights. But for those who want a deeper understanding of their revenue and royalties, CD Baby provides more comprehensive data, particularly through CD Baby Pro.


8. Comparing Payout Speed: When Do You Get Paid?

How quickly can artists expect to receive their earnings?

One of the key considerations for independent artists is the speed at which they can access their earnings after distributing their music. Having faster access to funds can help artists reinvest in their music, promote upcoming releases, or simply maintain a steady income stream.

DistroKid is known for its quick payout system. Once your earnings start accumulating, you can withdraw them weekly via platforms like PayPal or bank transfers. Artists can check their revenue regularly and withdraw at any point, giving them flexibility and quicker access to their funds.

CD Baby, on the other hand, operates on a monthly payout schedule. While CD Baby ensures that you get paid, you’ll need to meet a minimum threshold of $10 in digital earnings before you can withdraw. This means that if you don’t hit that threshold, you may need to wait longer to receive your money.

Example addition:
“DistroKid offers faster payout options since artists can withdraw their earnings weekly. CD Baby, by contrast, operates on a monthly payout cycle, and artists need to accumulate a certain threshold before receiving their earnings. For artists looking for quicker cash flow, DistroKid provides more flexibility.”


9. Ease of Use for New Artists: Onboarding and Setup

Which platform is easier for beginners to start with?

Both DistroKid and CD Baby are designed with ease of use in mind, but their onboarding processes differ slightly, which can impact how new artists interact with the platform.

DistroKid is widely praised for its simplicity. The platform’s user interface is highly intuitive, making it easy for beginners to upload their music and get it distributed quickly. The whole process—signing up, entering your song details, and submitting it to platforms—can be completed in a matter of minutes. This makes DistroKid ideal for artists who want a no-fuss, fast-track approach to distribution.

CD Baby, while also easy to use, offers a more detailed and comprehensive onboarding process. Artists are guided through a series of steps that ensure they understand how their music will be distributed and monetized. The platform provides in-depth resources, tutorials, and artist guides to help musicians navigate everything from royalty collection to licensing. Though this process takes longer, it’s particularly valuable for those new to the music industry who want more control over their releases.

Example addition:
“For new artists, DistroKid provides a quick and easy onboarding experience, allowing users to upload tracks and get them distributed within minutes. On the other hand, CD Baby takes a more thorough approach, offering guides and resources for musicians who may be less familiar with the music industry. While it’s not as fast as DistroKid, CD Baby offers valuable support for those who want to understand every step of the process.”


10. Social Media and Marketing Tools: Promoting Your Music

How do the platforms help artists promote their music?

In 2024, promoting your music effectively is just as important as distributing it. Both DistroKid and CD Baby offer a variety of tools to help artists boost their visibility and drive engagement.

DistroKid has introduced several marketing tools tailored to the needs of indie artists. The HyperFollow page is one of DistroKid’s standout features, allowing artists to create landing pages for their upcoming releases. Fans can pre-save songs to Spotify or other platforms before the release, ensuring higher visibility on release day. Additionally, DistroKid offers Mini Videos, small promotional clips that artists can easily share on social media platforms to create buzz.

CD Baby, on the other hand, takes a more comprehensive approach to marketing. Through its partnership with Show.co, CD Baby gives artists access to powerful marketing tools that can help them create and manage marketing campaigns, run ads on platforms like Spotify and YouTube, and build fan email lists. Show.co is particularly useful for artists looking to target specific audiences and gain traction on multiple platforms simultaneously.

Example addition:
“Both platforms offer promotional tools, but DistroKid focuses on pre-save campaigns and social media-friendly mini videos, making it easy for artists to generate buzz before a release. CD Baby’s partnership with Show.co gives artists access to more sophisticated marketing tools, like fan engagement ads and email list building, allowing for more targeted promotion campaigns.”


11. Copyright and Legal Protections: Protecting Your Music

How well do these platforms help protect your music rights?

For independent artists, protecting their music and ensuring they’re properly compensated for its use is paramount. Both DistroKid and CD Baby offer tools to help with this, but their services differ in depth.

DistroKid includes access to YouTube Content ID, a system that allows artists to monetize videos on YouTube that use their music. When someone uploads a video containing your song, DistroKid’s Content ID system identifies it and places ads on the video, generating revenue for you. This system is especially useful for musicians whose work is commonly used in user-generated content on YouTube.

CD Baby also offers YouTube Content ID services, but its legal protections go further with CD Baby Pro. In addition to collecting revenue from YouTube, CD Baby Pro provides publishing administration services, which means they help you collect publishing royalties from all over the world. This includes not just streaming royalties but also performance royalties, mechanical royalties, and more. CD Baby’s deeper focus on publishing rights means that artists can feel more secure about their global revenue streams.

Example addition:
“Both platforms offer basic copyright protections through their YouTube Content ID features, helping artists monetize their music used in YouTube videos. However, CD Baby Pro‘s publishing administration ensures more comprehensive global copyright and royalty management, making it the better option for artists who want thorough rights protection across various territories.”


12. Collaboration Features: For Artists in Groups or Labels

How well do these platforms handle multiple artists or collaborations?

Many independent musicians collaborate with others or manage groups and labels, making it essential for distribution platforms to handle collaboration payments seamlessly.

DistroKid excels in this area by offering an automatic royalty-splitting feature. Artists can easily assign percentages to their collaborators, such as co-writers or producers, directly through DistroKid’s system. This feature ensures that each person involved in the release is automatically paid their agreed-upon share of the earnings, simplifying the process for artists who work with many collaborators.

CD Baby, by comparison, does not offer an in-platform royalty-splitting feature. Artists who release through CD Baby need to handle splits manually or through external services. While this is manageable, it can be more time-consuming and requires more administrative oversight, especially for artists working with multiple collaborators.

Example addition:
“For artists who work in groups or have frequent collaborations, DistroKid stands out with its automatic royalty-splitting feature, making it easy to ensure everyone gets paid their share. CD Baby lacks this built-in functionality, so artists may need to manage splits manually or via third-party services.”


13. Physical Distribution: CDs and Vinyl

Which platform offers better physical distribution options?

Despite the rise of streaming, many fans and artists continue to value physical formats like CDs and vinyl. For artists who want to sell physical copies of their music, the availability of distribution options is a key consideration.

CD Baby has a long history of offering physical distribution services. Artists can sell CDs and vinyl records through CD Baby’s online store, and CD Baby also facilitates distribution to physical retailers like Amazon. This option is ideal for musicians who want to offer their fans collectible physical formats or plan to sell music at live shows.

DistroKid, on the other hand, is focused almost entirely on digital distribution. The platform does not offer physical distribution services, meaning artists who want to sell physical copies will need to use a different service or manage this aspect independently.

Example addition:
“If selling physical copies of your music is important to you, CD Baby offers more robust options. They facilitate CD and vinyl sales and even offer physical distribution to retail stores. DistroKid, by contrast, focuses almost entirely on digital distribution and does not offer support for physical formats.”


14. Tax Handling and Global Payouts: Managing Revenue Worldwide

How do these platforms handle taxes and international payments?

For artists who generate revenue across different countries, tax handling and global payouts can be a complex and important factor to consider.

DistroKid simplifies the payment process by allowing artists to receive global payouts through platforms like PayPal. However, when it comes to taxes, DistroKid leaves the management of tax reporting and compliance up to the artist. This can be tricky for those with revenue streams coming from various countries, as artists must ensure they’re handling taxes correctly on their own.

CD Baby, particularly with its CD Baby Pro plan, takes a more hands-on approach. In addition to handling international royalty collection, CD Baby helps artists with tax withholding and compliance, ensuring that they’re adhering to tax laws in different countries. This service is particularly useful for artists who are generating significant revenue globally and want to avoid the hassle of managing international taxes on their own.

Example addition:
“For artists with global revenue streams, CD Baby takes a more thorough approach, particularly with its Pro plan, handling international tax compliance and ensuring you collect royalties from various countries. DistroKid offers global payouts, but artists are responsible for managing their own taxes.”


15. Sustainability and Growth: What to Expect in 2024 and Beyond

Which platform is better poised for the future?

As the music industry continues to evolve, artists need a distributor that can grow with them and offer new features to meet changing needs. Both DistroKid and CD Baby are poised for growth in 2024, but they may take different paths.

DistroKid has been expanding rapidly, adding new features designed to simplify distribution and promotion for independent artists. Its focus on speed and efficiency, combined with additional tools like HyperFollow pages and mini promotional videos, suggests that DistroKid will continue to attract new users and potentially introduce more marketing features in the coming years. Its streamlined, no-frills approach makes it appealing for artists looking for simple but effective solutions.

CD Baby, meanwhile, continues to build on its strong foundation of comprehensive artist support. With established services like sync licensing, physical distribution, and global royalty collection, CD Baby is well-positioned to help artists diversify their income streams beyond just streaming revenue. In 2024 and beyond, CD Baby is likely to focus on enhancing these services and adding new tools to help artists monetize their music in more creative ways, making it an attractive option for those seeking long-term growth.

Example addition:
“Looking ahead, DistroKid is expected to continue its rapid growth by expanding its feature set and focusing on artist promotion tools and enhanced user experience. CD Baby, on the other hand, may further strengthen its foothold in artist support services like sync licensing and royalty collection, making it the go-to platform for musicians seeking long-term growth and sustainability beyond digital streaming.”


16. Verdict: Which Is Better in 2024?

The answer to whether DistroKid or CD Baby is better in 2024 depends largely on your specific needs as an artist.

  • Choose DistroKid if you prioritize fast, unlimited releases, want to keep 100% of your revenue, and are looking for a simple, budget-friendly solution for digital distribution. DistroKid is ideal for prolific artists who release music frequently and want an easy, no-frills experience.
  • Choose CD Baby if you’re looking for comprehensive artist support beyond just distribution. CD Baby’s additional services, such as sync licensing, physical distribution, and global royalty collection, make it a better choice for artists who want to maximize revenue from various sources and build a long-term career. Though it takes a 9% cut, CD Baby Pro’s publishing administration services can help artists collect royalties that might otherwise be missed.

In 2024, both DistroKid and CD Baby remain excellent choices for independent musicians. Your decision will depend on how frequently you release music, your need for additional services, and how you prefer to manage your music career.


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Basic MP3

MP3
License Terms

NON-EXCLUSIVE BASIC MP3 LICENSE AGREEMENT


This Non-Exclusive Basic MP3 License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $40 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”). This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as a high-quality MP3 file to the email address provided by the Licensee after purchase.

3. Permitted Uses


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute up to 2,500 copies (digital and/or physical)
• Achieve up to 250,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 250,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Make minor modifications to the Beat (e.g., arrangement, tempo, pitch)

4. Restrictions


Licensee agrees NOT to:
• Sell, lease, share, or distribute the Beat in its original form
• Upload or distribute the Beat without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat
Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as: “Produced by Tellingbeatzz”

9. Term


This license is valid for hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

11. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

12. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

13. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

Basic Wav

WAV, MP3
License Terms

NON-EXCLUSIVE BASIC WAV LICENSE AGREEMENT


This Non-Exclusive Basic WAV License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $60 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”).

This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as:
• High-quality MP3 file
• High-quality WAV file

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses


Licensee is granted the right to:
• Record vocals over the Beat to create one (1) New Song
• Distribute up to 5,000 copies (digital and/or physical)
• Achieve up to 500,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 500,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Make minor modifications to the Beat (e.g., arrangement, tempo, pitch)

4. Restrictions


Licensee agrees NOT to:
• Sell, lease, share, or distribute the Beat in its original form
• Upload or distribute the Beat without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat
Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

11. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

12. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of
Germany.

13. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

Premium Stems

WAV, MP3, Trackout
License Terms

NON-EXCLUSIVE PREMIUM STEMS LICENSE AGREEMENT


This Non-Exclusive Premium Stems License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $100 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”). This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as:

High-quality MP3 file
High-quality WAV file
Trackout stems (individual audio files)

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute up to 10,000 copies (digital and/or physical)
• Achieve up to 1,000,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 1,000,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Fully mix, arrange, and modify the Beat using the provided stems

4. Restrictions


Licensee agrees NOT to:

• Sell, lease, share, or distribute the Beat or stems in their original form
• Upload or distribute the Beat or stems without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

11. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

12. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

13. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

Unlimited

WAV, MP3, Trackout
License Terms

NON-EXCLUSIVE UNLIMITED LICENSE AGREEMENT


This Non-Exclusive Unlimited License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $150 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”).

This license allows unlimited commercial use as defined below.

2. Delivery


The Beat will be delivered as:

High-quality MP3 file
High-quality WAV file
Trackout stems (individual audio files)

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses (Unlimited)


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute unlimited copies (digital and/or physical)
• Achieve unlimited monetized audio streams
• Upload unlimited music videos
• Achieve unlimited monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song without any restrictions
• Fully mix, edit, and modify the Beat using the provided stems

4. Restrictions


Licensee agrees NOT to:

• Sell, lease, share, or distribute the Beat or stems in their original form
• Upload or distribute the Beat or stems without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat

Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer under this Agreement.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Non-Exclusive Rights


This is a non-exclusive license, meaning:

• The Beat may be licensed to other artists
• Producer retains the right to sell additional licenses

11. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license.

Upon termination, Licensee must cease all use and distribution of the New Song.

12. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

13. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

14. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

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