Are you a rap composer looking to get into the limelight like Eminem or Dr. Dre? Before you start busting those raps and distributing them online, you need a few things first. For one, you need a publishing company to help with copyrights.
In 2018, the music industry reached $9.8 billion with a 13% growth from 2017. Music is coming out more often and more artists get opportunities to show what they can do. If you noticed, many artists and composers publish their own music.
There’re a few good reasons for that, of course. Below, we have a guide on how to publish your own music. Read on if you want to know why you should publish music and how.
When you create music that you know is unique and good, it’s important you get to share it with the world. The sad thing is, it’s not as simple as creating the song then singing it. Of course, there’s more to it than that.
First of all, if you want to make money with your songs, you need a music publisher or a publishing company. This ensures you get paid whenever your compositions get commercial uses. Often, the composer gives the copyright of their work to a publishing company.
The copyright administered and owned by a publishing company is an important form of intellectual property.
One thing that will benefit you is to create your own publishing company. If you’ve noticed, many major artists self-publish.
One of the main reasons includes tax. When your songs earn enough, it’s better to allow the publisher’s share of revenue to flow through a company. This allows for taxes at a much lower corporate rate.
Liability is another major reason for self-publishing. When artists get sued for plagiarism, the party suing them can only go after the corporation’s assets. Personal assets like your house and your car stay out of the picture.
Now you have the knowledge on why you should go for DIY publishing. The next thing to do is to form your own publishing company. This will take time, a lot of patience, and some paperwork but it will be worth it.
The first thing you need to do is to create a business or officially file a Fictitious Name Statement. Go to the website of the Secretary of State for your home state. Look for the requirements for creating a name for your company.
You can either start up a corporation or a limited liability company (LLC). If you prefer not to incorporate, you can choose to file a Fictitious Name Statement or Doing Business As Statement instead. The DBA Statement now makes this legal and it lets the government know you’re conducting business as a professional music publisher.
As a note, other interested parties will also know that you are a music publisher using a name not your own. You do need the name statement to open a bank account or via check for your company. As a tip, choose a unique name so your royalties get assigned to you later.
The music industry for 2019 seems healthier and better. The volume of music streaming had an increase of 49% in 2019. That makes for over 611 billion audio streams online.
Before you go about sharing your songs online as well, you need to protect it first. How do you do that? You need to look for a performing rights organization first.
This PRO can be BMI, ASCAP, or SESAC. Establish a membership in one of them. Don’t forget to take memberships as a composer and as a publisher.
Each one will suit different artists so look for one that’s perfect for your needs. As a publisher, you can register with more than one PRO. When you register an album or song, you only need one PRO.
These PROs collect performance royalties for their songwriters and composers. Often, they collect whenever work under their company gets performed. They collect whether the performance is live or otherwise.
Another way to protect your work is to go to the Library of Congress. Register it for copyright in the Library of Congress. This one is an optional choice.
To get attention to your creations, you need good promotion. If you haven’t already, get on social media. It’s a very effective and good platform for spreading awareness of your music.
Another way to promote your work is to join SoundCloud or BandCamp. These are online communities with embedded players. They enable composers to share and sell their work.
You can also choose to join a composer organization like Vox Novus, the National Association of Composers, or other similar groups. These organizations will help with the promotion of your compositions. Members from these organizations can also give you tips for promoting your rap music.
If your budget allows it, it would be smart to hire a publicist. A good publicist is a great investment and will help you out in the long run. The likes of Sarah Baird Knight can get your name and work into the pipeline to build a fanbase.
After you build your own fanbase, it’s smart to start distributing your creations. Online, there are tons of sites that allow you to sell your music while retaining all your rights. Some will charge a flat fee to allow your participation.
Consumers can listen to samples, download MP3 files, and look for scores. Sharing your work will increase awareness of your music. People who like your work can comment and share their thoughts on it, giving inspiration to you.
That’s it for our guide on how to publish your own music.
How did you find this guide on how to publish a song? You’re welcome to check out our blog page for more content like this.
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THIS LICENSE AGREEMENT is made on 7th June 2024 ("Effective Date") by and between Licensee(hereinafter referred to as the "Licensee") also, if applicable, professionally known as Licensee, residing at [N/A] and Thomas Hodek. (hereinafter referred to as the "Licensor"). Licensor warrants that it controls the mechanical rights in and to the copyrighted musical work entitled "BEAT NAME("Composition") as of and prior to the date first written above. The Composition, including the music thereof, was composed by Thomas Hodek ("Songwriter") managed under the Licensor.
All licenses are non-refundable and non-transferable.
Master Use.
The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).
Mechanical Rights.
The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use.
Performance Rights.
The Licensor here by grants to Licensee an exclusive license to use the Master Recording in unlimited for- profit performances, shows, or concerts.
Broadcast Rights.
The Licensor hereby grants to Licensee an exclusive license to broadcast or air the Master Recording in unlimited amounts of radio stations.
Credit.
Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise.
Synchronization.
Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency.
Consideration.
In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended.
Indemnification.
Accordingly, Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, expenses, including, without limitation, reasonable attorney's fees, arising of or resulting from a claimed breach of any of Licensee's representations, warranties or agreements hereunder.
Audio Samples.
3rd party sample clearance is the responsibility of the licensee.
Miscellaneous.
This license is non-transferable and is limited to the Composition specified above.
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This License is governed by and shall be construed under the law of the Bayern DE, without regard to the conflicts of laws principles thereof.
- Licensee, owns 50% of publishing rights. - Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights. - Tellingbeatzz (GEMA), owns 50% of publishing rights
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