5 Genius Tips for Writing Rap Lyrics
Inspiration Writing Lyrics

5 Genius Tips for Writing Rap Lyrics

So you have a beat, but what about your lyrics? If you’re having trouble coming up with the writing, then click here for 5 genius tips on writing rap lyrics.

What comes to mind when you hear the word ‘rap’?

Would you consider it poetry?

The answer could go either way as many strong similarities would lead some to say yes and some to say no.

To state the obvious about the two, many things can share certain traits and not be the same sort of thing, so answering whether rap is poetry or not can help you with writing rap lyrics.

A poet needs to be able to incorporate rhythm and flow into it to make it sound appealing. Rap is the same way.

Both poets and rappers will try to give their work visual elements by using figurative language (like metaphors). However, the challenge with rap is making the verse appeal to the ear while broadcasting the entire message quickly, while also keeping rhythm.

And if you’re finding it difficult to write rap lyrics, here are 5 genius tips for you to use to possibly help you become the next Kanye or Nas.


5 Tips for Writing Rap Lyrics

You might have the best beat in the world, but if your lyrics are the least bit impressive, people won’t want to listen to it. All flow and no content won’t put you anywhere near the best rappers out there.

Side note, if you’re a rapper who needs some sick rap beats to practice writing your lyrics to, you definitely need to check out these 7 greatest hip hop beats of all-time.

Take a look at these 5 tips to help you to write great lyrics:


1) Capture Every Thought

In other words, brainstorm. Choose a topic that you want to rap about and let your imagination loose. Make sure to have a pen and paper ready to write down every thought, idea, and emotion that comes to mind.

Don’t expect your next song to drop on your mind the moment you begin brainstorming. It might take a few minutes but it could also take a few days or weeks. Stick with it and make sure to write down everything.

It’s important to go back and circle words or emotions that really stand out above the rest. You should start seeing a trend in the vocabulary you use and this will give you a good place to start.


2) Find the Angle

Many successful rappers start at the chorus first. It’s good to start with this because the chorus is usually what people will only remember from the rap. In other words, you have to give importance to the hook of your song.

We refer to this as the ‘hook’ or the ‘angle’. The hook sets the tone for the entire theme of the rap. This should naturally spread the message over to the rest of the rap making it easier to write verses.

Having a strong hook has the potential to make the rest of the rap look good (even if it isn’t) so spend a little extra time on finding your angle.


3) Make it Personal

People love personal stories. It doesn’t have to be all good or encouraging either.

There’s a good chance that no matter what you write about when writing rap lyrics someone else has gone through the same thing.

Make sure you don’t lie in your raps about who you are. It’s safe to exaggerate to get your point across but people will eventually catch on if all you’re rapping about are lies.

It’s always good to keep your audience in mind when writing rap lyrics. This will help you with the direction you need to go to get the best response possible from those listening to you.


4) Putting it All Together

If you want to organize a rap the right way, always give importance to proper organization of ideas. Remember that if your song is going to tell a story, it needs to have a beginning, a middle, and an end.

But it doesn’t have to be that plain and simple. You can mix and match different song components differently and that’s perfectly accepted. You don’t have to follow what others are doing if you don’t feel like it.

However, the most common way to organize your rap is Intro, Pre-Hook, Hook, 16 bars Verse, Bridge, and Outro. Again, this is just a tried-and-true template to use when writing rap lyrics.


5) Practice Makes Perfect

Practice, practice, and then practice some more.

The more you rehearse your lyrics, the better you’ll be able to recite your words from memory. This will allow you to keep the flow and rhythm of it without skipping a beat. It’ll decrease your chance of messing up when you’re performing in front of others too.

Read and reread your piece until you are more than confident with it. And if you’ve gone over it a 100 times and you aren’t happy with it, you can do one of two things:

  • You can go back and change up a few things getting a different tempo or beat to see what sounds better with your rap style, or swap out some words.
  • You can also share it with close friends and ask for honest feedback, which Sometimes you can be your hardest critic so it’s good for you to get someone else to share what they think.

One Final Word

So, there you go, 5 tips to help you with writing rap lyrics. The info mentioned above can help you a lot when it comes to getting new ideas, structuring rap lyrics, and executing the rough draft of your rap in hopes of making it a finished product.

You need to remember that a good rap has the right ingredients for proper flow, rhythm, and appeal. One of the main challenges maybe rappers/writers have when writing rap lyrics is making sure that the piece not only appeals to the ears of the listener but it’s effective in getting across its message.

Last, don’t be discouraged if you have a difficult time with all of this. A rap doesn’t come together overnight. It takes a lot of work and a lot of patience but the end result could be worth it.

Be sure to follow our blog for more hip-hop tips and tricks!


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4 Comments

Tanya
November 9, 2017 3:38 pm

These are useful tips man, I love it.

10 Dope Beats That Changed Rap History
January 5, 2018 2:14 pm

[…] Since its inception, having a relevant cultural message has been an important part of a lot of hip-hop songs – ironically, since mainstream culture […]

Jared Kinney
June 24, 2018 10:40 am

Thank u

Paradox03
February 3, 2019 5:20 pm

So usefull

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All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

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Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

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The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

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The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

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The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

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The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

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The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

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The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

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The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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All licenses are non-refundable and non-transferable.

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The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).

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The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use. 

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The Licensor hereby grants to Licensee an exclusive license to broadcast or air the Master Recording in unlimited amounts of radio stations. 

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Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise. 

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Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency. 

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In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended. 

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Accordingly, Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, expenses, including, without limitation, reasonable attorney's fees, arising of or resulting from a claimed breach of any of Licensee's representations, warranties or agreements hereunder.

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3rd party sample clearance is the responsibility of the licensee.

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This license is non-transferable and is limited to the Composition specified above.

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Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights 

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