7 Greatest Hip Hop Beats of All-Time
Greatest Rap Beats All Time

7 Greatest Hip Hop Beats of All-Time

Do you want some inspiration for your own music? We’re giving you the 7 greatest hip hop beats of all-time to inspire you to pick similar beats for your rap.

For decades, hip hop has inspired fellow musicians and fans alike to create their own original music. Hip hop has an enormous fan base, generating well over $10 billion in annual revenue, according to Forbes magazine.

However, the reality is that hip hop is more than just a business. It is a way of life. Hip hop lyrics are deep, personal, and speak directly to millions across the country. So it comes as no surprise that fans and aspiring artists turn to hip hop beats and instrumentals to express themselves. Artists can purchase an instrumental, record their own lyrics, and even distribute the track out for a small price. In some cases, instrumentals can even cross genres.

One famous example is when Eminem sampled Aerosmith’s “Dream On” to record his own hit record called “Sing for the Moment.” That being said, we are here to provide you with 7 of the greatest hip hop beats of all-time. Hopefully, these beats inspire you as much as they have inspired us.

1) The List of Greatest Hip Hop Beats of All-Time Always Includes Jay-Z’s “Dead Presidents”

Jay-Z’s early 1990’s hit Dead Presidents is collectively agreed upon as one of the greatest songs in rap history. The song catapulted Jay-Z’s album “Reasonable Doubt” to the top of the charts.
It also established Jay-Z as the most powerful force in hip hop for decades to come. Jay-Z’s career skyrocketed after “Dead Presidents,” including many platinum albums and top-selling singles.
What makes “Dead Presidents” so legendary is the beat. For decades, rappers have been using its instrumentals to record their own freestyles and remixes.

2) Mobb Deep “Shook Ones Part 2”

“Shook Ones Part 2” is one of the most popular hip hop beats to freestyle to. The beat famously appeared in Eminem’s hit movie “8-mile” where it was used in the championship freestyle battle.
This song put Mobb Deep on the map in 1995 and made their album “The Infamous” an urban classic.
What makes “Shook Ones Part 2” especially impressive is that Havoc, one half of the Mobb Deep duo, put the beat together himself using a sampling of different beats.
This dark beat remains popular and celebrated even two decades later.

3) Nas “New York State of Mind”

The mid-1990’s classic album “Illmatic” featured one of the great hip hop beats of all-time.
While the album featured 10 epic beats in total, “New York State of Mind” stands out as legendary. The track was produced by DJ Premier, who is widely recognized as one of the best producers in hip hop history.
The 1990’s was a different time in hip hop, where artists often utilized dark beats that allowed them to graphically describe the struggles of inner-city life.
DJ Premier allowed Nas to do exactly that. The beat for “New York State of Mind” was a perfect complement for the storytelling lyrics.

4) Dr. Dre Featuring Snoop Dogg “Nuthin’ But a G Thang”

This early 1990’s classic helped solidify the West Coast’s place in the rap game.
Dr. Dre already had a successful rap career as a member of the legendary group N.W.A. However, his album “The Chronic” established Dre as a legitimate solo artist.
To a large degree, Dre sampled Leon Haywood’s “I Want’a Do Something Freaky to You” for this track. But, he added his own West Coast style with a synth called the “Funky Worm.”
This style is now engrained in West Coast rap and truly changed the game.
Dr. Dre parlayed his solo success on “The Chronic” into a decades-long producing career. His record label signed both Eminem and 50 Cent. Plus, he landed a $3 billion deal with Apple for his “Beats” headphones.

5) 50 Cent “In Da Club”

Not only did Dr. Dre launch his own successful rap career on the back of his beats, he also is responsible for 2 other blockbuster artists.
Taking it to the next decade, Dr. Dre dropped the beat for 50 Cent’s mega hit “In Da Club” in 2003. The track was so hot that it catapulted 50 Cent to global stardom and multiple platinum records.
The single sold 7 million copies and was viewed 128 million times on YouTube.
Dre created this beat with a simple, but effective, combination of base, keys, and live guitar. The Doctor continues working his magic and producing dozens of epic beats for both 50 Cent and Eminem.

6) Clipse “Grindin”

It is near impossible to talk about the greatest hip hop beats of all-time without giving a shout-out to Pharrell.
While there should be some consideration for Pharrell’s classic track “Drop It Like It’s Hot” with Snoop Dogg. However, ultimately this beat launched another successful album.
This list has touched on both New York and West Coast rap, but Clipse gives another flavor.
Clipse doesn’t hail from the Deep South, but the brotherly duo from Virginia Beach offers a noticeable difference from traditional East Coast rap.
With its impressive combination of drums and woodblocks, the beat for “Grindin” was so hot that Pharrell gave the brothers just 15 minutes to claim it. He famously threatened to give the beat to Jay-Z if the duo did not make it to the studio promptly.

7) Lil Wayne “A Milli”

Now we are going to take it all the way to the Deep South so the geographical United States is covered.
The rap game is very diverse and style varies based on where the rapper calls home.
The beat for “A Milli” is another freestyle favorite and the drum fill is constantly sampled by other producers. Most impressively, “A Milli” is credited with starting a new wave of trap music in the South.
The beat is simple, yet cleverly draws from a Tribe Called Quest beat from the 80s.

Wrapping It Up

There are many hip hop beats that are more than deserving to be on this list. The big takeaway is how producers sample from other hot beats to create their own unique twist.
Music has, and always will be, inspirational to the next generation of artists. If you have any questions about hip hop beats, drop us a line and we will be happy to hook you up.


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2 Comments

Should You be Rapping to Classic Rap Beats?
September 15, 2017 6:04 pm

[…] you’re using the best beats of all time, you put yourself in the shoes of history’s greatest rappers. Instantly, you have a tone and […]

5 Genius Tips for Writing Rap Lyrics
September 15, 2017 6:13 pm

[…] Side note, if you’re a rapper who needs some sick rap beats to practice writing your lyrics to, you definitely need to check out these 7 greatest hip hop beats of all-time. […]

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The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

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The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

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The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

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Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

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All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

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This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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THIS LICENSE AGREEMENT is made on 7th June 2024 ("Effective Date") by and between Licensee(hereinafter referred to as the "Licensee") also, if applicable, professionally known as Licensee, residing at [N/A] and Thomas Hodek. (hereinafter referred to as the "Licensor"). Licensor warrants that it controls the mechanical rights in and to the copyrighted musical work entitled "BEAT NAME("Composition") as of and prior to the date first written above. The Composition, including the music thereof, was composed by Thomas Hodek ("Songwriter") managed under the Licensor.

All licenses are non-refundable and non-transferable.

Master Use.

The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).

Mechanical Rights. 

The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use. 

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The Licensor here by grants to Licensee an exclusive license to use the Master Recording in unlimited for- profit performances, shows, or concerts.

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The Licensor hereby grants to Licensee an exclusive license to broadcast or air the Master Recording in unlimited amounts of radio stations. 

Credit. 

Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise. 

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Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency. 

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In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended. 

Indemnification. 

Accordingly, Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, expenses, including, without limitation, reasonable attorney's fees, arising of or resulting from a claimed breach of any of Licensee's representations, warranties or agreements hereunder.

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3rd party sample clearance is the responsibility of the licensee.

Miscellaneous. 

This license is non-transferable and is limited to the Composition specified above.

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This License is governed by and shall be construed under the law of the Bayern DE, without regard to the conflicts of laws principles thereof. 

Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights