7 Greatest Hip Hop Beats of All-Time
Greatest Rap Beats All Time

7 Greatest Hip Hop Beats of All-Time

Do you want some inspiration for your own music? We’re giving you the 7 greatest hip hop beats of all-time to inspire you to pick similar beats for your rap.

For decades, hip hop has inspired fellow musicians and fans alike to create their own original music. Hip hop has an enormous fan base, generating well over $10 billion in annual revenue, according to Forbes magazine.

However, the reality is that hip hop is more than just a business. It is a way of life. Hip hop lyrics are deep, personal, and speak directly to millions across the country. So it comes as no surprise that fans and aspiring artists turn to hip hop beats and instrumentals to express themselves. Artists can purchase an instrumental, record their own lyrics, and even distribute the track out for a small price. In some cases, instrumentals can even cross genres.

One famous example is when Eminem sampled Aerosmith’s “Dream On” to record his own hit record called “Sing for the Moment.” That being said, we are here to provide you with 7 of the greatest hip hop beats of all-time. Hopefully, these beats inspire you as much as they have inspired us.

1) The List of Greatest Hip Hop Beats of All-Time Always Includes Jay-Z’s “Dead Presidents”

Jay-Z’s early 1990’s hit Dead Presidents is collectively agreed upon as one of the greatest songs in rap history. The song catapulted Jay-Z’s album “Reasonable Doubt” to the top of the charts.
It also established Jay-Z as the most powerful force in hip hop for decades to come. Jay-Z’s career skyrocketed after “Dead Presidents,” including many platinum albums and top-selling singles.
What makes “Dead Presidents” so legendary is the beat. For decades, rappers have been using its instrumentals to record their own freestyles and remixes.

2) Mobb Deep “Shook Ones Part 2”

“Shook Ones Part 2” is one of the most popular hip hop beats to freestyle to. The beat famously appeared in Eminem’s hit movie “8-mile” where it was used in the championship freestyle battle.
This song put Mobb Deep on the map in 1995 and made their album “The Infamous” an urban classic.
What makes “Shook Ones Part 2” especially impressive is that Havoc, one half of the Mobb Deep duo, put the beat together himself using a sampling of different beats.
This dark beat remains popular and celebrated even two decades later.

3) Nas “New York State of Mind”

The mid-1990’s classic album “Illmatic” featured one of the great hip hop beats of all-time.
While the album featured 10 epic beats in total, “New York State of Mind” stands out as legendary. The track was produced by DJ Premier, who is widely recognized as one of the best producers in hip hop history.
The 1990’s was a different time in hip hop, where artists often utilized dark beats that allowed them to graphically describe the struggles of inner-city life.
DJ Premier allowed Nas to do exactly that. The beat for “New York State of Mind” was a perfect complement for the storytelling lyrics.

4) Dr. Dre Featuring Snoop Dogg “Nuthin’ But a G Thang”

This early 1990’s classic helped solidify the West Coast’s place in the rap game.
Dr. Dre already had a successful rap career as a member of the legendary group N.W.A. However, his album “The Chronic” established Dre as a legitimate solo artist.
To a large degree, Dre sampled Leon Haywood’s “I Want’a Do Something Freaky to You” for this track. But, he added his own West Coast style with a synth called the “Funky Worm.”
This style is now engrained in West Coast rap and truly changed the game.
Dr. Dre parlayed his solo success on “The Chronic” into a decades-long producing career. His record label signed both Eminem and 50 Cent. Plus, he landed a $3 billion deal with Apple for his “Beats” headphones.

5) 50 Cent “In Da Club”

Not only did Dr. Dre launch his own successful rap career on the back of his beats, he also is responsible for 2 other blockbuster artists.
Taking it to the next decade, Dr. Dre dropped the beat for 50 Cent’s mega hit “In Da Club” in 2003. The track was so hot that it catapulted 50 Cent to global stardom and multiple platinum records.
The single sold 7 million copies and was viewed 128 million times on YouTube.
Dre created this beat with a simple, but effective, combination of base, keys, and live guitar. The Doctor continues working his magic and producing dozens of epic beats for both 50 Cent and Eminem.

6) Clipse “Grindin”

It is near impossible to talk about the greatest hip hop beats of all-time without giving a shout-out to Pharrell.
While there should be some consideration for Pharrell’s classic track “Drop It Like It’s Hot” with Snoop Dogg. However, ultimately this beat launched another successful album.
This list has touched on both New York and West Coast rap, but Clipse gives another flavor.
Clipse doesn’t hail from the Deep South, but the brotherly duo from Virginia Beach offers a noticeable difference from traditional East Coast rap.
With its impressive combination of drums and woodblocks, the beat for “Grindin” was so hot that Pharrell gave the brothers just 15 minutes to claim it. He famously threatened to give the beat to Jay-Z if the duo did not make it to the studio promptly.

7) Lil Wayne “A Milli”

Now we are going to take it all the way to the Deep South so the geographical United States is covered.
The rap game is very diverse and style varies based on where the rapper calls home.
The beat for “A Milli” is another freestyle favorite and the drum fill is constantly sampled by other producers. Most impressively, “A Milli” is credited with starting a new wave of trap music in the South.
The beat is simple, yet cleverly draws from a Tribe Called Quest beat from the 80s.

Wrapping It Up

There are many hip hop beats that are more than deserving to be on this list. The big takeaway is how producers sample from other hot beats to create their own unique twist.
Music has, and always will be, inspirational to the next generation of artists. If you have any questions about hip hop beats, drop us a line and we will be happy to hook you up.


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2 Comments

Should You be Rapping to Classic Rap Beats?
September 15, 2017 6:04 pm

[…] you’re using the best beats of all time, you put yourself in the shoes of history’s greatest rappers. Instantly, you have a tone and […]

5 Genius Tips for Writing Rap Lyrics
September 15, 2017 6:13 pm

[…] Side note, if you’re a rapper who needs some sick rap beats to practice writing your lyrics to, you definitely need to check out these 7 greatest hip hop beats of all-time. […]

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This Non-Exclusive Basic MP3 License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

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and _____, residing at _____ (“Licensee”).

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Upon receipt of full payment of $40 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”). This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as a high-quality MP3 file to the email address provided by the Licensee after purchase.

3. Permitted Uses


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute up to 2,500 copies (digital and/or physical)
• Achieve up to 250,000 monetized audio streams
• Upload up to two (2) music videos
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• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Make minor modifications to the Beat (e.g., arrangement, tempo, pitch)

4. Restrictions


Licensee agrees NOT to:
• Sell, lease, share, or distribute the Beat in its original form
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• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat
Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
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Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

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Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

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Licensee agrees to credit the Producer in all releases of the New Song as: “Produced by Tellingbeatzz”

9. Term


This license is valid for hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

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The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

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Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $60 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”).

This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as:
• High-quality MP3 file
• High-quality WAV file

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses


Licensee is granted the right to:
• Record vocals over the Beat to create one (1) New Song
• Distribute up to 5,000 copies (digital and/or physical)
• Achieve up to 500,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 500,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Make minor modifications to the Beat (e.g., arrangement, tempo, pitch)

4. Restrictions


Licensee agrees NOT to:
• Sell, lease, share, or distribute the Beat in its original form
• Upload or distribute the Beat without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat
Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

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The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

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This Agreement shall be governed by and interpreted in accordance with the laws of
Germany.

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By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

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and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $100 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”). This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as:

High-quality MP3 file
High-quality WAV file
Trackout stems (individual audio files)

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute up to 10,000 copies (digital and/or physical)
• Achieve up to 1,000,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 1,000,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Fully mix, arrange, and modify the Beat using the provided stems

4. Restrictions


Licensee agrees NOT to:

• Sell, lease, share, or distribute the Beat or stems in their original form
• Upload or distribute the Beat or stems without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

11. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

12. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

13. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

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This Non-Exclusive Unlimited License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $150 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”).

This license allows unlimited commercial use as defined below.

2. Delivery


The Beat will be delivered as:

High-quality MP3 file
High-quality WAV file
Trackout stems (individual audio files)

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses (Unlimited)


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute unlimited copies (digital and/or physical)
• Achieve unlimited monetized audio streams
• Upload unlimited music videos
• Achieve unlimited monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song without any restrictions
• Fully mix, edit, and modify the Beat using the provided stems

4. Restrictions


Licensee agrees NOT to:

• Sell, lease, share, or distribute the Beat or stems in their original form
• Upload or distribute the Beat or stems without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat

Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer under this Agreement.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Non-Exclusive Rights


This is a non-exclusive license, meaning:

• The Beat may be licensed to other artists
• Producer retains the right to sell additional licenses

11. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license.

Upon termination, Licensee must cease all use and distribution of the New Song.

12. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

13. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

14. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

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