As an artist, you don’t want to get distracted from your art. But we live in a commercial society, and copyright claims are on the rise. It’s easy to get tricked into taking a bad deal to get a new beat. Costs, licensing, and producers can all be something other than what they seem. That’s why we’ve put together these 7 simple tips to help you find the perfect hip hop instrumentals. This way, you can get back to making art instead of wasting time worrying.
There’s a lot of sellers and resellers out there. You want to make sure you’re buying from a legitimate, trusted site.
The most trustworthy websites will be verified and certified. You need to keep your eye out for:
• Paypal verification
• BBB certification
• Antivirus certifications
These certifications can potentially be falsified. So, do some extra research using online sources to check them yourself. The good news is, you’ll only have to do this once! Once you’ve found a trusted source, you can keep coming back.
A license is a way of describing how you can use the beat you’ve bought. Most beats you find are protected by some kind of license. You might be familiar with the term ‘public domain.’ Be aware that anything protected by a license is the opposite of that.
Beat licenses break down into two broad categories. Different sites might use different terminology, though. So, read agreements carefully.
Non-exclusive rights mean that the seller retains the ownership of the original beat on purchase. But that doesn’t mean you won’t own the tracks you make with it!
This license essentially means the seller can continue to resell that beat to other buyers. It also means they can place limitations on how many units you can sell of a derivative work. They can even limit how many derivatives you can make.
What’s a derivative work? This is what we meant by ownership. You own the copyright to anything you make using the original track if you’ve modified it with lyrics or other music. It basically means you’ve created an entirely new piece of work.
But the original agreement of the license still stands. So, you need to pay attention to any restrictions included in the license.
Don’t want to deal with the burden of non-exclusive rights? Purchasing exclusive rights could be the answer.
By purchasing exclusive rights, you’re purchasing the right to do whatever you like with the beat. This will usually remove any cap on derivative works or copies sold.
But you should also be aware that sellers can still put certain restrictions in place. You might have to credit them, for instance. Or you could be prohibited from selling the rights to yourself.
You might have to credit them, for instance.
Now that we’ve talked about licenses, let’s talk about paying for what you’re getting.
Simply put, a lot of sites will charge over the odds for the license they’re offering. If you want a beat but the price seems high, check what rights you’re receiving. It could be worth it if they’re exclusive rights and it’s a beat you’re going to do a lot with.
But if the rights are non-exclusive and the beat is being sold at a crazy price, it might be time to walk away.
You could encounter a middle-ground, in which case you want to see if the rights suit you.
A high price might be justified on non-exclusive rights if you can make unlimited derivations, for instance. Nobody can make that decision for you. So, being savvy will help you make the right call.
Use testimonials to find the best sites.
Don’t just take a site’s word for it that their hip hop instrumentals are the best. Dig deep and see what other artists are saying. Look out for testimonials about their prices and the quality of their service.
The best sites will have other artists raving about them. Don’t be afraid to ask in the community, either. You’re sure to get some recommendations you can use.
Don’t just find the beats you want and then buy them straight away.
You want to check the producer’s site first. A lot of them offer bulk deals! That way, you can get more beats for the same price.
Bulk deals are often short-term bargains that change frequently.
You should keep checking back to stay up-to-date. You can also hold off on picking up a beat until you need it. That way, there’s more chance of it entering a bulk deal and you can pick it up for cheap.
If you find a a beat you like, you might be tempted to buy it wherever you found it. But hold up!
Beats can be purchased and resold. They can even be circulated in less scrupulous ways. If you can, it’s best to find the original producer of the beat and buy directly from the source.
By going to the source of the beat, you’re more likely to interact with a legit business. You might even find it’s a name you can recognize and trust.
Sampling is popular in hip hop instrumentals. It’s the act of ‘quoting’ another song in a new track.
But sampling can cause some serious licensing headaches. If you’re purchasing a beat, you might not know about the samples it contains. You could be hit with a copyright claim for a track you thought you owned outright.
The derivative nature of your track won’t help you here. Since you don’t hold a license to the song being sampled, you aren’t protected.
If you’re purchasing rights to a track, be absolutely sure you know about any sampled works it contains.
So you can tell that staying alert and informed is important when it comes to finding hip hop instrumentals.
But, it’s not impossible! Keep the above points in mind and you can find the perfect beat for your next piece of art.
Be sure to follow our blog for more hip hop tips and tricks!
Browse our extensive and exclusive catalog of over 200 custom made beats and instrumentals, available for free download or purchase.
THIS LICENSE AGREEMENT is made on 7th June 2024 ("Effective Date") by and between Licensee(hereinafter referred to as the "Licensee") also, if applicable, professionally known as Licensee, residing at [N/A] and Thomas Hodek. (hereinafter referred to as the "Licensor"). Licensor warrants that it controls the mechanical rights in and to the copyrighted musical work entitled "BEAT NAME("Composition") as of and prior to the date first written above. The Composition, including the music thereof, was composed by Thomas Hodek ("Songwriter") managed under the Licensor.
All licenses are non-refundable and non-transferable.
Master Use.
The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).
Mechanical Rights.
The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use.
Performance Rights.
The Licensor here by grants to Licensee an exclusive license to use the Master Recording in unlimited for- profit performances, shows, or concerts.
Broadcast Rights.
The Licensor hereby grants to Licensee an exclusive license to broadcast or air the Master Recording in unlimited amounts of radio stations.
Credit.
Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise.
Synchronization.
Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency.
Consideration.
In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended.
Indemnification.
Accordingly, Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, expenses, including, without limitation, reasonable attorney's fees, arising of or resulting from a claimed breach of any of Licensee's representations, warranties or agreements hereunder.
Audio Samples.
3rd party sample clearance is the responsibility of the licensee.
Miscellaneous.
This license is non-transferable and is limited to the Composition specified above.
Governing Law.
This License is governed by and shall be construed under the law of the Bayern DE, without regard to the conflicts of laws principles thereof.
- Licensee, owns 50% of publishing rights. - Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights. - Tellingbeatzz (GEMA), owns 50% of publishing rights
To download your free version of please enter your name and email address and the download link will be emailed to you
One Comment
Dawud Stewart
Good info