10 Dope Beats That Changed Rap History
Beats Rap History

10 Dope Beats That Changed Rap History

Rap has become a force in the music industry. Learn the 10 dope beats that changed history and rap beats to download for inspiration.

Since the 1970s, rap has been revolutionizing the music industry.

Many musical genres are recognizable progressions from earlier sounds. However, when rap hit the music scene, it seemed like the world had never heard anything like it before.

Born of pure creativity, the sound of rap is now an iconic part of American culture – and it has since gone worldwide.

There are a few incredible rap beats that aren’t just catchy, but have also changed this genre’s history of music. When you’re looking for a new rap beats download, add these to your list.

Let’s take a look at the fascinating history that makes rap music such a major cultural influence. Then, we’ll go over the ten best rap beats download selections today. Read on and get inspired!

The History of Rap

Rap has always been closely tied to hip-hop. Both genres came from New York City in the 1970s.

There is no one clear founder of rap, but a number of individuals were notable in its creation. New York DJ Kool Herc is widely considered to be one of the pioneers of the genre. He’s also known as the “father of hip-hop,” which shows just how closely the two genres have been tied since birth.

If you want to know where the best rap beats download selections came from, you have to go back to the early days. Kool Herc would sample certain parts of funk and jazz songs – usually the parts with strong beats and steady rhythms, since those were easiest to dance to.

Breakdancing was developed around this time, and was a popular way to dance to Herc’s unique mixes.

Most important for the future of rap was the way Herc would talk over the beats, rhyming along with the rhythm. This was one of the first times listeners heard what would later be called “rapping.”

Another major figure in early rap and hip-hop was Grandmaster Flash. Flash drew influences from other genres, including the new electronic sounds coming out of Germany, to make steady pulsing beats that were perfect to rap over.

Influences on Rap

Hip-hop, rap, and breakdancing were soon all the rage at the parties young black New Yorkers flocked to. Rappers were first known as MCs, short for “mic controllers.”

As this new style of music grew, other influences became clear. Spoken-word poetry groups, such as Harlem’s The Last Poets, had been speaking their minds on the streets for years. Their style fit in perfectly with rap.

Of course, rap seemed to be a brand new style, but its influences were actually quite old.

In addition to spoken-word poetry, other predecessors to rap included “scatting,” a vocal improvisation style in jazz music. Speeches from famous black speakers like Martin Luther King, Jr. and Mohammad Ali also were sources of inspiration for many rap artists.

However, rap music can actually be dated back to the traditional storytelling styles of West African cultures. There, the tribal history was often told against the rhythms of beating drums, while performers stomped their feet in time. These tribal sessions could last all night – not unlike the parties where rap was first popularized in America.

Rap in Modern Music

Today, rap music is still thriving, and is considered an important part of American popular culture.

In fact, research has shown that rap and hip-hop are a greater influence in today’s pop music than the Beatles were.

British researchers came to this conclusion after studying tonal shifts, chord patterns, and other features of songs (not including lyrics). They looked at over 17,000 songs that hit U.S. pop charts between 1960 and 2010.

Even though the years they studied began before rap and hip-hop existed as we know them, the influence was still clear overall. In 1991, when rap music finally hit the mainstream, it triggered a huge change in pop music that’s still being felt today.

What the researchers found was that the biggest change in modern pop music’s sound happened after 1991. The significance of that year was that N.W.A.’s newest album suddenly sold almost a million copies in its first week alone.

For the very first time, rappers were in the top spot on the Billboard 200 list. This marked a major moment in modern music, triggering the change that was discovered when British researchers decided to analyze 17,000 pop songs.

Although rap had been around since the ’70s, this moment was when rap truly hit the mainstream, achieving its full potential as a cultural influence.

10 Rap Beats That Changed History

Some of the best rap beats download selections played a part in this history-making. Now, let’s take a look at the rap beats to download if you want to really understand the historical significance of the genre.

1. Rapper’s Delight

This song by Sugarhill Gang wasn’t the first rap song ever, but it was the first rap hit. Released in 1979, this was the song that first brought rap to a wide audience.

Rapper’s Delight is instantly catchy, making it one of the top rap beats download choices. The disco influence can clearly be heard, but even though the song is clearly a product of its time, modern audiences still love it today.

2. Planet Rock

This track by Afrika Bambaataa & The Soulsonic Force marked a couple of revolutionary sounds in the industry: the beat from the 808 drum machine, and the German electronic sound.

The melody came from electronic band Kraftwerk, giving a unique, futuristic sound that stood out in the crowd. The popularity of the 808 in today’s music can likely be traced back to this song.

3. The Message

Since its inception, having a relevant cultural message has been an important part of a lot of hip-hop songs – ironically, since mainstream culture often dismisses hip-hop as “shallow.”

The Message by Grandmaster Flash is an iconic track with an iconic sound that’s immediately recognizable. Although the beat is the first thing you’ll notice about this song, the lyrics cemented the importance of what rappers had to say.

4. P.S.K (What Does It Mean)

Schoolly D’s track suddenly brought hip-hop’s eyes to Philadelphia. While New York artists had previously dominated rap, the driving drum beats and casual rap style of this song brought a unique new sound to the genre.

5. Drop

Pharcyde’s track is best known for its unusual video, which was filmed backwards. However, this is truly an iconic and influential beat, in addition to having a great video.

Pharcyde was one of the first “alternative hip-hop” groups. As the genre became more mainstream, it was important to carve out a niche for creative sounds that weren’t necessarily going to appeal to a mainstream audience. The alternative sound can clearly be heard in this creative track.

6. Juicy

This song from Notorious B.I.G. discusses his rise to stardom from a difficult life. The uplifting beat is the perfect companion to the lyrics.

This melodic track appealed to a wide audience and was perfect for radio play. Yet B.I.G. didn’t lose any authenticity – the track still carries the grit of authenticity.

7. Paul Revere

The Beastie Boys were a critical part of the popularization of hip-hop in the ’80s, and remained relevant for many years after, thanks to their creative beats and vocalizations.

Paul Revere’s stripped-down beat put the focus on the vocals, but still brought a new sound to the rap genre. A reversed beat from an 808 machine gives this track a sound unlike anything else that had been created before.

8. Fuck Tha Police

There’s a reason why N.W.A. was responsible for hip-hop hitting the mainstream. They pulled from funk and early hip-hop to make beats like this one, which was the perfect backdrop for the socially conscious lyrics.

9. Fireman

It’s difficult to pick just one Lil Wayne song to include on the list, but Fireman is a great example of the new sound he brought to the rap genre.

This song has a beat that’s subtle during verses to show off Lil Wayne’s vocalizations, then hits harder during the chorus, giving an effect that audiences love. From radio play to underground parties, tracks like this have helped cement rap’s popularity in modern culture.

10. Monster

This song prominently features two of the biggest rappers in the modern world: Kanye West and Nicki Minaj.

Although the track has a distinctly modern sound, the beat actually hearkens back to earlier rap songs, with no samples and a stripped-down feel that focuses on the drums.

Nick Minaj was far from being the first successful female rapper, but she is certainly the biggest. Her verse on this song was widely acclaimed, as she runs through a range of vocalizations to show her versatility as a rapper.

Throughout the track, the beat provides just the right amount of atmosphere while letting the various featured artists show their skills.

The Best Rap Beats to Download

As you can see, the best rap beats download selections span across time, with a wide variety of different styles.

Some of these tracks have a message. Some are just fun music to party to. Some are lighthearted, while others are deep. But in all of them, the beats showcase the progression of rap music through history.

Although we think these are some of the best rap beats download options, the list certainly doesn’t stop there. For more great rap beats to download, make sure to check out this list of amazing rappers who are changing the game.


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Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

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The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

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The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

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The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

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The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

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The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

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The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

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The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

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The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

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The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

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Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

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Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

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This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

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This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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THIS LICENSE AGREEMENT is made on 7th June 2024 ("Effective Date") by and between Licensee(hereinafter referred to as the "Licensee") also, if applicable, professionally known as Licensee, residing at [N/A] and Thomas Hodek. (hereinafter referred to as the "Licensor"). Licensor warrants that it controls the mechanical rights in and to the copyrighted musical work entitled "BEAT NAME("Composition") as of and prior to the date first written above. The Composition, including the music thereof, was composed by Thomas Hodek ("Songwriter") managed under the Licensor.

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The Licensor hereby grants to Licensee an exclusive license (this "License) to record vocal synchronization to the Composition partly or in its entirety and substantially in its original form ("Master Recording“).

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The Licensor hereby grants to Licensee an exclusive license to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disk, digital downloads, other miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively, the "Recordings", and individually, a "Recordings") worldwide for unlimited copies of such Recordings or any combination of such Recordings, condition upon the payment to the Licensor a sum of Varies US Dollars ($Varies), receipt of which is confirmed. Additionally licensee shall be permitted to distribute unlimited internet downloads for non-profit and non-commercial use. 

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The Licensor hereby grants to Licensee an exclusive license to broadcast or air the Master Recording in unlimited amounts of radio stations. 

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Licensee shall acknowledge the original authorship of the Composition appropriately and reasonably in all media and performance formats under the name "Thomas Hodek" in writing where possible and vocally otherwise. 

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Licensee may exploit and monetize from licensee's unique derived work(s) of composition for use on TV, Film, Video game or other synchronous projects. Licensee may represent other publishing owners of the original composition for exploitation and have full authority of granting non-exclusive license for synchronization use as long as credit and publishing information is provided to such agency. 

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In consideration for the rights granted under this agreement, Licensee shall pay to licensor the sum of Varies US dollars ($Varies) and other good and valuable consideration, payable to "Thomas Hodek", receipt of which is hereby acknowledged. If the Licensee fails to account to the Licensor, timely complete the payments provided for hereunder, or perform its other obligations hereunder, including having insufficient bank balance, the licensor shall have the right to terminate License upon written notice to the Licensee. Such termination shall render the recording, manufacture and/or distribution of Recordings for which monies have not been paid subject to and actionable infringements under applicable law, including, without limitation, the United States Copyright Act, as amended. 

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3rd party sample clearance is the responsibility of the licensee.

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Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights - Licensee, owns 50% of publishing rights.Tellingbeatzz (GEMA), owns 50% of publishing rights