12 Tips for Choosing the Perfect Track Title
The Perfect Track Title

12 Tips for Choosing the Perfect Track Title

Naming a song isn’t always easy. If you’re stuck, start here. This is your complete guide to selecting a song title that is memorable, unique, and meaningful.

There’s nothing as thrilling as when inspiration strikes and the perfect song gets written.

You know – when the beats and rhythm align just right with what you’re trying to say. Everything flows and the whole song comes together.

This doesn’t happen every time you write.

But when it does, it’s definitely a moment to enjoy.

Whether a song comes to you in such an intact manner or if it’s a project you’ve been working on for a while, the hard part comes when it’s time to name it.

Naming a song is just as important as writing the piece.

A song’s name is often the first impression it makes on your audience. Or, it’s what makes the message of the lyrics hit home.

As such, the name deserves your best effort. What if you’re stuck, though?

Here are 12 tricks you can use to name a song you’ve recently written.

1. Find the Right Lyric

Sometimes, the secret to naming a song is to go over it again and again.

The name might be right in front of your eyes!

Go through each line and verse. See if one sticks out to you more than the others. The right lyric could be hidden in the bridge or staring right at you from the chorus.

Either way, it’s somewhere in the song. You just have to find it.

2. Use a Cut Lyric

Maybe the right name for your new song didn’t make the cut as a lyric.

Did you scratch something out while writing?

Do you have your original ideas in another notebook or old napkin somewhere?

Walk yourself through the writing process of this song again. Think of that one rhyme or line you had that just wouldn’t work with everything else.

You may be surprised to find you were naming a song as you were writing it. The catch is you didn’t know that yet.

3. Summarize the Song

If finding the right name for a song was always in the lyrics, or cut lyrics, it wouldn’t be causing writer’s block.

Sometimes, you have to dig deeper.

Start by listening to the song again, but this time, focusing on the message. Don’t try to pick apart every line, and don’t focus on one thing. Let your mind wander as the lyrics and beats flow.

This might help you see the meaning of the song in a new light. Such a shift in perspective can get you one step closer to determining the right name.

4. Share Part of the Song’s Story

Summarizing your new song doesn’t have to be about what it means.

It could be about using the name as a way to tell the story behind the writing.

Did your inspiration strike while you were traveling somewhere? Did you do something out of your element to write this time?

Share that with your audience.

This song’s name could be the location in which you wrote it. It could be as unique as your flight number if you were traveling or the coffee shop you were sitting in brainstorming.

Such a small detail is often more important than you think. It makes the name interesting and even more meaningful. Not to mention, devoted fans will appreciate the insight into your writing process.

5. Set the Date

Sharing your songwriting process doesn’t mean giving your secrets away.

Sometimes, songs come to you in very personal situations. You may not want to share where you were when the song came to you or your go-to place for writing.

But the name of a song could be the date it was written or the final cut was made.

This sums it up and shares an interesting fact without being too open.

Other important dates that tie into the song could be used to name it, too.

Maybe the song is about someone you lost or fell in love with. Use the date that person left or came into your life.

Maybe the song talks about a transformative moment in your life.

Do you remember the exact date it happened?

Use this point in time as an option when going through possible names.

You can use a date as all numbers, or a mix of numbers and names for weekdays and months. This adds a bit more creative opportunity to the process.

6. Number It

While playing with the numbers of dates, you might think of other numbers that relate to the song.

Maybe you just want to use the year the song is about. This is an interesting take on the past or the future.

Numbers can stand for much more, though.

If a song is about you and your siblings or best friends, try using the number of how many people you all are. If it’s about how many times you’ve done something or tried something or wanted something – use that.

Is the song something many people can relate to?

Consider the number of a statistic or hotline.

This could be your platform to share the message you’re trying to say. When people ask about the reason behind the digits, you can hit them with something more meaningful than they might expect.

7. Stand for Something

Speaking of the message you’ve created and the insight you want to share, don’t be afraid to be more direct than a number.

Think about what you’re really trying to say, then make the connection between the lyrics and the title.

Remember, it’s all about making people feel something.

This could be a sense of joy, love, or peacefulness. Or, it might be to stir a feeling that can’t be ignored – one that needs to be acted on.

There is much going on in the world today that needs our attention and efforts. If your song is about any kind of social justice or personal growth, it deserves a name that takes a clear stance.

This turns naming a song into much more than finishing a track.

It makes the name a call to action.

8. Try Describing with Adjectives or Synonyms

Another way to approach songwriting is to use something similar to the message or lyrics, but still unique.

Try talking about the song to someone else.

Make note of the words and phrases you use to describe it. This could be in terms of the message, or how it feels, or just how good it sounds.

Then, see if any of the details you used can end up in the title.

Consider what sparked the inspiration for your new song as well and talk about what that felt like.

Also, look for synonyms of the descriptive words you’re using to get an even wider variety of ideas for naming a song.

9. Find a Cool Translation

Are the words that come to mind just not cutting it?

Do you still want something that pushes the limits even further?

Try going somewhere outside your comfort zone: Use a different language.

Some words look or sound funny after writing and saying them too many times. Others just don’t flow as well with certain things.

But such phrases could sound better than you’d expect in another language.

Foreign words can go back to the inspiration and message you’re trying to get across, too.

If you wrote your song while away in another country, consider using their local language. If your message is deeply tied to your heritage or a value you hold, use the language of your people.

At this point, naming a song isn’t about the song anymore. It’s about creating community and/or awareness, which is even more powerful.

10. Be Abstract

Not all songs are meant to hit home, though.

Some songs are about having fun in a carefree, easy-going manner. Others might be too deep to add even more thought-provoking material to the title.

Both ends of the spectrum are good reasons to get a little funky with your title.

There are many songs whose title quite frankly have nothing to do with their context.

The title isn’t about any lyric in the song nor does it relate to how the song came to be. There’s no message or movement behind it either, it’s just a name that stuck.

That’s the secret to naming any song effectively – giving it a title that people won’t forget.

11. Listen to Music

Songs whose title’s people remember are often songs whose lyrics are pretty great, too.

This stands true for all genres of music. Take a listen and see – or hear, rather – for yourself.

Listening to the best tracks of other people will often give you the inspiration you need for your own songs. This goes for everything from laying the first beats to naming a song once it’s done.

When you let yourself get lost in the music, you never know what you’ll find.

12. Step Away from Writing and Come Back

The one downside to listening to other people’s music is you might start comparing yourself. Or, you’ll end up with song titles that are already taken or too similar to another.

In such cases, it’s best to do something else for a little while.

Put your writing down and go for a walk. Plan to meet up with friends for a few hours and just relax your mind. Hit the gym, call your parents, or do whatever.

The point is to take a break so you can return to the process of naming a song with a clear head.

Writing and Naming a Song

You may find when you step away from naming a song you come back with a new idea for a track altogether.

Let the ideas flow. The more these come and go, the better chances you have of creating something great.

Feeling particularly stuck, though?

Check out different ways to find inspiration when you feel like it can’t find you.


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This Unlimited License Agreement (the “Agreement”) is entered into on [Purchase Date] between Thomas Hodek, professionally known as Tellingbeatzz (“Licensor”) and [Customer Full Name] (“Licensee”).
The Licensee has purchased an WAV Unlimited License for the instrumental titled “[Beat Title]” (“Beat”) for a license fee of [Purchase Price] under Order #[Order Number].
Upon successful payment, this Agreement becomes effective immediately and is delivered electronically together with the licensed Beat files.

1. Grant of License

The Licensor grants the Licensee a non-exclusive, worldwide, non-transferable and perpetual license to use the Beat to create and commercially exploit one or more new songs incorporating the Beat (“New Song”).
The Licensee may add vocals, lyrics, melodies, instrumentation, arrangements and other original contributions to the Beat.
The Beat itself remains the intellectual property of the Licensor and is not sold or transferred to the Licensee.

2. Unlimited Commercial Use

The Licensee may commercially release and use the New Song without limits on:
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There are no limits on streams, sales, downloads, views or performances generated by the New Song.

3. Master Recording and Revenue

The Licensee may create and commercially exploit a new master recording incorporating the Beat (“Master Recording”).
The Licensee retains the revenue generated directly from exploitation of the Master Recording, including streaming, digital distribution and physical sales, subject to any publishing, mechanical, performance or other composition-based royalties attributable to the Licensor’s share of the underlying composition.
The Licensor does not acquire ownership of the Licensee’s original lyrics, vocals or other independently created contributions.

4. Ownership

The Licensor retains all rights, title and interest in the original Beat, including the applicable copyright interests in the musical composition and sound recording.
This Agreement does not transfer ownership or copyright in the Beat to the Licensee.
The Licensee may protect or register their own original contributions to the New Song but may not claim sole ownership or authorship of the underlying Beat.

5. Publishing and Songwriting

For each New Song created under this Agreement, the underlying composition shall be divided as follows:
Licensee: 50%
Licensor: 50%
The Licensee agrees to properly identify the Licensor’s share when registering the New Song with a Performing Rights Organization, publisher, publishing administrator or other rights-management organization.
Licensor PRO Information:
Writer / Composer: Thomas Hodek
Producer Name: Tellingbeatzz
PRO: GEMA (Germany)
IPI / CAE: 716014087
Publishing Administrator: BeatStars Publishing Worldwide

6. Credit

Where credits are customarily provided, the Licensee agrees to credit the Producer as:
Produced by Tellingbeatzz
or
Beat by Tellingbeatzz
If additional featured-vocalist or hook credits are supplied with the Beat, those credits must also be included where reasonably applicable.

7. Content ID

Because the Beat may be licensed non-exclusively to multiple artists, the Licensee may not register the Beat or any New Song containing the Beat with YouTube Content ID or any similar automated copyright-claiming or fingerprinting system without prior written permission from the Licensor.
The Licensor reserves the right to register and administer the Beat through Content ID or similar systems.
If the Licensee receives a claim relating to a valid licensed use, proof of purchase may be submitted for review and release where appropriate.

8. Synchronization

The Licensee may synchronize the New Song with:
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  • YouTube videos
  • social media content
  • podcasts
  • online promotional content
  • independent films and video projects
Major third-party commercial synchronization uses, including national advertising campaigns, television productions, feature films, major video games or comparable commercial projects, require prior written approval from the Licensor.

9. Prohibited Uses

The Licensee may not:
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  2. upload or distribute the Beat as a standalone instrumental under the Licensee’s name;
  3. include the Beat in beat packs, sample packs, loop libraries, sound libraries or production libraries;
  4. claim authorship or ownership of the original Beat;
  5. register the Beat or New Song with Content ID without permission;
  6. transfer this License to another person or entity without written consent;
  7. share the Beat files with third parties except persons directly involved in producing, recording, mixing, mastering or distributing the New Song.

10. Files Included

The files delivered depend on the license purchased:
MP3 Unlimited: MP3
WAV Unlimited: MP3 + WAV
Trackout Unlimited: MP3 + WAV + available tracked-out stems
The file format supplied does not change the commercial usage rights granted under this Agreement.

11. Non-Exclusive License

This is a non-exclusive license.
The Licensor may continue licensing or selling the same Beat to other customers.
The Licensee acknowledges that other artists may legally release different songs using the same Beat.

12. Future Exclusive Sale

If exclusive rights to the Beat are sold after this Agreement has taken effect, this License remains valid.
The Licensee may continue using, distributing and monetizing the New Song according to the terms of this Agreement.

13. Samples and Third-Party Material

Where the Beat contains third-party material requiring clearance, the Licensee is responsible for obtaining any additional clearance required for the Licensee’s intended use unless otherwise agreed in writing.
The Licensor will disclose known third-party clearance requirements where reasonably possible.

14. Term

This License is valid in perpetuity, provided the Licensee complies with this Agreement.
No renewal payment is required.

15. Breach

If the Licensee materially breaches this Agreement, the Licensor may provide written notice and, where the breach can reasonably be corrected, allow 30 days to cure the violation.
If the breach is not corrected within that period, the Licensor may terminate the License and pursue available remedies.

16. Governing Law

This Agreement is governed by the laws of the Federal Republic of Germany, without prejudice to mandatory consumer protection laws applicable to the Licensee.

17. Entire Agreement

This Agreement, together with the applicable WooCommerce order confirmation, constitutes the complete agreement between the Licensor and Licensee regarding the licensed Beat.
If any provision is found invalid or unenforceable, the remaining provisions remain effective.

Trackout Unlimited (+9 FREE)

WAV, MP3, Trackout
License Terms

Unlimited License Agreement

This Unlimited License Agreement (the “Agreement”) is entered into on [Purchase Date] between Thomas Hodek, professionally known as Tellingbeatzz (“Licensor”) and [Customer Full Name] (“Licensee”).
The Licensee has purchased an Trackout Unlimited License for the instrumental titled “[Beat Title]” (“Beat”) for a license fee of [Purchase Price] under Order #[Order Number].
Upon successful payment, this Agreement becomes effective immediately and is delivered electronically together with the licensed Beat files.

1. Grant of License

The Licensor grants the Licensee a non-exclusive, worldwide, non-transferable and perpetual license to use the Beat to create and commercially exploit one or more new songs incorporating the Beat (“New Song”).
The Licensee may add vocals, lyrics, melodies, instrumentation, arrangements and other original contributions to the Beat.
The Beat itself remains the intellectual property of the Licensor and is not sold or transferred to the Licensee.

2. Unlimited Commercial Use

The Licensee may commercially release and use the New Song without limits on:
  • digital or physical distribution
  • sales
  • audio streams
  • monetized video streams
  • music videos
  • live or paid performances
  • radio and online broadcasts
  • social media content
  • albums, EPs, mixtapes and singles
There are no limits on streams, sales, downloads, views or performances generated by the New Song.

3. Master Recording and Revenue

The Licensee may create and commercially exploit a new master recording incorporating the Beat (“Master Recording”).
The Licensee retains the revenue generated directly from exploitation of the Master Recording, including streaming, digital distribution and physical sales, subject to any publishing, mechanical, performance or other composition-based royalties attributable to the Licensor’s share of the underlying composition.
The Licensor does not acquire ownership of the Licensee’s original lyrics, vocals or other independently created contributions.

4. Ownership

The Licensor retains all rights, title and interest in the original Beat, including the applicable copyright interests in the musical composition and sound recording.
This Agreement does not transfer ownership or copyright in the Beat to the Licensee.
The Licensee may protect or register their own original contributions to the New Song but may not claim sole ownership or authorship of the underlying Beat.

5. Publishing and Songwriting

For each New Song created under this Agreement, the underlying composition shall be divided as follows:
Licensee: 50%
Licensor: 50%
The Licensee agrees to properly identify the Licensor’s share when registering the New Song with a Performing Rights Organization, publisher, publishing administrator or other rights-management organization.
Licensor PRO Information:
Writer / Composer: Thomas Hodek
Producer Name: Tellingbeatzz
PRO: GEMA (Germany)
IPI / CAE: 716014087
Publishing Administrator: BeatStars Publishing Worldwide

6. Credit

Where credits are customarily provided, the Licensee agrees to credit the Producer as:
Produced by Tellingbeatzz
or
Beat by Tellingbeatzz
If additional featured-vocalist or hook credits are supplied with the Beat, those credits must also be included where reasonably applicable.

7. Content ID

Because the Beat may be licensed non-exclusively to multiple artists, the Licensee may not register the Beat or any New Song containing the Beat with YouTube Content ID or any similar automated copyright-claiming or fingerprinting system without prior written permission from the Licensor.
The Licensor reserves the right to register and administer the Beat through Content ID or similar systems.
If the Licensee receives a claim relating to a valid licensed use, proof of purchase may be submitted for review and release where appropriate.

8. Synchronization

The Licensee may synchronize the New Song with:
  • music videos
  • YouTube videos
  • social media content
  • podcasts
  • online promotional content
  • independent films and video projects
Major third-party commercial synchronization uses, including national advertising campaigns, television productions, feature films, major video games or comparable commercial projects, require prior written approval from the Licensor.

9. Prohibited Uses

The Licensee may not:
  1. resell, redistribute or sublicense the Beat in its original or substantially similar instrumental form;
  2. upload or distribute the Beat as a standalone instrumental under the Licensee’s name;
  3. include the Beat in beat packs, sample packs, loop libraries, sound libraries or production libraries;
  4. claim authorship or ownership of the original Beat;
  5. register the Beat or New Song with Content ID without permission;
  6. transfer this License to another person or entity without written consent;
  7. share the Beat files with third parties except persons directly involved in producing, recording, mixing, mastering or distributing the New Song.

10. Files Included

The files delivered depend on the license purchased:
MP3 Unlimited: MP3
WAV Unlimited: MP3 + WAV
Trackout Unlimited: MP3 + WAV + available tracked-out stems
The file format supplied does not change the commercial usage rights granted under this Agreement.

11. Non-Exclusive License

This is a non-exclusive license.
The Licensor may continue licensing or selling the same Beat to other customers.
The Licensee acknowledges that other artists may legally release different songs using the same Beat.

12. Future Exclusive Sale

If exclusive rights to the Beat are sold after this Agreement has taken effect, this License remains valid.
The Licensee may continue using, distributing and monetizing the New Song according to the terms of this Agreement.

13. Samples and Third-Party Material

Where the Beat contains third-party material requiring clearance, the Licensee is responsible for obtaining any additional clearance required for the Licensee’s intended use unless otherwise agreed in writing.
The Licensor will disclose known third-party clearance requirements where reasonably possible.

14. Term

This License is valid in perpetuity, provided the Licensee complies with this Agreement.
No renewal payment is required.

15. Breach

If the Licensee materially breaches this Agreement, the Licensor may provide written notice and, where the breach can reasonably be corrected, allow 30 days to cure the violation.
If the breach is not corrected within that period, the Licensor may terminate the License and pursue available remedies.

16. Governing Law

This Agreement is governed by the laws of the Federal Republic of Germany, without prejudice to mandatory consumer protection laws applicable to the Licensee.

17. Entire Agreement

This Agreement, together with the applicable WooCommerce order confirmation, constitutes the complete agreement between the Licensor and Licensee regarding the licensed Beat.
If any provision is found invalid or unenforceable, the remaining provisions remain effective.

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