Exclusive Rights Contract: What Creators Need to Sign
Producer signing exclusive contract on tablet

Exclusive Rights Contract: What Creators Need to Sign

An exclusive rights contract gives one party the sole legal power to use or exploit an asset within a defined scope, which means the grantor cannot license those same rights to anyone else for the length of the term. Before you sign or ask someone else to, move fast on three things:

  • Confirm the exact scope. Nail down the asset, field of use, territory, and duration in plain, measurable language.
  • Require a written agreement. It must spell out remedies and assignment rules, because courts rarely infer exclusivity from a handshake or an email thread.
  • Get counsel involved when the stakes are high. High dollar values or anything that smells like market foreclosure deserve a lawyer’s eyes before ink hits paper.

Below, you’ll find the clause-by-clause drafting checklist, what happens when someone breaks exclusivity, and sample language you can adapt today.

Key Takeaways

An exclusive rights contract holds up only when scope, duration, territory, and remedies are spelled out in writing and tied to measurable terms.

Point Details
Scope beats good intentions Define the exact asset, field of use, territory, and duration before anything else is negotiated.
Written terms are non-optional Courts rarely infer exclusivity from conduct, so the contract itself carries all enforcement weight.
Renewal should track performance Link contract extensions to sales or promotional milestones, not just a calendar date.
Antitrust risk is real at scale Exclusivity that forecloses market access can draw regulatory scrutiny under FTC guidance.
Tellingbeatzz simplifies exclusive beat buyouts Custom beat packs come with clear, unlimited commercial rights and no hidden licensing terms.

This article is general information, not a substitute for advice from a qualified lawyer. Consult a qualified legal professional about your own circumstances before acting on anything here.

Table of Contents

What Is an Exclusive Rights Contract, Legally?

An exclusive rights contract grants one party the sole right to use, reproduce, or exploit a specific asset, while the underlying ownership can still sit with the original creator. That distinction matters. Exclusivity is not the same as assignment, where ownership itself changes hands. A producer selling an exclusive beat license, a publisher signing an author to a single imprint, and a software company granting one distributor sole resale rights are all working the same legal mechanism with different assets attached.

Courts are reluctant to read exclusivity into casual conduct or a string of texts. The U.S. Copyright Office’s guidance on author agreements treats written terms as the backbone of any transfer or license, and UpCounsel’s overview of exclusive contracts makes the same point from the litigation side: a written agreement is what actually gets enforced.

Exclusive vs. Sole vs. Non-Exclusive: What’s the Real Difference?

Exclusive, sole, and non-exclusive licenses look similar on paper but carry different commercial weight. An exclusive license typically bars even the original owner from using the work unless the contract expressly carves out that right. A sole license still limits the field to one licensee, but the owner often keeps the right to use the asset personally. A non-exclusive license lets the owner sell the same rights to as many buyers as they want, which is why it’s priced far lower per unit.

Vinyl record and studio ear monitors detail

The Legal Information Institute’s entry on exclusive licenses is blunt about this: the wording you choose changes what you can legally do afterward. In beat licensing, the contrast is easy to see. A non-exclusive beat license typically sells for a low price and can be distributed widely. An exclusive beat buyout removes the track from sale entirely and commands a premium because the buyer is paying for scarcity. A “sole” arrangement sits in between: rare in music, but occasionally used when a producer wants to retain personal or archival use.

What Clauses Belong in an Exclusive Rights Contract?

A solid exclusive rights contract works because every clause answers a specific “what if.” Skip one, and that’s exactly where a dispute takes root.

  • Grant language: state precisely what rights transfer and under what conditions, not just “exclusive services.”
  • Scope and field of use: define the asset and the specific use case it covers (commercial release, sync licensing, merchandising).
  • Territory: worldwide, a single country, or a named region.
  • Term and renewal: a fixed period, with clear conditions for extension.
  • Compensation: flat fee, royalties, an exclusivity premium, or some combination.
  • Performance obligations: minimum sales, release deadlines, or promotional commitments tied to renewal.
  • Termination triggers: what breach looks like and how either side exits.
  • Assignment and anti-assignment terms: whether either party can transfer the contract to a third party.
  • Warranties and representations: confirmation that the grantor actually owns what they’re licensing.
  • Indemnities: who covers legal costs if a third party claims infringement.
  • Confidentiality: whether contract terms or unreleased material stay private.
  • Dispute resolution and governing law: arbitration, mediation, or court, and under whose jurisdiction.
  • Delivery and acceptance: file formats, deadlines, and what counts as a completed handoff.
  • Record keeping and audit rights: the licensee’s ability to verify royalty statements or usage reports.

The clause that trips people up most is scope. Ironclad’s drafting guidance calls this the “four corners” of exclusivity: the asset, the field of use, the territory, and the duration. Nail all four down with numbers and named categories, not adjectives, and you’ve closed off most of the ways a dispute could start. Vague phrases like “exclusive services” or “all related content” are exactly what litigation feeds on.

Pre-existing material deserves its own line. If a producer’s signature sample or a writer’s stock phrase shows up inside the final deliverable, the contract should grant a perpetual, worldwide license for that specific element as used, according to Gouchev Law’s analysis of pre-existing IP. Otherwise you’re setting up a future infringement claim against your own client.

Pro Tip: Tie renewal terms to a performance benchmark, not just a calendar date. A licensee who hits zero of their promotional commitments shouldn’t automatically get another two years of exclusivity just because the clock ran out.

What Happens When Someone Breaks an Exclusive Rights Contract?

Breach of exclusivity typically opens the door to injunctions, monetary damages, an account of profits, or outright termination, depending on what the contract specifies. Liquidated damages clauses, which set a pre-agreed dollar figure for breach, make enforcement faster because nobody has to argue over what the loss was actually worth.

Before any of that, the practical steps matter: preserve every document and date tied to the unauthorized use, send a cease-and-desist letter, and loop in counsel before things escalate to a filing. UpCounsel’s research notes that written remedy clauses make disputes resolve faster, because the contract itself is doing most of the arguing.

There’s a separate risk that has nothing to do with breach: antitrust exposure. The FTC’s guidance on exclusive dealing warns that exclusivity arrangements can draw regulatory scrutiny when they substantially foreclose market access for competitors. That risk mostly applies at scale, not to a single producer selling one exclusive beat, but any business locking up an entire supply chain or distribution channel through exclusivity should weigh that guidance seriously.

What Should You Confirm Before You Sign?

Run through this sequence before either side signs anything:

  1. Identify the asset precisely. Name the exact file, master, manuscript, or module, not a general category.
  2. Lock down field of use and territory. Commercial release only, or does it cover sync, merchandising, and streaming too?
  3. Set duration and renewal terms. Fixed term with explicit renewal conditions beats an open-ended arrangement.
  4. Clarify payment and any exclusivity premium. Know whether it’s a flat buyout, ongoing royalties, or both.
  5. Attach performance milestones if relevant. Especially important for the grantor, who wants assurance the exclusivity is actually being used.
  6. Review assignment rules. Can either party transfer the contract to someone else without consent?
  7. Define termination triggers clearly. What specific behavior counts as breach.
  8. Carve out pre-existing IP. Confirm what the grantor owned before this deal and what stays theirs.

Three red flags should stop you cold: scope language that reads like marketing copy instead of a legal description, a territory or term with no real boundary, and an anti-assignment clause with zero reasonable exceptions. If you’re the grantor, protect the carve-outs and performance triggers. If you’re the grantee, protect the scope and the remedies.

Sample Clauses You Can Adapt Right Now

Here are five short building blocks. None of these replace a lawyer’s review, but they’ll get a first draft moving.

Grant clause: “Licensor grants Licensee the sole and exclusive right to reproduce, distribute, and commercially exploit [specific asset] within [defined field of use], for the Term specified below.”

Scope clause: “This grant is limited to [territory] and to use in [field of use, e.g., commercial audio release], excluding all other uses not expressly stated.”

Term and renewal clause: “This Agreement shall remain in effect for a fixed term, renewable upon performance condition unless either party provides written notice of non-renewal with sufficient advance notice prior to expiration.”

Termination-for-breach clause: “Either party may terminate this Agreement upon written notice if the other party materially breaches any term and fails to cure such breach within a reasonable period after notice.”

Anti-assignment clause: “Neither party may assign this Agreement without prior written consent, except in connection with a merger, acquisition, or sale of substantially all assets.”

Swap the bracketed terms depending on whether you’re licensing a beat, a manuscript, or a software module, and read the Copyright Alliance’s comparison of exclusive and non-exclusive licenses if you’re working in publishing specifically. None of this substitutes for a lawyer reviewing your actual deal.

Sample Clauses You Can Adapt Right Now — overview diagram

Common Mistakes Creators Make With Exclusivity

Creators consistently undersell carve-outs for material they made before the deal. They also skip tying renewal to performance, which lets a passive buyer sit on exclusivity indefinitely. Before paying for a full legal review, archive every draft and timestamp your creation dates. That paper trail costs nothing and settles half of future disputes on sight.

How Tellingbeatzz Handles Exclusive Beat Licensing

Tellingbeatzz gives independent artists something most exclusive beat deals don’t: a one-time purchase with unlimited commercial rights and full transparency on what you’re actually buying, instead of a licensing structure buried in fine print. You can build a custom beat pack, choose MP3, WAV, or trackout formats, and lock in an exclusive buyout without negotiating scope clause by clause, since the terms are already clear before checkout.

Tellingbeatzz

That matters because the biggest risk in an exclusive rights contract for music is ambiguous scope, and Tellingbeatzz removes that ambiguity by structuring exclusivity into the license itself rather than leaving it to a back-and-forth negotiation. If you need a custom exclusive pack or want to see how the licensing terms are structured before you commit, browse available beats and licensing options and reach out for a custom quote.

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This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

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The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

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The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

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The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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Unlimited License Agreement

This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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License Terms

Unlimited License Agreement

This License agreement is made on _____ (“Effective Date”) by and between _____ (“Licensee”) and Thomas Hodek (Tellingbeatzz) (“Licensor”). Licensor warrants that it controls the mechanical rights in and to the musical work named "_____" (“Instrumental”) being sold to Licensee as of and prior to the Effective Date. The Licensee and Licensor have agreed to the following terms:

Master Use

The Licensor hereby grants to Licensee a non-exclusive License to record vocal synchronization to the Instrumental partly or in its entirety and substantially in its original form for the specific use of manufacturing, distributing, and selling records embodying the Instrumental. The Licensor also grants the right to use the name of the producer (Tellingbeatzz) in connection with the advertising, publicizing or sale of records manufactured, distributed, and sold. Licensee shall have the right to alter, adapt, change, or remix the Instrumental. Any rights not specifically granted and set forth in this license are hereby reserved by the producer.

Ownership

The Licensor maintains 100% full rights (copyright, publishing, and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another party purchases exclusive rights to the Instrumental from the Licensor, the Licensee will retain non-exclusive rights under the limitations listed in this agreement until these terms have been fulfilled.

Mechanical Rights

The Licensor hereby grants to Licensee a non-exclusive License to use Master Recording in the reproduction, duplication, manufacture, and distribution of phonograph records, cassette tapes, compact disks, internet downloads, other and miscellaneous audio and digital recordings, and any lifts and versions thereof (collectively,” Recordings”) worldwide for up to the pressing or selling unlimited copies of such Recordings or any combination of such Recordings.

Publishing and Royalties

The Licensor shall retain 100% of the Publishing of the Instrumental. The Licensee is entitled to keep 100% of all royalties that are generated from sales of the Master Recording on digital retailers (such as iTunes), through physical sales (such as Compact Disks), and through online streaming services (such as Spotify). However, if the licensee would optionally like to share royalties with the Licensor, the Licensor's PRO information is listed below for convenience. PRO Information: PRO: GEMA (Germany) Name: Thomas Hodek Composer: Tellingbeatzz CAW / IPI No: 716014087

Streaming

The Licensee is entitled to an unlimited amount of monetized audio streams (on all streaming platforms such as Spotify) and unlimited monetized video streams (on all platforms supporting video such as Youtube) for the song(s) created with the Instrumental. All streaming royalties generated by the Licensee's song(s) belong to the Licensee.

YouTube Policy (Content ID)

The Licensor maintains the unlimited, worldwide rights to register the Instrumental with a Content ID program/institution such as Airbit.com, etc., and be the sole administrator of YouTube rights using such a Content ID program. This is necessary and entitles Licensor to maintain the administrative and legislative rights to the Instrumental. What Content ID does is scan youtube videos for audio material produced by Thomas Hodek (Tellingbeatzz) and automatically sends a copyright claim, which blocks videos from monetization temporarily. The video will keep playing without any other limitations. To remove such a claim, all licensees must open a Content ID dispute including the order number, PayPal transaction ID, Stripe transaction ID, or the email address used for purchase. It is recommended to dispute within the first 5 days of receiving the claim. Official Google article: Monetization during Content ID disputes

Performance Right

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited paid performances and unlimited non-profit performances, shows, or concerts.

Music Videos

The Licensor hereby grants to Licensee a non-exclusive License to use the Master Recording in unlimited music videos.

Synchronization Rights

The Licensor hereby grants to Licensee a non-exclusive License to copy, perform, edit, and/or loop portions of, record on film, video, digital animations, and video games (collectively, “Projects”) and use the Master Recording in synchronization or timed relation with the productions in unlimited Projects.

Broadcast Rights

The Licensor hereby grants to Licensee a non-exclusive license to broadcast or air the Master Recording on unlimited radio stations or through unlimited station channels, respectively.

Credit

Licensee shall give the producer appropriate production and songwriting credit on all compact discs, record and cassette labels or any other record configuration manufactured which is now known or created in the future that embodies the Instrumental created hereunder and on all cover liner notes. Such credit shall be in the substantial form: "Produced by Tellingbeatzz"

Sampling

The Licensee agrees that the Instrumental is purchased as a “Work Made for Hire” whereby the clearing of any sampled materials is the responsibility of the Licensee.

Indemnification

Licensee agrees to indemnify and hold Licensor harmless from and against any and all claims, losses, damages, costs, and expenses, including, without limitation, reasonable attorneys’ fees, arising out of or resulting from a claimed breach of any of the Licensee’s representations, warranties or agreements hereunder.

Miscellaneous

This License is non-transferable and is limited to the Instrumental specified, constitutes the entire agreement between the Licensor and the Licensee relating to the Instrumental, and shall be binding upon both Licensor and Licensee and their respective successors, assigns, and legal representatives. The Licensee shall provide the Producer with one (1) digital copy of the completed record within thirty (30) days after the release of any record embodying the masters via email to info@tellingbeatzz.com

Restrictions

All sounds, drums, and vocals included are the property of the licensor and cannot be used for any purpose other than as described in this agreement. The audio content cannot be used to create any of the following derivative works: instrumentals for sale, loop packs, vst instruments, or any other competitive product. The audio content cannot be shared with anyone unless they are directly involved in the Master recording (audio engineer, featured artist, musician, etc.). Any Master recording that is found in violation of these restrictions may be subject to termination of its commercial rights without refund. In addition, the Master recording may be subject to removal from all third-party distributors with the assistance of copyright infringement enforcers. Any loss incurred with such removal is not the responsibility of the Licensor. If the licensee is unsure of the details of the commercial rights, the licensee must contact the licensor for assistance in clarifying any of these restrictions.

Governing Law

This License is governed by and shall be construed under the laws of the Licensor’s resident country, without regard to the conflicts of laws and principles thereof. By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

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