Exclusive Rights Contract: What Creators Need to Sign
Producer signing exclusive contract on tablet

Exclusive Rights Contract: What Creators Need to Sign

An exclusive rights contract gives one party the sole legal power to use or exploit an asset within a defined scope, which means the grantor cannot license those same rights to anyone else for the length of the term. Before you sign or ask someone else to, move fast on three things:

  • Confirm the exact scope. Nail down the asset, field of use, territory, and duration in plain, measurable language.
  • Require a written agreement. It must spell out remedies and assignment rules, because courts rarely infer exclusivity from a handshake or an email thread.
  • Get counsel involved when the stakes are high. High dollar values or anything that smells like market foreclosure deserve a lawyer’s eyes before ink hits paper.

Below, you’ll find the clause-by-clause drafting checklist, what happens when someone breaks exclusivity, and sample language you can adapt today.

Key Takeaways

An exclusive rights contract holds up only when scope, duration, territory, and remedies are spelled out in writing and tied to measurable terms.

Point Details
Scope beats good intentions Define the exact asset, field of use, territory, and duration before anything else is negotiated.
Written terms are non-optional Courts rarely infer exclusivity from conduct, so the contract itself carries all enforcement weight.
Renewal should track performance Link contract extensions to sales or promotional milestones, not just a calendar date.
Antitrust risk is real at scale Exclusivity that forecloses market access can draw regulatory scrutiny under FTC guidance.
Tellingbeatzz simplifies exclusive beat buyouts Custom beat packs come with clear, unlimited commercial rights and no hidden licensing terms.

This article is general information, not a substitute for advice from a qualified lawyer. Consult a qualified legal professional about your own circumstances before acting on anything here.

Table of Contents

What Is an Exclusive Rights Contract, Legally?

An exclusive rights contract grants one party the sole right to use, reproduce, or exploit a specific asset, while the underlying ownership can still sit with the original creator. That distinction matters. Exclusivity is not the same as assignment, where ownership itself changes hands. A producer selling an exclusive beat license, a publisher signing an author to a single imprint, and a software company granting one distributor sole resale rights are all working the same legal mechanism with different assets attached.

Courts are reluctant to read exclusivity into casual conduct or a string of texts. The U.S. Copyright Office’s guidance on author agreements treats written terms as the backbone of any transfer or license, and UpCounsel’s overview of exclusive contracts makes the same point from the litigation side: a written agreement is what actually gets enforced.

Exclusive vs. Sole vs. Non-Exclusive: What’s the Real Difference?

Exclusive, sole, and non-exclusive licenses look similar on paper but carry different commercial weight. An exclusive license typically bars even the original owner from using the work unless the contract expressly carves out that right. A sole license still limits the field to one licensee, but the owner often keeps the right to use the asset personally. A non-exclusive license lets the owner sell the same rights to as many buyers as they want, which is why it’s priced far lower per unit.

Vinyl record and studio ear monitors detail

The Legal Information Institute’s entry on exclusive licenses is blunt about this: the wording you choose changes what you can legally do afterward. In beat licensing, the contrast is easy to see. A non-exclusive beat license typically sells for a low price and can be distributed widely. An exclusive beat buyout removes the track from sale entirely and commands a premium because the buyer is paying for scarcity. A “sole” arrangement sits in between: rare in music, but occasionally used when a producer wants to retain personal or archival use.

What Clauses Belong in an Exclusive Rights Contract?

A solid exclusive rights contract works because every clause answers a specific “what if.” Skip one, and that’s exactly where a dispute takes root.

  • Grant language: state precisely what rights transfer and under what conditions, not just “exclusive services.”
  • Scope and field of use: define the asset and the specific use case it covers (commercial release, sync licensing, merchandising).
  • Territory: worldwide, a single country, or a named region.
  • Term and renewal: a fixed period, with clear conditions for extension.
  • Compensation: flat fee, royalties, an exclusivity premium, or some combination.
  • Performance obligations: minimum sales, release deadlines, or promotional commitments tied to renewal.
  • Termination triggers: what breach looks like and how either side exits.
  • Assignment and anti-assignment terms: whether either party can transfer the contract to a third party.
  • Warranties and representations: confirmation that the grantor actually owns what they’re licensing.
  • Indemnities: who covers legal costs if a third party claims infringement.
  • Confidentiality: whether contract terms or unreleased material stay private.
  • Dispute resolution and governing law: arbitration, mediation, or court, and under whose jurisdiction.
  • Delivery and acceptance: file formats, deadlines, and what counts as a completed handoff.
  • Record keeping and audit rights: the licensee’s ability to verify royalty statements or usage reports.

The clause that trips people up most is scope. Ironclad’s drafting guidance calls this the “four corners” of exclusivity: the asset, the field of use, the territory, and the duration. Nail all four down with numbers and named categories, not adjectives, and you’ve closed off most of the ways a dispute could start. Vague phrases like “exclusive services” or “all related content” are exactly what litigation feeds on.

Pre-existing material deserves its own line. If a producer’s signature sample or a writer’s stock phrase shows up inside the final deliverable, the contract should grant a perpetual, worldwide license for that specific element as used, according to Gouchev Law’s analysis of pre-existing IP. Otherwise you’re setting up a future infringement claim against your own client.

Pro Tip: Tie renewal terms to a performance benchmark, not just a calendar date. A licensee who hits zero of their promotional commitments shouldn’t automatically get another two years of exclusivity just because the clock ran out.

What Happens When Someone Breaks an Exclusive Rights Contract?

Breach of exclusivity typically opens the door to injunctions, monetary damages, an account of profits, or outright termination, depending on what the contract specifies. Liquidated damages clauses, which set a pre-agreed dollar figure for breach, make enforcement faster because nobody has to argue over what the loss was actually worth.

Before any of that, the practical steps matter: preserve every document and date tied to the unauthorized use, send a cease-and-desist letter, and loop in counsel before things escalate to a filing. UpCounsel’s research notes that written remedy clauses make disputes resolve faster, because the contract itself is doing most of the arguing.

There’s a separate risk that has nothing to do with breach: antitrust exposure. The FTC’s guidance on exclusive dealing warns that exclusivity arrangements can draw regulatory scrutiny when they substantially foreclose market access for competitors. That risk mostly applies at scale, not to a single producer selling one exclusive beat, but any business locking up an entire supply chain or distribution channel through exclusivity should weigh that guidance seriously.

What Should You Confirm Before You Sign?

Run through this sequence before either side signs anything:

  1. Identify the asset precisely. Name the exact file, master, manuscript, or module, not a general category.
  2. Lock down field of use and territory. Commercial release only, or does it cover sync, merchandising, and streaming too?
  3. Set duration and renewal terms. Fixed term with explicit renewal conditions beats an open-ended arrangement.
  4. Clarify payment and any exclusivity premium. Know whether it’s a flat buyout, ongoing royalties, or both.
  5. Attach performance milestones if relevant. Especially important for the grantor, who wants assurance the exclusivity is actually being used.
  6. Review assignment rules. Can either party transfer the contract to someone else without consent?
  7. Define termination triggers clearly. What specific behavior counts as breach.
  8. Carve out pre-existing IP. Confirm what the grantor owned before this deal and what stays theirs.

Three red flags should stop you cold: scope language that reads like marketing copy instead of a legal description, a territory or term with no real boundary, and an anti-assignment clause with zero reasonable exceptions. If you’re the grantor, protect the carve-outs and performance triggers. If you’re the grantee, protect the scope and the remedies.

Sample Clauses You Can Adapt Right Now

Here are five short building blocks. None of these replace a lawyer’s review, but they’ll get a first draft moving.

Grant clause: “Licensor grants Licensee the sole and exclusive right to reproduce, distribute, and commercially exploit [specific asset] within [defined field of use], for the Term specified below.”

Scope clause: “This grant is limited to [territory] and to use in [field of use, e.g., commercial audio release], excluding all other uses not expressly stated.”

Term and renewal clause: “This Agreement shall remain in effect for a fixed term, renewable upon performance condition unless either party provides written notice of non-renewal with sufficient advance notice prior to expiration.”

Termination-for-breach clause: “Either party may terminate this Agreement upon written notice if the other party materially breaches any term and fails to cure such breach within a reasonable period after notice.”

Anti-assignment clause: “Neither party may assign this Agreement without prior written consent, except in connection with a merger, acquisition, or sale of substantially all assets.”

Swap the bracketed terms depending on whether you’re licensing a beat, a manuscript, or a software module, and read the Copyright Alliance’s comparison of exclusive and non-exclusive licenses if you’re working in publishing specifically. None of this substitutes for a lawyer reviewing your actual deal.

Sample Clauses You Can Adapt Right Now — overview diagram

Common Mistakes Creators Make With Exclusivity

Creators consistently undersell carve-outs for material they made before the deal. They also skip tying renewal to performance, which lets a passive buyer sit on exclusivity indefinitely. Before paying for a full legal review, archive every draft and timestamp your creation dates. That paper trail costs nothing and settles half of future disputes on sight.

How Tellingbeatzz Handles Exclusive Beat Licensing

Tellingbeatzz gives independent artists something most exclusive beat deals don’t: a one-time purchase with unlimited commercial rights and full transparency on what you’re actually buying, instead of a licensing structure buried in fine print. You can build a custom beat pack, choose MP3, WAV, or trackout formats, and lock in an exclusive buyout without negotiating scope clause by clause, since the terms are already clear before checkout.

Tellingbeatzz

That matters because the biggest risk in an exclusive rights contract for music is ambiguous scope, and Tellingbeatzz removes that ambiguity by structuring exclusivity into the license itself rather than leaving it to a back-and-forth negotiation. If you need a custom exclusive pack or want to see how the licensing terms are structured before you commit, browse available beats and licensing options and reach out for a custom quote.

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Mp3 Unlimited (+3 FREE)

MP3
License Terms

Unlimited License Agreement

This Unlimited License Agreement (the “Agreement”) is entered into on [Purchase Date] between Thomas Hodek, professionally known as Tellingbeatzz (“Licensor”) and [Customer Full Name] (“Licensee”).
The Licensee has purchased an MP3 Unlimited License for the instrumental titled “[Beat Title]” (“Beat”) for a license fee of [Purchase Price] under Order #[Order Number].
Upon successful payment, this Agreement becomes effective immediately and is delivered electronically together with the licensed Beat files.

1. Grant of License

The Licensor grants the Licensee a non-exclusive, worldwide, non-transferable and perpetual license to use the Beat to create and commercially exploit one or more new songs incorporating the Beat (“New Song”).
The Licensee may add vocals, lyrics, melodies, instrumentation, arrangements and other original contributions to the Beat.
The Beat itself remains the intellectual property of the Licensor and is not sold or transferred to the Licensee.

2. Unlimited Commercial Use

The Licensee may commercially release and use the New Song without limits on:
  • digital or physical distribution
  • sales
  • audio streams
  • monetized video streams
  • music videos
  • live or paid performances
  • radio and online broadcasts
  • social media content
  • albums, EPs, mixtapes and singles
There are no limits on streams, sales, downloads, views or performances generated by the New Song.

3. Master Recording and Revenue

The Licensee may create and commercially exploit a new master recording incorporating the Beat (“Master Recording”).
The Licensee retains the revenue generated directly from exploitation of the Master Recording, including streaming, digital distribution and physical sales, subject to any publishing, mechanical, performance or other composition-based royalties attributable to the Licensor’s share of the underlying composition.
The Licensor does not acquire ownership of the Licensee’s original lyrics, vocals or other independently created contributions.

4. Ownership

The Licensor retains all rights, title and interest in the original Beat, including the applicable copyright interests in the musical composition and sound recording.
This Agreement does not transfer ownership or copyright in the Beat to the Licensee.
The Licensee may protect or register their own original contributions to the New Song but may not claim sole ownership or authorship of the underlying Beat.

5. Publishing and Songwriting

For each New Song created under this Agreement, the underlying composition shall be divided as follows:
Licensee: 50%
Licensor: 50%
The Licensee agrees to properly identify the Licensor’s share when registering the New Song with a Performing Rights Organization, publisher, publishing administrator or other rights-management organization.
Licensor PRO Information:
Writer / Composer: Thomas Hodek
Producer Name: Tellingbeatzz
PRO: GEMA (Germany)
IPI / CAE: 716014087
Publishing Administrator: BeatStars Publishing Worldwide

6. Credit

Where credits are customarily provided, the Licensee agrees to credit the Producer as:
Produced by Tellingbeatzz
or
Beat by Tellingbeatzz
If additional featured-vocalist or hook credits are supplied with the Beat, those credits must also be included where reasonably applicable.

7. Content ID

Because the Beat may be licensed non-exclusively to multiple artists, the Licensee may not register the Beat or any New Song containing the Beat with YouTube Content ID or any similar automated copyright-claiming or fingerprinting system without prior written permission from the Licensor.
The Licensor reserves the right to register and administer the Beat through Content ID or similar systems.
If the Licensee receives a claim relating to a valid licensed use, proof of purchase may be submitted for review and release where appropriate.

8. Synchronization

The Licensee may synchronize the New Song with:
  • music videos
  • YouTube videos
  • social media content
  • podcasts
  • online promotional content
  • independent films and video projects
Major third-party commercial synchronization uses, including national advertising campaigns, television productions, feature films, major video games or comparable commercial projects, require prior written approval from the Licensor.

9. Prohibited Uses

The Licensee may not:
  1. resell, redistribute or sublicense the Beat in its original or substantially similar instrumental form;
  2. upload or distribute the Beat as a standalone instrumental under the Licensee’s name;
  3. include the Beat in beat packs, sample packs, loop libraries, sound libraries or production libraries;
  4. claim authorship or ownership of the original Beat;
  5. register the Beat or New Song with Content ID without permission;
  6. transfer this License to another person or entity without written consent;
  7. share the Beat files with third parties except persons directly involved in producing, recording, mixing, mastering or distributing the New Song.

10. Files Included

The files delivered depend on the license purchased:
MP3 Unlimited: MP3
WAV Unlimited: MP3 + WAV
Trackout Unlimited: MP3 + WAV + available tracked-out stems
The file format supplied does not change the commercial usage rights granted under this Agreement.

11. Non-Exclusive License

This is a non-exclusive license.
The Licensor may continue licensing or selling the same Beat to other customers.
The Licensee acknowledges that other artists may legally release different songs using the same Beat.

12. Future Exclusive Sale

If exclusive rights to the Beat are sold after this Agreement has taken effect, this License remains valid.
The Licensee may continue using, distributing and monetizing the New Song according to the terms of this Agreement.

13. Samples and Third-Party Material

Where the Beat contains third-party material requiring clearance, the Licensee is responsible for obtaining any additional clearance required for the Licensee’s intended use unless otherwise agreed in writing.
The Licensor will disclose known third-party clearance requirements where reasonably possible.

14. Term

This License is valid in perpetuity, provided the Licensee complies with this Agreement.
No renewal payment is required.

15. Breach

If the Licensee materially breaches this Agreement, the Licensor may provide written notice and, where the breach can reasonably be corrected, allow 30 days to cure the violation.
If the breach is not corrected within that period, the Licensor may terminate the License and pursue available remedies.

16. Governing Law

This Agreement is governed by the laws of the Federal Republic of Germany, without prejudice to mandatory consumer protection laws applicable to the Licensee.

17. Entire Agreement

This Agreement, together with the applicable WooCommerce order confirmation, constitutes the complete agreement between the Licensor and Licensee regarding the licensed Beat.
If any provision is found invalid or unenforceable, the remaining provisions remain effective.

WAV Unlimited (+6 FREE)

WAV, MP3
License Terms

Unlimited License Agreement

This Unlimited License Agreement (the “Agreement”) is entered into on [Purchase Date] between Thomas Hodek, professionally known as Tellingbeatzz (“Licensor”) and [Customer Full Name] (“Licensee”).
The Licensee has purchased an WAV Unlimited License for the instrumental titled “[Beat Title]” (“Beat”) for a license fee of [Purchase Price] under Order #[Order Number].
Upon successful payment, this Agreement becomes effective immediately and is delivered electronically together with the licensed Beat files.

1. Grant of License

The Licensor grants the Licensee a non-exclusive, worldwide, non-transferable and perpetual license to use the Beat to create and commercially exploit one or more new songs incorporating the Beat (“New Song”).
The Licensee may add vocals, lyrics, melodies, instrumentation, arrangements and other original contributions to the Beat.
The Beat itself remains the intellectual property of the Licensor and is not sold or transferred to the Licensee.

2. Unlimited Commercial Use

The Licensee may commercially release and use the New Song without limits on:
  • digital or physical distribution
  • sales
  • audio streams
  • monetized video streams
  • music videos
  • live or paid performances
  • radio and online broadcasts
  • social media content
  • albums, EPs, mixtapes and singles
There are no limits on streams, sales, downloads, views or performances generated by the New Song.

3. Master Recording and Revenue

The Licensee may create and commercially exploit a new master recording incorporating the Beat (“Master Recording”).
The Licensee retains the revenue generated directly from exploitation of the Master Recording, including streaming, digital distribution and physical sales, subject to any publishing, mechanical, performance or other composition-based royalties attributable to the Licensor’s share of the underlying composition.
The Licensor does not acquire ownership of the Licensee’s original lyrics, vocals or other independently created contributions.

4. Ownership

The Licensor retains all rights, title and interest in the original Beat, including the applicable copyright interests in the musical composition and sound recording.
This Agreement does not transfer ownership or copyright in the Beat to the Licensee.
The Licensee may protect or register their own original contributions to the New Song but may not claim sole ownership or authorship of the underlying Beat.

5. Publishing and Songwriting

For each New Song created under this Agreement, the underlying composition shall be divided as follows:
Licensee: 50%
Licensor: 50%
The Licensee agrees to properly identify the Licensor’s share when registering the New Song with a Performing Rights Organization, publisher, publishing administrator or other rights-management organization.
Licensor PRO Information:
Writer / Composer: Thomas Hodek
Producer Name: Tellingbeatzz
PRO: GEMA (Germany)
IPI / CAE: 716014087
Publishing Administrator: BeatStars Publishing Worldwide

6. Credit

Where credits are customarily provided, the Licensee agrees to credit the Producer as:
Produced by Tellingbeatzz
or
Beat by Tellingbeatzz
If additional featured-vocalist or hook credits are supplied with the Beat, those credits must also be included where reasonably applicable.

7. Content ID

Because the Beat may be licensed non-exclusively to multiple artists, the Licensee may not register the Beat or any New Song containing the Beat with YouTube Content ID or any similar automated copyright-claiming or fingerprinting system without prior written permission from the Licensor.
The Licensor reserves the right to register and administer the Beat through Content ID or similar systems.
If the Licensee receives a claim relating to a valid licensed use, proof of purchase may be submitted for review and release where appropriate.

8. Synchronization

The Licensee may synchronize the New Song with:
  • music videos
  • YouTube videos
  • social media content
  • podcasts
  • online promotional content
  • independent films and video projects
Major third-party commercial synchronization uses, including national advertising campaigns, television productions, feature films, major video games or comparable commercial projects, require prior written approval from the Licensor.

9. Prohibited Uses

The Licensee may not:
  1. resell, redistribute or sublicense the Beat in its original or substantially similar instrumental form;
  2. upload or distribute the Beat as a standalone instrumental under the Licensee’s name;
  3. include the Beat in beat packs, sample packs, loop libraries, sound libraries or production libraries;
  4. claim authorship or ownership of the original Beat;
  5. register the Beat or New Song with Content ID without permission;
  6. transfer this License to another person or entity without written consent;
  7. share the Beat files with third parties except persons directly involved in producing, recording, mixing, mastering or distributing the New Song.

10. Files Included

The files delivered depend on the license purchased:
MP3 Unlimited: MP3
WAV Unlimited: MP3 + WAV
Trackout Unlimited: MP3 + WAV + available tracked-out stems
The file format supplied does not change the commercial usage rights granted under this Agreement.

11. Non-Exclusive License

This is a non-exclusive license.
The Licensor may continue licensing or selling the same Beat to other customers.
The Licensee acknowledges that other artists may legally release different songs using the same Beat.

12. Future Exclusive Sale

If exclusive rights to the Beat are sold after this Agreement has taken effect, this License remains valid.
The Licensee may continue using, distributing and monetizing the New Song according to the terms of this Agreement.

13. Samples and Third-Party Material

Where the Beat contains third-party material requiring clearance, the Licensee is responsible for obtaining any additional clearance required for the Licensee’s intended use unless otherwise agreed in writing.
The Licensor will disclose known third-party clearance requirements where reasonably possible.

14. Term

This License is valid in perpetuity, provided the Licensee complies with this Agreement.
No renewal payment is required.

15. Breach

If the Licensee materially breaches this Agreement, the Licensor may provide written notice and, where the breach can reasonably be corrected, allow 30 days to cure the violation.
If the breach is not corrected within that period, the Licensor may terminate the License and pursue available remedies.

16. Governing Law

This Agreement is governed by the laws of the Federal Republic of Germany, without prejudice to mandatory consumer protection laws applicable to the Licensee.

17. Entire Agreement

This Agreement, together with the applicable WooCommerce order confirmation, constitutes the complete agreement between the Licensor and Licensee regarding the licensed Beat.
If any provision is found invalid or unenforceable, the remaining provisions remain effective.

Trackout Unlimited (+9 FREE)

WAV, MP3, Trackout
License Terms

Unlimited License Agreement

This Unlimited License Agreement (the “Agreement”) is entered into on [Purchase Date] between Thomas Hodek, professionally known as Tellingbeatzz (“Licensor”) and [Customer Full Name] (“Licensee”).
The Licensee has purchased an Trackout Unlimited License for the instrumental titled “[Beat Title]” (“Beat”) for a license fee of [Purchase Price] under Order #[Order Number].
Upon successful payment, this Agreement becomes effective immediately and is delivered electronically together with the licensed Beat files.

1. Grant of License

The Licensor grants the Licensee a non-exclusive, worldwide, non-transferable and perpetual license to use the Beat to create and commercially exploit one or more new songs incorporating the Beat (“New Song”).
The Licensee may add vocals, lyrics, melodies, instrumentation, arrangements and other original contributions to the Beat.
The Beat itself remains the intellectual property of the Licensor and is not sold or transferred to the Licensee.

2. Unlimited Commercial Use

The Licensee may commercially release and use the New Song without limits on:
  • digital or physical distribution
  • sales
  • audio streams
  • monetized video streams
  • music videos
  • live or paid performances
  • radio and online broadcasts
  • social media content
  • albums, EPs, mixtapes and singles
There are no limits on streams, sales, downloads, views or performances generated by the New Song.

3. Master Recording and Revenue

The Licensee may create and commercially exploit a new master recording incorporating the Beat (“Master Recording”).
The Licensee retains the revenue generated directly from exploitation of the Master Recording, including streaming, digital distribution and physical sales, subject to any publishing, mechanical, performance or other composition-based royalties attributable to the Licensor’s share of the underlying composition.
The Licensor does not acquire ownership of the Licensee’s original lyrics, vocals or other independently created contributions.

4. Ownership

The Licensor retains all rights, title and interest in the original Beat, including the applicable copyright interests in the musical composition and sound recording.
This Agreement does not transfer ownership or copyright in the Beat to the Licensee.
The Licensee may protect or register their own original contributions to the New Song but may not claim sole ownership or authorship of the underlying Beat.

5. Publishing and Songwriting

For each New Song created under this Agreement, the underlying composition shall be divided as follows:
Licensee: 50%
Licensor: 50%
The Licensee agrees to properly identify the Licensor’s share when registering the New Song with a Performing Rights Organization, publisher, publishing administrator or other rights-management organization.
Licensor PRO Information:
Writer / Composer: Thomas Hodek
Producer Name: Tellingbeatzz
PRO: GEMA (Germany)
IPI / CAE: 716014087
Publishing Administrator: BeatStars Publishing Worldwide

6. Credit

Where credits are customarily provided, the Licensee agrees to credit the Producer as:
Produced by Tellingbeatzz
or
Beat by Tellingbeatzz
If additional featured-vocalist or hook credits are supplied with the Beat, those credits must also be included where reasonably applicable.

7. Content ID

Because the Beat may be licensed non-exclusively to multiple artists, the Licensee may not register the Beat or any New Song containing the Beat with YouTube Content ID or any similar automated copyright-claiming or fingerprinting system without prior written permission from the Licensor.
The Licensor reserves the right to register and administer the Beat through Content ID or similar systems.
If the Licensee receives a claim relating to a valid licensed use, proof of purchase may be submitted for review and release where appropriate.

8. Synchronization

The Licensee may synchronize the New Song with:
  • music videos
  • YouTube videos
  • social media content
  • podcasts
  • online promotional content
  • independent films and video projects
Major third-party commercial synchronization uses, including national advertising campaigns, television productions, feature films, major video games or comparable commercial projects, require prior written approval from the Licensor.

9. Prohibited Uses

The Licensee may not:
  1. resell, redistribute or sublicense the Beat in its original or substantially similar instrumental form;
  2. upload or distribute the Beat as a standalone instrumental under the Licensee’s name;
  3. include the Beat in beat packs, sample packs, loop libraries, sound libraries or production libraries;
  4. claim authorship or ownership of the original Beat;
  5. register the Beat or New Song with Content ID without permission;
  6. transfer this License to another person or entity without written consent;
  7. share the Beat files with third parties except persons directly involved in producing, recording, mixing, mastering or distributing the New Song.

10. Files Included

The files delivered depend on the license purchased:
MP3 Unlimited: MP3
WAV Unlimited: MP3 + WAV
Trackout Unlimited: MP3 + WAV + available tracked-out stems
The file format supplied does not change the commercial usage rights granted under this Agreement.

11. Non-Exclusive License

This is a non-exclusive license.
The Licensor may continue licensing or selling the same Beat to other customers.
The Licensee acknowledges that other artists may legally release different songs using the same Beat.

12. Future Exclusive Sale

If exclusive rights to the Beat are sold after this Agreement has taken effect, this License remains valid.
The Licensee may continue using, distributing and monetizing the New Song according to the terms of this Agreement.

13. Samples and Third-Party Material

Where the Beat contains third-party material requiring clearance, the Licensee is responsible for obtaining any additional clearance required for the Licensee’s intended use unless otherwise agreed in writing.
The Licensor will disclose known third-party clearance requirements where reasonably possible.

14. Term

This License is valid in perpetuity, provided the Licensee complies with this Agreement.
No renewal payment is required.

15. Breach

If the Licensee materially breaches this Agreement, the Licensor may provide written notice and, where the breach can reasonably be corrected, allow 30 days to cure the violation.
If the breach is not corrected within that period, the Licensor may terminate the License and pursue available remedies.

16. Governing Law

This Agreement is governed by the laws of the Federal Republic of Germany, without prejudice to mandatory consumer protection laws applicable to the Licensee.

17. Entire Agreement

This Agreement, together with the applicable WooCommerce order confirmation, constitutes the complete agreement between the Licensor and Licensee regarding the licensed Beat.
If any provision is found invalid or unenforceable, the remaining provisions remain effective.

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