Is SoundClick Still Worth It in 2025? A Realistic Guide for Rappers and Producers
SoundClick.com

Is SoundClick Still Worth It in 2025? A Realistic Guide for Rappers and Producers

If you’ve been making music for a while, you probably remember when SoundClick was the spot for rappers and producers. Charts were popping, artists discovered new beats every day, and a lot of producers built their first loyal fanbase there. But in 2025, with platforms like BeatStars, Airbit, YouTube, TikTok and your own website in the mix, many artists are asking a simple question: is SoundClick still worth using, or is it dead?

The honest answer is: SoundClick can still be useful, but only if you understand its role. It’s no longer the one platform that carries your whole career. Instead, it’s a potential traffic source and discovery tool that should work alongside your own ecosystem – especially your own beat store.


What SoundClick Still Does Well in 2025

Despite not being talked about as much as newer platforms, SoundClick still has a few advantages that can help rappers and producers:

First, there’s the legacy audience. A lot of listeners who grew up with SoundClick still go back there out of habit. Some of them are hardcore underground rap fans who are actively searching for new instrumentals and unknown artists. For certain niches, SoundClick is still familiar and trusted.

Second, SoundClick can still be a place to get discovered if you treat it the right way. You can upload your beats or songs, optimize your profile, and show up in searches and charts within your genre. It may not have the hype of other platforms, but the competition is also lower in some categories, which can work in your favor.

Third, it’s a decent testing ground. You can upload different styles of beats – for example dreamy, sad, motivational or angry type instrumentals – and see which ones get more plays, likes or downloads. That feedback can help you decide what to promote more heavily on your main beat store or what kind of custom beats to offer later.


The Downsides of Relying Only on SoundClick

However, there are some serious limitations if you try to build your entire career around SoundClick in 2025.

You don’t fully control the platform. Algorithms can change, the site can update, traffic can go down, and you have no say in it. If all your plays, fans and sales depend on a single external platform, your brand is fragile. As soon as something changes, your reach can drop overnight.

You also have limited control over the buying experience. You can sell beats there, but it’s not the same as sending clients directly to your own beat catalog where everything is optimized around your brand, your sound and your offers. On your own site, you can direct artists straight to focused pages like your main beats and instrumentals catalog at:
https://tellingbeatzz.com/beats-instrumentals/

Another issue: you’re not building a strong brand identity on SoundClick alone. You’re just another name on a big platform. When an artist buys from your own website, they associate that professional experience with you personally. This is how long-term relationships, repeat buyers and referrals are formed.


How Rappers Can Use SoundClick the Smart Way

If you’re a rapper, you don’t have to ignore SoundClick entirely. You just need a clear strategy.

Use SoundClick as a discovery channel, not your home base. For example, you can search for beats that match your mood and style – whether that’s lo-fi, spiritual, sad, motivational, or aggressive angry vibes. But when you find a producer you truly connect with, it’s smart to check if they also have their own website or dedicated beat store.

A producer who invests in a professional site usually also invests in:

  • Higher-quality beat mixing and arrangement

  • Clear licensing terms

  • Helpful resources for artists (e.g. songwriting help or marketing tips)

If you want structured guidance, you can also use resources outside SoundClick. For example, if you’re trying to write better verses for the beats you buy, you can grab a free rap songwriting guide here:
https://tellingbeatzz.com/free-rap-songwriting-guide/

The main idea: discover music wherever you want – including SoundClick – but build stable relationships and serious releases around producers who treat their craft and business professionally.


How Producers Should Use SoundClick in 2025

For producers, SoundClick can still be part of your strategy – but it should not be your whole strategy.

Think of it like this:
SoundClick = a place where strangers find you.
Your own website = the place where strangers become real clients.

On SoundClick, you can:

  • Upload a selection of your strongest beats

  • Focus on clear branding in your profile graphics and bio

  • Strategically mention that artists can find your full catalog on your own site

  • Include direct links back to your beat store and offers

For example, if you’re running a beat site like Tellingbeatzz, your SoundClick profile should send traffic to:

That way, SoundClick becomes a funnel that feeds listeners into a system you completely control.


Why You Still Need Your Own Beat Website

No matter how you feel about SoundClick, one thing is clear in 2025:
If you’re serious about your music career, you need your own home base.

A dedicated beat store or artist website does things no third-party platform can fully replace:

  • You control the design, branding and messaging

  • You decide how to structure your offers and bundles

  • You can create your own beat packs and custom services

For example, instead of only sending artists to a generic SoundClick page, you can send them to a custom beat pack offer like this:
https://tellingbeatzz.com/custom-beat-pack/

Or you can promote a 10-for-1 beat deal that is exclusive to your website visitors:
https://tellingbeatzz.com/10-2/

These kinds of focused offers are difficult to present properly on a shared platform. On your own site, you can highlight them with clear copy, visuals and trust elements.

On top of that, your own website lets you:

  • Build an email list of artists who download your free beats

  • Offer free beat packs in exchange for contact info

  • Share extra resources for artists, like guides and tutorials

Rappers visiting your site can also grab free beats and explore your catalog without the distractions of a crowded platform:
https://tellingbeatzz.com/free-beats/

And if you want to go even further, you can create an entire Artist Resource Hub, which gives real value beyond just selling instrumentals:
https://tellingbeatzz.com/artist-resource-hub/


How Beat Licensing Fits Into the SoundClick vs. Own Site Discussion

A major reason to move beyond just SoundClick is licensing clarity. Many artists are still confused about:

  • What they’re allowed to do with a leased beat

  • How many streams or sales a license covers

  • Whether they keep royalties

  • What happens if the beat gets bought exclusively

Most shared platforms don’t explain this in-depth, and buyers often skip the fine print. On your own site, you can send artists to a clear explanation page, for example:
https://tellingbeatzz.com/beat-licensing-explained/

This builds trust and reduces problems later. When rappers see that you care enough to break everything down in detail, they’re more likely to buy, return and recommend you.


So… Is SoundClick Still Worth It in 2025?

In 2025, SoundClick is not dead, but it’s also not enough on its own.

It’s worth using if:

  • You treat it as one traffic source among many

  • You send that traffic to your own beat site

  • You focus on your brand, not just the platform

  • You use it to test which styles, moods and artist types resonate most

It’s not worth it if:

  • You rely on it as your only home

  • You ignore your own branding, website and email list

  • You expect it to carry your entire career like it might have in the past

The modern, realistic strategy for rappers and producers looks like this:

  • Use platforms like SoundClick, YouTube, DSPs and social media to get discovered

  • Use your own website (like Tellingbeatzz.com) to convert listeners into long-term fans and clients

  • Use clear licensing, strong offers and helpful resources to keep people coming back

In other words: SoundClick can still be part of your toolkit in 2025 – but your career should never depend on a single platform.


Browse Beats & Instrumentals

Check out my extensive catalog of more than 500 custom-made beats and instrumentals, available for free download or licensing.

No Comments

Leave a Reply

Choose A License

Basic MP3

MP3
License Terms

NON-EXCLUSIVE BASIC MP3 LICENSE AGREEMENT


This Non-Exclusive Basic MP3 License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $40 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”). This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as a high-quality MP3 file to the email address provided by the Licensee after purchase.

3. Permitted Uses


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute up to 2,500 copies (digital and/or physical)
• Achieve up to 250,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 250,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Make minor modifications to the Beat (e.g., arrangement, tempo, pitch)

4. Restrictions


Licensee agrees NOT to:
• Sell, lease, share, or distribute the Beat in its original form
• Upload or distribute the Beat without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat
Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as: “Produced by Tellingbeatzz”

9. Term


This license is valid for hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

11. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

12. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

13. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

Basic Wav

WAV, MP3
License Terms

NON-EXCLUSIVE BASIC WAV LICENSE AGREEMENT


This Non-Exclusive Basic WAV License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $60 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”).

This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as:
• High-quality MP3 file
• High-quality WAV file

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses


Licensee is granted the right to:
• Record vocals over the Beat to create one (1) New Song
• Distribute up to 5,000 copies (digital and/or physical)
• Achieve up to 500,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 500,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Make minor modifications to the Beat (e.g., arrangement, tempo, pitch)

4. Restrictions


Licensee agrees NOT to:
• Sell, lease, share, or distribute the Beat in its original form
• Upload or distribute the Beat without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat
Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

11. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

12. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of
Germany.

13. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

Premium Stems

WAV, MP3, Trackout
License Terms

NON-EXCLUSIVE PREMIUM STEMS LICENSE AGREEMENT


This Non-Exclusive Premium Stems License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $100 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”). This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as:

High-quality MP3 file
High-quality WAV file
Trackout stems (individual audio files)

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute up to 10,000 copies (digital and/or physical)
• Achieve up to 1,000,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 1,000,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Fully mix, arrange, and modify the Beat using the provided stems

4. Restrictions


Licensee agrees NOT to:

• Sell, lease, share, or distribute the Beat or stems in their original form
• Upload or distribute the Beat or stems without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

11. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

12. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

13. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

Unlimited

WAV, MP3, Trackout
License Terms

NON-EXCLUSIVE UNLIMITED LICENSE AGREEMENT


This Non-Exclusive Unlimited License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $150 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”).

This license allows unlimited commercial use as defined below.

2. Delivery


The Beat will be delivered as:

High-quality MP3 file
High-quality WAV file
Trackout stems (individual audio files)

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses (Unlimited)


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute unlimited copies (digital and/or physical)
• Achieve unlimited monetized audio streams
• Upload unlimited music videos
• Achieve unlimited monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song without any restrictions
• Fully mix, edit, and modify the Beat using the provided stems

4. Restrictions


Licensee agrees NOT to:

• Sell, lease, share, or distribute the Beat or stems in their original form
• Upload or distribute the Beat or stems without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat

Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer under this Agreement.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Non-Exclusive Rights


This is a non-exclusive license, meaning:

• The Beat may be licensed to other artists
• Producer retains the right to sell additional licenses

11. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license.

Upon termination, Licensee must cease all use and distribution of the New Song.

12. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

13. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

14. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

Download

To download your free version of please enter your name and email address and the download link will be emailed to you

Your download link has been emailed to you