How to Get Music Featured on Music Blogs
Music Blogs

How to Get Music Featured on Music Blogs

Want to learn how to get music featured on music blogs, so you can start blowing up? Follow these suggestions for submitting.

Over the last decade, there have been quite a few rappers who have gone on the record during songs and in interviews and said, “F*** the blogs!”

But the truth is that it’s pretty much impossible for rappers and other musicians to blow up in 2019 without getting featured on music blogs. Blogs have played at least some role in the growth and development of everyone from Drake and A$AP Rocky to J. Cole and Lil Uzi Vert.

If you’re an aspiring rapper looking to make a name for yourself, it’s essential to learn how to get music featured on various music blogs that are out there sooner than later. The blogs could very well make or break your career.

Here are five tips that will help you generate a ton of buzz on the music blogs in no time.

Start by Creating Good Music

First things first: No one—and we do mean no one—is going to take you seriously as a musician if you don’t have an arsenal of good music stashed away.

Does that mean you need to have a collection of hit records ready to go in the chamber? Not necessarily. But it does mean that you’re going to need to make a great impression on people once you start trying to attract the attention of music blogs.

Before you start submitting music to the blogs, spend some time recording music and finding your voice on the microphone. It’s essential for you to stand out in the crowd since there is a sea of rappers trying to break onto the scene right now.

Buy original beats online and record, record, and record some more. Upload your songs to YouTube, SoundCloud, and whichever streaming services will have you. Spotify, Apple Music, and Tidal are a few of your options.

Your goal should be to record a bunch of songs that you’re proud of so that you can start trying to share them with the world. The blogs may not fall in love with your 5th song, your 10th song, or even your 100th song. But if you keep grinding, you’ll find your groove and set yourself apart from the pack.

Build a Passionate Social Media Following

In addition to building up a collection of songs online, you should also build up a strong social media following. Join sites like Facebook, Twitter, and Instagram and start putting up posts.

Do not use social media solely to send out links to your latest music, though. If people aren’t familiar with your work yet, there’s almost no chance of them clicking on your links and listening to your music. Worse, they’re not going to be motivated to follow you on social media if all you do is post links of your music.

Rather than spamming your social media followers, work on forming real connections with them even if you only have a few at the start. You can send out a link to new music now and then, but for the most part, social media should be a place where you showcase your personality.

In this day and age, great music is only going to take you so far. You also need to have a magnetic personality that people flock to, especially when you’re trying to win over the blogs. Tens of thousands of social media followers will show blogs that you’re someone they need to pay attention to.

Connect With Smaller Music Blogs

Once you have a bunch of music recorded and social media followers who seem to be digging it, there is a chance music blogs might start reaching out to you. Blogs like Pigeons & Planes are always trying to “break” the next big thing to their readers, so don’t be surprised if you start hearing from them.

If music blogs are still giving you the cold shoulder, though, it’ll be time for you to get out there to try connecting with them. Look around for smaller blogs that cover music like yours and seem open to submissions.

Instead of sending submissions to a generic “Contact” email listed on a blog, see if you can find email addresses for specific writers for the blog. Send them an email to introduce yourself and include:

  • Your rap name
  • Your hometown
  • Your age
  • Your background (limit it to just two or three sentences, tops!)
  • Links to 3 recent songs that you think the blogger would like

Include links to your social media accounts, too, and invite them to follow you. Thank them for their time and let them know that you’d be happy to answer any questions they might have about your music.

If your music is strong enough and you make a good impression on bloggers, you should start to see your songs go up in different places. 

Pitch Music to Bigger Blogs

Here’s what you need to remember about the bigger music blogs: They need people to click on the stories and music posts they put up to be successful. It’s why most of them spend their days putting up posts about the Drakes, Jay-Zs, and Lil Waynes of the world.

With that in mind, they’re not going to post your music if they’ve never heard of you. But they might start to come around to the idea once they see that you’ve been featured on dozens of smaller blogs and built up a little bit of buzz for yourself.

Take the same approach to reach out to the more prominent blogs that you took to reach out to the smaller ones. Find people who write for these blogs and email them to introduce yourself and share your music. Share links to some of the smaller blogs that have posted your music, too, to show them that you’re not some nobody was spamming their inboxes.

Try to make connections with others in the music industry in the same way. From record label, executives to the managers for successful artists, connect with whoever you can to establish your name more. It’ll make you a more attractive artist to the blogs.

Don’t Let Rejection Get the Best of You

Nobody likes to hear the word “no.” But when you’re trying to figure out how to get music featured on music blogs, you’re going to hear it a lot.

Try not to take it personally. Music bloggers get hundreds and, in some cases, even thousands of music submissions every week. It would be impossible for them to listen to everything that gets thrown their way.

Keep trying to reach out to them with your new music (without being too pushy or annoying about it!) and, of course, keep recording high-quality music that people want to hear. It’s the only way you’re ever going to get heard.

Knowing How to Get Music Featured on Music Blogs Is Essential

In a perfect world, you would record a few songs, send them to a music blogger at a big music blog, and have a record deal by the end of the week.

But obviously, that’s not how it works. Most rappers hone their craft for years before catching their first big break. It takes them a long time to make great music and learn how to get music featured on blogs.

Start your journey today by buying some beats and getting into the booth.


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This Non-Exclusive Basic MP3 License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $40 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”). This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as a high-quality MP3 file to the email address provided by the Licensee after purchase.

3. Permitted Uses


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute up to 2,500 copies (digital and/or physical)
• Achieve up to 250,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 250,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Make minor modifications to the Beat (e.g., arrangement, tempo, pitch)

4. Restrictions


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• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat
Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as: “Produced by Tellingbeatzz”

9. Term


This license is valid for hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

11. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

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This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

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Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $60 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”).

This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as:
• High-quality MP3 file
• High-quality WAV file

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses


Licensee is granted the right to:
• Record vocals over the Beat to create one (1) New Song
• Distribute up to 5,000 copies (digital and/or physical)
• Achieve up to 500,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 500,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Make minor modifications to the Beat (e.g., arrangement, tempo, pitch)

4. Restrictions


Licensee agrees NOT to:
• Sell, lease, share, or distribute the Beat in its original form
• Upload or distribute the Beat without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat
Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

11. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

12. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of
Germany.

13. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

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Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $100 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”). This license allows commercial use within the limits defined below.

2. Delivery


The Beat will be delivered as:

High-quality MP3 file
High-quality WAV file
Trackout stems (individual audio files)

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute up to 10,000 copies (digital and/or physical)
• Achieve up to 1,000,000 monetized audio streams
• Upload up to two (2) music videos
• Achieve up to 1,000,000 monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song within the limits stated above
• Fully mix, arrange, and modify the Beat using the provided stems

4. Restrictions


Licensee agrees NOT to:

• Sell, lease, share, or distribute the Beat or stems in their original form
• Upload or distribute the Beat or stems without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer for use of the Beat within the limits of this license.
If the usage exceeds the allowed limits, Licensee must upgrade to a higher license.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license. Upon termination, Licensee must cease all use and distribution of the New Song.

11. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

12. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

13. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

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This Non-Exclusive Unlimited License Agreement (“Agreement”) is made effective as of _____ (“Effective Date”) by and between:

Thomas Hodek p/k/a Tellingbeatzz (“Producer” or “Licensor”)
and _____, residing at _____ (“Licensee”).

This Agreement governs the use of the instrumental titled “_____” (“Beat”).

1. License Grant


Upon receipt of full payment of $150 USD (“License Fee”), Producer grants Licensee a non-exclusive, non-transferable, worldwide license to use the Beat to create one (1) new song (“New Song”).

This license allows unlimited commercial use as defined below.

2. Delivery


The Beat will be delivered as:

High-quality MP3 file
High-quality WAV file
Trackout stems (individual audio files)

The Licensee will receive the files and this license via the email address provided after purchase.

3. Permitted Uses (Unlimited)


Licensee is granted the right to:

• Record vocals over the Beat to create one (1) New Song
• Distribute unlimited copies (digital and/or physical)
• Achieve unlimited monetized audio streams
• Upload unlimited music videos
• Achieve unlimited monetized video streams
• Distribute unlimited free downloads
• Perform the New Song live an unlimited number of times
• Broadcast the New Song on radio without limitation
• Monetize the New Song without any restrictions
• Fully mix, edit, and modify the Beat using the provided stems

4. Restrictions


Licensee agrees NOT to:

• Sell, lease, share, or distribute the Beat or stems in their original form
• Upload or distribute the Beat or stems without vocals or additional production
• Register the Beat or New Song with any Content ID system (e.g., YouTube Content ID)
• Use the Beat in television, film, commercials, video games, or other audiovisual productions (sync licensing not included)
• Transfer or sublicense this Agreement to any third party
• Claim ownership of the Beat

Any unauthorized use constitutes a material breach of this Agreement.

5. Ownership


• The Producer retains 100% ownership of the Beat, including all copyrights
• Licensee owns only their original lyrics and vocal performance
• The New Song is considered a derivative work

6. Publishing Split


The underlying musical composition of the New Song shall be split as follows:

Producer: 50%
Licensee: 50%

If Licensee registers the New Song with a Performing Rights Organization (PRO), they must include the Producer’s 50% share.

PRO Information:
PRO: GEMA (Germany)
Name: Thomas Hodek
Composer: Tellingbeatzz
CAW / IPI No: 716014087

7. Royalties


Licensee is not required to pay royalties to Producer under this Agreement.

8. Credit


Licensee agrees to credit the Producer in all releases of the New Song as:
“Produced by Tellingbeatzz”

9. Term


This license is valid for one hundred (100) years from the Effective Date.

10. Non-Exclusive Rights


This is a non-exclusive license, meaning:

• The Beat may be licensed to other artists
• Producer retains the right to sell additional licenses

11. Breach & Termination


Failure to comply with any terms of this Agreement may result in termination of the license.

Upon termination, Licensee must cease all use and distribution of the New Song.

12. Limitation of Liability


The Beat is provided “as is” without warranties of any kind. Producer is not liable for any damages arising from the use of the Beat.

13. Governing Law


This Agreement shall be governed by and interpreted in accordance with the laws of Germany.

14. Acceptance


By purchasing the Beat, Licensee acknowledges that they have read, understood, and agreed to the terms of this Agreement. Payment serves as a legally binding acceptance.

Licensor (Producer):
Thomas Hodek / Tellingbeatzz

Licensee (Customer): _____
Date: _____

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